The Social Imperative: Race, Close Reading, and Contemporary Literary Criticism
In the context of the ongoing crisis in literary criticism, The Social Imperative reminds us that while literature will never by itself change the world, it remains a powerful tool and important actor in the ongoing struggle to imagine better ways to be human and free. Figuring the relationship between reader and text as a type of friendship, the book elaborates the social-psychological concept of schema to show that our multiple social contexts affect what we perceive and how we feel when we read. Championing and modeling a kind of close reading that attends to how literature reflects, promotes, and contests pervasive sociocultural ideas about race, ethnicity, gender, and sexuality, Paula M. L. Moya demonstrates the power of works of literature by writers such as Junot Diaz, Toni Morrison, and Helena Maria Viramontes to alter perceptions and reshape cultural imaginaries. Insofar as literary fiction is a unique form of engagement with weighty social problems, it matters not only which specific works of literature we read and teach, but also how we read them, and with whom. This is what constitutes the social imperative of literature.

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The Social Imperative: Race, Close Reading, and Contemporary Literary Criticism
In the context of the ongoing crisis in literary criticism, The Social Imperative reminds us that while literature will never by itself change the world, it remains a powerful tool and important actor in the ongoing struggle to imagine better ways to be human and free. Figuring the relationship between reader and text as a type of friendship, the book elaborates the social-psychological concept of schema to show that our multiple social contexts affect what we perceive and how we feel when we read. Championing and modeling a kind of close reading that attends to how literature reflects, promotes, and contests pervasive sociocultural ideas about race, ethnicity, gender, and sexuality, Paula M. L. Moya demonstrates the power of works of literature by writers such as Junot Diaz, Toni Morrison, and Helena Maria Viramontes to alter perceptions and reshape cultural imaginaries. Insofar as literary fiction is a unique form of engagement with weighty social problems, it matters not only which specific works of literature we read and teach, but also how we read them, and with whom. This is what constitutes the social imperative of literature.

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The Social Imperative: Race, Close Reading, and Contemporary Literary Criticism

The Social Imperative: Race, Close Reading, and Contemporary Literary Criticism

by Paula L. Moya
The Social Imperative: Race, Close Reading, and Contemporary Literary Criticism

The Social Imperative: Race, Close Reading, and Contemporary Literary Criticism

by Paula L. Moya

Paperback

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Overview

In the context of the ongoing crisis in literary criticism, The Social Imperative reminds us that while literature will never by itself change the world, it remains a powerful tool and important actor in the ongoing struggle to imagine better ways to be human and free. Figuring the relationship between reader and text as a type of friendship, the book elaborates the social-psychological concept of schema to show that our multiple social contexts affect what we perceive and how we feel when we read. Championing and modeling a kind of close reading that attends to how literature reflects, promotes, and contests pervasive sociocultural ideas about race, ethnicity, gender, and sexuality, Paula M. L. Moya demonstrates the power of works of literature by writers such as Junot Diaz, Toni Morrison, and Helena Maria Viramontes to alter perceptions and reshape cultural imaginaries. Insofar as literary fiction is a unique form of engagement with weighty social problems, it matters not only which specific works of literature we read and teach, but also how we read them, and with whom. This is what constitutes the social imperative of literature.


Product Details

ISBN-13: 9780804797023
Publisher: Stanford University Press
Publication date: 12/23/2015
Pages: 224
Product dimensions: 6.20(w) x 9.10(h) x 1.00(d)

About the Author

Paula M. L. Moya is Professor of English and, by courtesy, of Iberian and Latin American Cultures at Stanford University.

Table of Contents

Acknowledgments ix

Introduction: Schemas and Racial Literacy 1

1 Racism Is Not Intellectual: The Dialogic Potential of Multicultural Literature 39

2 Not One and the Same Thing: The Ethical Relationship of Serves to Others in Toni Morrison's Sula 61

3 Another Way to Be: Vestigial Schemas in Helena María Viramontes's "The Moths" and Manuel Muñoz's "Zigzagger" 79

4 Dismantling the Master's House: The Search for Decolonial Love in Junot Díaz's "How to Date a Browngirl, Blackgirl, Whitegirl, or Halfie" 109

5 The Misprision of Mercy: Race and Responsible Reading in Toni Morrison's A Mercy 133

Conclusion: Reading Race 163

Notes 167

Works-Cited 181

Index 199

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