The Sentinel (Jack Reacher Series #25)

by Lee Child, Andrew Child

Overview

#1 NEW YORK TIMES BESTSELLER • Don’t miss the hit streaming series Reacher! 

Jack Reacher is back! The “utterly addictive” (The New York Times) series continues as acclaimed author Lee Child teams up with his brother, Andrew Child, fellow thriller writer extraordinaire.

“One of the many great things about Jack Reacher is that he’s larger than life while remaining relatable and believable. The Sentinel shows that two Childs are even better than one.”—James Patterson

As always, Reacher has no particular place to go, and all the time in the world to get there. One morning he ends up in a town near Pleasantville, Tennessee.

But there’s nothing pleasant about the place.

In broad daylight Reacher spots a hapless soul walking into an ambush. “It was four against one” . . . so Reacher intervenes, with his own trademark brand of conflict resolution.

The man he saves is Rusty Rutherford, an unassuming IT manager, recently fired after a cyberattack locked up the town’s data, records, information . . . and secrets. Rutherford wants to stay put, look innocent, and clear his name.

Reacher is intrigued. There’s more to the story. The bad guys who jumped Rutherford are part of something serious and deadly, involving a conspiracy, a cover-up, and murder—all centered on a mousy little guy in a coffee-stained shirt who has no idea what he’s up against.

Rule one: if you don’t know the trouble you’re in, keep Reacher by your side.

Product Details

ISBN-13:	9781984818478
Publisher:	Random House Publishing Group
Publication date:	10/27/2020
Series:	Jack Reacher Series
Sold by:	Random House
Format:	eBook
Pages:	368
Sales rank:	4,071
File size:	3 MB

About the Author

Lee Child is the author of more than two dozen New York Times bestselling Jack Reacher thrillers, with most having reached the #1 position, and the #1 bestselling complete Jack Reacher story collection, No Middle Name. Foreign rights in the Reacher series have sold in one hundred territories. A native of England and a former television director, Lee Child lives in New York City and Wyoming.

Andrew Child, who also writes as Andrew Grant, is the author of RUN, False Positive, False Friend, False Witness, Invisible, and Too Close to Home. Child and his wife, the novelist Tasha Alexander, live on a wildlife preserve in Wyoming.

Hometown:

Birmingham, England

Date of Birth:

1954

Place of Birth:

Coventry, England

Education:

Sheffield University

Website:

http://www.leechild.com

Read an Excerpt

Chapter 1

Rusty Rutherford emerged from his apartment on a Monday morning, exactly one week after he got fired.

He spent the first few days after the ax fell with his blinds drawn, working through his stockpile of frozen pizzas and waiting for the phone to ring. Significant weaknesses, the dismissal letter said. Profound failure of leadership. Basic and fundamental errors. It was unbelievable. Such a distortion of the truth. And so unfair. They were actually trying to pin the town’s recent problems on him. It was . . . a mistake. Plain and simple. Which meant it was certain to be corrected. And soon.

The hours crawled past. His phone stayed silent. And his personal email silted up with nothing more than spam.

He resisted for another full day, then grabbed his old laptop and powered it up. He didn’t own a gun or a knife. He didn’t know how to rappel from a helicopter or parachute from a plane. But still, someone had to pay. Maybe his real-­life enemies were going to get away with it. This time. But not the villains in the videogames a developer buddy had sent him. He had shied away from playing them, before. The violence felt too extreme. Too unnecessary. It didn’t feel that way anymore. His days of showing mercy were over. Unless . . .

His phone stayed silent.

Twenty-­four hours later he had a slew of new high scores and a mild case of dehydration, but not much else had changed. He closed the computer and slumped back on his couch. He stayed there for the best part of another day, picking at random from a stack of blu rays he didn’t remember buying and silently begging the universe to send him back to work. He would be different, he swore. Easier to get along with. More patient. Diplomatic. Empathetic, even. He would buy donuts for everyone in the office. Twice a month. Three times, if that would seal the deal . . .

His phone stayed silent.

He didn’t often drink, but what else was there left to do? The credits began to roll at the end of another disk. He couldn’t stomach another movie so he retreated to the kitchen. Retrieved an unopened bottle of Jim Beam from the back of a cabinet. Returned to the living room and put a scratchy old Elmore James LP on the turntable.

