The Smile of Tragedy: Nietzsche and the Art of Virtue

In The Smile of Tragedy, Daniel Ahern examines Nietzsche’s attitude toward what he called “the tragic age of the Greeks,” showing it to be the foundation not only for his attack upon the birth of philosophy during the Socratic era but also for his overall critique of Western culture. Through an interpretation of “Dionysian pessimism,” Ahern clarifies the ways in which Nietzsche sees ethics and aesthetics as inseparable and how their theoretical separation is at the root of Western nihilism. Ahern explains why Nietzsche, in creating this precursor to a new aesthetics, rejects Aristotle’s medicinal interpretation of tragic art and concentrates on Apollinian cruelty as a form of intoxication without which there can be no art. Ahern shows that Nietzsche saw the human body as the vessel through which virtue and art are possible, as the path to an interpretation of “selflessness,” as the means to determining an order of rank among human beings, and as the site where ethics and aesthetics coincide.

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The Smile of Tragedy: Nietzsche and the Art of Virtue

In The Smile of Tragedy, Daniel Ahern examines Nietzsche’s attitude toward what he called “the tragic age of the Greeks,” showing it to be the foundation not only for his attack upon the birth of philosophy during the Socratic era but also for his overall critique of Western culture. Through an interpretation of “Dionysian pessimism,” Ahern clarifies the ways in which Nietzsche sees ethics and aesthetics as inseparable and how their theoretical separation is at the root of Western nihilism. Ahern explains why Nietzsche, in creating this precursor to a new aesthetics, rejects Aristotle’s medicinal interpretation of tragic art and concentrates on Apollinian cruelty as a form of intoxication without which there can be no art. Ahern shows that Nietzsche saw the human body as the vessel through which virtue and art are possible, as the path to an interpretation of “selflessness,” as the means to determining an order of rank among human beings, and as the site where ethics and aesthetics coincide.

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The Smile of Tragedy: Nietzsche and the Art of Virtue

The Smile of Tragedy: Nietzsche and the Art of Virtue

by Daniel R. Ahern
The Smile of Tragedy: Nietzsche and the Art of Virtue

The Smile of Tragedy: Nietzsche and the Art of Virtue

by Daniel R. Ahern

eBook

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Overview

In The Smile of Tragedy, Daniel Ahern examines Nietzsche’s attitude toward what he called “the tragic age of the Greeks,” showing it to be the foundation not only for his attack upon the birth of philosophy during the Socratic era but also for his overall critique of Western culture. Through an interpretation of “Dionysian pessimism,” Ahern clarifies the ways in which Nietzsche sees ethics and aesthetics as inseparable and how their theoretical separation is at the root of Western nihilism. Ahern explains why Nietzsche, in creating this precursor to a new aesthetics, rejects Aristotle’s medicinal interpretation of tragic art and concentrates on Apollinian cruelty as a form of intoxication without which there can be no art. Ahern shows that Nietzsche saw the human body as the vessel through which virtue and art are possible, as the path to an interpretation of “selflessness,” as the means to determining an order of rank among human beings, and as the site where ethics and aesthetics coincide.


Product Details

ISBN-13: 9780271068732
Publisher: Penn State University Press
Publication date: 06/26/2015
Series: Literature and Philosophy , #32
Sold by: Barnes & Noble
Format: eBook
Pages: 184
File size: 1 MB

About the Author

Daniel R. Ahern is Associate Professor of Philosophy at the University of New Brunswick, Fredericton. He is the author of Nietzsche as Cultural Physician (Penn State, 1995).

Table of Contents

Acknowledgments ix

Abbreviations xi

Introduction 1

1 Dionysian Pessimism 8

2 The Good and Beautiful Body 34

I The Risk of Virtue 34

II An Outline for a Physiology of Aesthetics 45

3 The Socratic Cure for Life 70

I The Twilight of Ecstasy and the Birth of "Happiness" 70

II Apollo Democratized: The Birth of "Aesthetics" 90

Tomorrow and the Day After Tomorrow 108

Notes 123

Bibliography 141

Index 145

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