The Sorrows of the Ancient Romans: The Gladiator and the Monster

by Carlin A. Barton

Overview

This inquiry into the collective psychology of the ancient Romans speaks not about military conquest, sober law, and practical politics, but about extremes of despair, desire, and envy. Carlin Barton makes us uncomfortably familiar with a society struggling at or beyond the limits of human endurance. To probe the tensions of the Roman world in the period from the first century b.c.e. through the first two centuries c.e., Barton picks two images: the gladiator and the "monster."

Product Details

ISBN-13:	9780691010915
Publisher:	Princeton University Press
Publication date:	12/18/1995
Edition description:	New Edition
Pages:	224
Product dimensions:	7.75(w) x 10.00(h) x (d)

About the Author

Carlin A. Barton is Associate Professor of History at the University of Massachusetts, Amherst.

Table of Contents

Acknowledgments

Introduction

The Gladiator

1 Despair

The Scandal of the Arena

2 Desire

Wine without Water

The Monster

3 Fascination

A Vain, Barren, Exquisite Wasting

4 Envy (Part One)

Embracing the Monster

5 Envy (Part Two)

Striking the Monster

6 Conclusions

The Widening Gyre

Modern Works Cited

Index

Editorial Reviews

The main achievement of the author is a wealth of documentation of some rather odd-looking aspects of Roman culture. . . . [Barton] is especially stimulating on the subject of the gaze in the Roman context, on the dynamics of watching.

Journal of Roman Studies - James Davidson

Surely the most erudite treatment of Latin sadomasochism around and a model of literary-history digging.

The Voice Literary Supplement - Scott L. Malcomson

Barton amasses an impressive collection of ancient evidence and treats it to an even more impressive interpretation, reinforced by references to modern psychological and anthropological studies. The thesis is enriched and underscored by countless examples from contemporary films, plays, and literature. . . . This provocative volume deserves a wide audience.

American Historical Review - Richard E. Mitchell

The main achievement of the author is a wealth of documentation of some rather odd-looking aspects of Roman culture. . . . [Barton] is especially stimulating on the subject of the gaze in the Roman context, on the dynamics of watching.
— James Davidson

Journal of Roman Studies

Surely the most erudite treatment of Latin sadomasochism around and a model of literary-history digging.
— Scott L. Malcomson

The Voice Literary Supplement

Barton amasses an impressive collection of ancient evidence and treats it to an even more impressive interpretation, reinforced by references to modern psychological and anthropological studies. The thesis is enriched and underscored by countless examples from contemporary films, plays, and literature. . . . This provocative volume deserves a wide audience.
— Richard E. Mitchell

American Historical Review

"Barton amasses an impressive collection of ancient evidence and treats it to an even more impressive interpretation, reinforced by references to modern psychological and anthropological studies. The thesis is enriched and underscored by countless examples from contemporary films, plays, and literature. . . . This provocative volume deserves a wide audience."—-Richard E. Mitchell, American Historical Review

"Surely the most erudite treatment of Latin sadomasochism around and a model of literary-history digging."—-Scott L. Malcomson, The Voice Literary Supplement

"The main achievement of the author is a wealth of documentation of some rather odd-looking aspects of Roman culture. . . . [Barton] is especially stimulating on the subject of the gaze in the Roman context, on the dynamics of watching."—-James Davidson, Journal of Roman Studies

From the Publisher