He wound up asleep, facedown on the floor, after—­he wasn’t sure how long. All he knew was that when he woke up his head felt like it was crammed full of rocks, shifting and grinding as if they were trying to burst out of his skull. He thought the pain would never end. But when his hangover did finally pass he found himself experiencing a new emotion. Defiance. He was an innocent man, after all. None of the bad things that had happened were his fault. That was for damn sure. He was the one who’d foreseen them. Who’d warned his boss about them. Time after time. In public and in private. And who’d been ignored. Time after time. So after seven days holed up alone, Rutherford decided it was time to show his face. To tell his side of the story. To anyone who would listen.

He took a shower and dug some clothes out of his closet. Chinos and a polo shirt. Brand new. Somber colors, with logos, to show he meant business. Then he retrieved his shoes from the opposite corners of the hallway where he’d flung them. Scooped up his keys and sunglasses from the bookcase by the door. Stepped out into the corridor. Rode down in the elevator, alone. Crossed the lobby. Pushed through the heavy revolving door and paused on the sidewalk. The mid-­morning sun felt like a blast furnace and its sudden heat drew beads of sweat from his forehead and armpits. He felt a flutter of panic. Guilty people sweat. He’d read that somewhere, and the one thing he was desperate to avoid was looking guilty. He glanced around, convinced that everyone would be staring at him, then forced himself to move. He picked up the pace, feeling more conspicuous than if he’d been walking down the street naked. But the truth was that most of the people he passed didn’t even notice he was there. In fact, only two of them paid him any attention at all.

The same time Rusty Rutherford was coming out of his apartment, Jack Reacher was breaking into a bar. He was in Nashville, Tennessee, seventy-­five miles north and east of Rutherford’s sleepy little town, and he was searching for the solution to a problem. It was a practical matter, primarily. A question of physics. And biology. Specifically, how to suspend a guy from a ceiling without causing too much permanent damage. To the ceiling, at least. He was less concerned about the guy.

The ceiling belonged to the bar. And the bar belonged to the guy. Reacher had first set foot in the place a little over a day earlier. On Saturday. Almost Sunday, because it was close to midnight by the time he got into town. His journey had not been smooth. The first bus he rode caught on fire and its replacement got wedged under a low bridge after its driver took a wrong turn twenty miles out. Reacher was stiff from the prolonged sitting when he eventually climbed out at the Greyhound station so he moved away to the side, near the smokers’ pen, and took a few minutes to stretch the soreness out of his muscles and joints. He stood there, half-­hidden in the shadows, while the rest of the passengers milled around and talked and did things with their phones and reclaimed their luggage and gradually drifted away.

Reacher stayed where he was. He was in no hurry. He’d arrived later than expected, but that was no major problem. He had no appointments to keep. No meetings to attend. No one was waiting for him, getting worried or getting mad. He’d planned to find a place to stay for the night. A diner, for some food. And a bar where he could hear some good music. He should still be able to do all those things. He’d maybe have to switch the order around. Maybe combine a couple of activities. But he’d live. And with some hotels, the kind Reacher preferred, it can work to show up late. Especially if you’re paying cash. Which he always did.

Music first, Reacher decided. He knew there was no shortage of venues in Nashville, but he wanted a particular kind of place. Somewhere worn. With some history. Where Blind Blake could have played, back in the day. Howlin’ Wolf, even. Certainly nowhere new, or gentrified, or gussied up. The only question was how to find a place like that. The lights were still on in the bus depot, and a handful of people were still working or waiting or just keeping themselves off the street. Some of them were bound to be local. Maybe all of them were. Reacher could have asked for directions. But he didn’t go in. He preferred to navigate by instinct. He knew cities. He could read their shape and flow like a sailor can sense the direction of the coming waves. His gut told him to go north, so he set off across a broad triangular intersection and on to a vacant lot, strewn with rubble. The heavy odor of diesel and cigarettes faded behind him, and his shadow grew longer in front as he walked. It led the way to rows of narrow, parallel streets lined with similar brick buildings, stained with soot. It felt industrial, but decayed and hollow. Reacher didn’t know what kinds of businesses had thrived in Nashville’s past, but whatever had been made or sold or stored it had clearly happened around there. And it clearly wasn’t happening anymore. The structures were all that remained. And not for much longer, Reacher thought. Either money would flow in and shore them up, or they’d collapse.

Reacher stepped off the crumbling sidewalk and continued down the center of the street. He figured he’d give it another two blocks. Three at the most. If he hadn’t found anything good by then he’d strike out to the right, toward the river. He passed a place that sold part-­worn tires. A warehouse that a charity was using to store donated furniture. Then, as he crossed the next street, he picked up the rumble of a bass guitar and the thunder of drums.

The sound was coming from a building in the center of the block. It didn’t look promising. There were no windows. No signage. Just a thin strip of yellow light escaping from beneath a single wooden door. Reacher didn’t like places with too few potential exits so he was inclined to keep walking. But as he drew level, the door opened. Two guys, maybe in their late twenties with sleeveless T-­shirts and a smattering of anemic tattoos, stumbled out onto the sidewalk. Reacher moved to avoid them, and at the same moment a guitar began to wail from inside. Reacher paused. The riff was good. It built and swelled and soared, and just as it seemed to be done and its final note was dying away, a woman’s voice took over. It was mournful, desperate, agonizing, like a conduit to a world of the deepest imaginable sorrow. Reacher couldn’t resist. He stepped across the threshold.

Editorial Reviews

09/28/2020

Ironically, it took an English author to realize the dramatic possibilities of modernizing the wandering gunfighter of American frontier stories. Starting in 1997 with Killing Floor, Lee Child introduced Jack Reacher, a former military policeman with a fascination for blues music and prime numbers, a Luddite with a highly developed limbic brain and a compulsion to wander the United States, walking, hitchhiking, or traveling by bus, carrying only cash, a toothbrush, and his passport. He doesn’t look for trouble, but he certainly doesn’t walk away from it. And one more distinctive element: his appearance. “He was six feet five. 250 pounds. His hair was a disheveled mess. He was unshaved. Children had been known to run screaming at the sight of him.”

Most of the Reacher books have been #1 bestsellers. What makes this new Reacher novel (the 25th) a special publishing event is that the series now has a cowriter, Andrew Child, who also writes as Andrew Grant (Too Close to Home) and is Lee Child’s younger brother. Booksellers and Reacher fans might wonder if anything has changed. A line from The Sentinel will reassure them that nothing has changed. “Someone had sent six guys after . It would be wrong to let the day end with only two of them in the hospital.” This time, Reacher arrives in a town near Nashville, where he heads toward one of his favorite destinations, a coffee shop, only to notice that someone is about to be abducted. Reacher being Reacher, he saves the stranger and ends up confronting a conspiracy involving cyber ransom, election sabotage, a Cold War secret, and... enough to say that plenty is happening.

Much of The Sentinel is humorous as Reacher patiently teaches bad guys about the flaws in their tactics. While there’s lots of action, the novel also feels like a procedural as Reacher interviews suspects and delves deeper toward the truth. On occasion, almost subliminal references to Reacher’s background, especially his mother’s harsh childhood in France during WWII, suggest a motive for his increasing anger toward the people he’s hunting. In the last 50 pages, that anger intensifies, with Reacher battling numerous enemies in the many levels of an underground complex—one of the most inventive action sequences in recent memory.

Apart from some timely plot elements (the title refers to a software program designed to prevent election fraud, for example), this new Reacher novel could have been published earlier. It continues the series without any sense that there’s now a coauthor. In a year of drastic change, fans will welcome the consistency. (Oct.)

David Morrell is the bestselling author of First Blood and Murder as a Fine Art.

Publishers Weekly

I loved The Sentinel! Classic Reacher, great story. Brilliant, brilliant, brilliant. I do love the spare writing style, the descriptions, Reacher’s responses to threats. Joyous stuff. I hope there will be many more Reachers to come.”—Conn Iggulden
 
“It’s great to be back in [Reacher’s] company in a world where the bad guys get what’s coming to them. . . . A smooth transition for a much-loved character.”—The Observer
 
“As always, the bad guys—this time, Russian spies and American-Nazi thugs—discover too late that they are no match for Reacher. Despite the change in authors, the writing remains tight and the non-stop action is as propulsive as ever.”—Associated Press

“As ever, [Reacher is] the sole, unrivalled champion of the average man.”—Daily Mail

“Fresh, perfectly plotted, and packed with action, The Sentinel is one of the year’s best, must-read thrillers.”—The Real Book Spy

“It’s terrific. . . . The story is just as powerful. . . . Brutal action mixes with keen-eyed detective work as Reacher metes out his own brand of justice. . . . If this novel is a harbinger of what’s to come, then Jack is in good hands.”—Booklist (starred review)
 
“Much of The Sentinel is humorous as Reacher patiently teaches bad guys about the flaws in their tactics. While there’s lots of action, the novel also feels like a procedural as Reacher interviews suspects and delves deeper toward the truth. . . . [The Sentinel has] one of the most inventive action sequences in recent memory. . . . It continues the series without any sense that there’s now a coauthor. In a year of drastic change, fans will welcome the consistency.”—Publishers Weekly

Praise for the Jack Reacher series

“The truth about Reacher gets better and better. . . . This series [is] utterly addictive.”—Janet Maslin, The New York Times

“Jack Reacher is today’s James Bond, a thriller hero we can’t get enough of. I read every one as soon as it appears.”—Ken Follett

“Reacher is the stuff of myth. . . . One of this century’s most original, tantalizing pop-fiction heroes.”—The Washington Post

“The Reacher novels are easily the best thriller series going.”—NPR

“Reacher is a man for whom the phrase moral compass was invented: His code determines his direction. . . . You need Jack Reacher.”—The Atlantic

“I pick up Jack Reacher when I’m in the mood for someone big to solve my problems.”—Patricia Cornwell
 
“[A] feverishly thrilling series . . . You can always count on furious action.”—Miami Herald

From the Publisher

11/01/2020

Jack Reacher returns in the 25th book in the series (after Blue Moon). The big franchise news is that Child and his brother, thriller writer Andrew Grant (False Witness), will cowrite several Reacher novels before Child hands over the reins to his brother, who also inherits the "Child" name. In this first collaboration, Reacher stops in Nashville, where he quickly "adjudicates" a dispute between a local band and a club owner. Then he heads out of town and straight into more trouble in a small burg 75 miles south of Nashville. The town's computer systems have been hacked and ransomed, and everyone blames Rusty Rutherford, the town's IT person. Rusty meets Reacher when Reacher saves him from an attempted kidnapping. He stays on to help Rusty untangle the motivations of his would-be abductors. Reacher encounters cops good and bad, Russian thugs, a mysterious millionaire, fierce women, and lots of people he just has to beat up. VERDICT Longtime fans will be satisfied with this straightforward adventure filled with familiar Reacherisms and more depth. He even acquires a cell phone, briefly. Those who enjoy Grant's "David Trevellyan" series will also enjoy this book. It's fun—but also difficult—to try to discern which brother wrote what.—Liz French, Library Journal

Library Journal

Narrator Scott Brick returns to portray Jack Reacher in this first-time collaboration between author Lee Child and his brother, Andrew. Reacher—usually the strong, silent type—is still the defender of the underdog and seeker of justice who travels the country with just a toothbrush in his pocket, engaging in multiple incidents of well-choreographed violence as necessary. Here, however, he actually talks a lot and teams up with others. The plot takes on a cyberthreat to the U.S. election process, Russians, and neo-Nazis. Brick’s voice for Reacher voice is a good match for the character, and he does a fine job with female characters. While listeners may find it challenging to identify who is speaking when the male characters exchange quick dialogue, fans will find this a welcome addition to the series. E.Q. 2021 Audies Finalist © AudioFile 2020, Portland, Maine

NOVEMBER 2020 - AudioFile

2020-11-18
Brothers Lee and Andrew Child collaborate on this fast-paced thriller, 25th in the Jack Reacher series.

Reacher forces a bar manager to pay two Nashville musicians being cheated out of their night’s pay. You don’t mess with Reacher, an ex-Army MP who is 6-feet-5 and 250 pounds, but if you try to hurt someone he’ll mess with you. So when he witnesses bad guys (who turn out to be Russians) trying to kidnap a man, Reacher comes to the rescue. Said rescuee is Rusty Rutherford, who has been unjustly fired from his job as a nearby town’s IT manager. Locally, everyone hates Rusty because of a disaster with the town’s computers. But Reacher goes to great lengths to protect him. A police officer asks, “Why do you care so much about Rusty Rutherford? No one else does.” Turns out he may have “something a certain foreign power is desperate to get its hands on.” Someone is “specifically trying to erode faith in the election system itself.” (Well, that’s a ridiculous premise—who would ever mess with American elections?) Reacher is a most entertaining character: His “default was to move extremely slow or extremely fast,” and in this Tennessee town he does lots of the latter. He needs to, with guys like Denisov, a Russian interrogator who has the “ability to loosen tongues. And bowels.” Smart but not especially deep, Reacher is decidedly low-tech, unfamiliar with computers or cellphones. And of course he’s a larger-than-life fighter who can really give evildoers what they deserve. Other than that, he sees a problem, fixes it, and moves on. The story’s style is crisp, sometimes too much so. Plenty of short sentences. Like this. And it can grate. Or maybe it’s great. You decide.

The plot, the pace, and the punches will keep Child fans satisfied. Reach for this one.

Kirkus Reviews