The Spirit of Science Fiction: A Novel

by Roberto Bolaño Narrated by Omar Leyva, Anthony Rey Perez, Kyla Garcia

Overview

From a master of contemporary fiction, a tale of bohemian youth on the make in Mexico City

Two young poets, Jan and Remo, find themselves adrift in Mexico City. Obsessed with poetry, and, above all, with science fiction, they are eager to forge a life in the literary world--or sacrifice themselves to it. Roberto Bolaño's The Spirit of Science Fiction is a story of youth hungry for revolution, notoriety, and sexual adventure, as they work to construct a reality out of the fragments of their dreams.

But as close as these friends are, the city tugs them in opposite directions. Jan withdraws from the world, shutting himself in their shared rooftop apartment where he feverishly composes fan letters to the stars of science fiction and dreams of cosmonauts and Nazis. Meanwhile, Remo runs headfirst into the future, spending his days and nights with a circle of wild young writers, seeking pleasure in the city's labyrinthine streets, rundown cafés, and murky bathhouses.

This kaleidoscopic work of strange and tender beauty is a fitting introduction for readers uninitiated into the thrills of Roberto Bolaño's fiction, and an indispensable addition to an ecstatic and transgressive body of work.

Editorial Reviews

Publishers Weekly

11/19/2018
This striking, meandering novel from Bolaño (2666), written toward the beginning of his career, follows the coming-of-age of two young writers in Mexico City. Aspiring writers Jan and Remo get an apartment together. Jan spends his days holed up in the apartment, reading books and penning letters to sci-fi authors he admires, such as Ursula K. Le Guin and Fritz Leiber. Jan’s solitude is contrasted by Remo’s social jaunts around the city: he joins a poetry workshop, falls in love with a young woman named Laura, and rides a motorcycle. Remo’s involvement in the city’s literary scene exposes the reader to a number of digressive stories (one particularly memorable aside features Georges Perec unwittingly defusing a duel between poets Isidore Isou and André Vernier in Paris). Meanwhile, the reader also sees Jan’s searching letters, scattered throughout: “Oh, Ursula, it’s actually a relief to send out messages and have all the time in the world,” he writes. Though more a collection of scenes and impressions and thinner than his other novels, this is an intriguing and dreamy portrait of two writers taking different paths in their pursuit of their love of literature, hoping to discover their voices. (Feb.)

From the Publisher

With words alone, Bolaño summons a visual world, creating in this book, as in his others, what Mario Vargas Llosa has called ‘images and fantasies for posterity’… admirers will find in these themes and players a satisfying proleptic glimpse of his picaresque masterpiece, 1998’s The Savage Detectives… [This] gem-choked puzzle of a book… serves as a key to Bolano’s later work, unlocking clues to his abiding obsessions … [and] is a hardy forerunner that stands on its own.” —The New York Times Book Review

“[Bolaño] is a kinetic, epiphanic writer, and even his earliest works tremble like a whirring, unpredictable machine. . . The Spirit of Science Fiction functions as a kind of key to the jeweled box of Bolaño’s fictions, an index of the images that would come to obsess him. . . . longtime Bolaño fans will doubtless enjoy this familiar cocktail of sorrow and ecstasy.” —Paris Review

“An entertaining, lyrical and accomplished novel.” —Wall Street Journal

“A fascinating blueprint of Bolaño’s poetics and of the extent to which he drew from the Beat literature of William S. Burroughs and Jack Kerouac . . . it also has achingly beautiful passages, and its lessons about the reach of American policy resonate to this day. A superbly talented young man wrote it, in 1984, believing that truth reached through art was the only means to revolution. In this sense, it reads like a dispatch from beyond the grave.” —The New Yorker
 
“This is vintage Bolaño: a lusty and rapturous shaggy-dog tale of Latin American exiles and bohemian youth.” —Vanityfair.com

“An unusual pleasure to read. You can almost feel Bolaño shaking out his limbs. . . It's a joy to watch such a brilliant stylist practice his moves, and to see such a brilliant mind expand on the page.” —NPR

“An impressionistic and prescient treasure.” —Jane Ciabattari, BBC Culture, Top Reads for February

“A minor gem. . . Bolaño’s lusty, laughing passion for art and literature, for women and Mexico City, is tangible here.” —Washington Post

“An intriguing and dreamy portrait of two writers taking different paths in their pursuit of their love of literature, hoping to discover their voices.” —Publishers Weekly

“A sort of raw spinoff of the extraordinary initial section of the first of Bolaño’s international hits, The Savage Detectives . . . Maybe it’s precisely the sense of reading a work under construction that makes The Spirit of Science Fiction such a pleasure." —Alvaro Enrigue, Book Page

Library Journal

09/01/2018
Recently unearthed, this early work by the Latin American star is a precursor to The Savage Detectives, making it perfect for fans of that masterpiece while serving as a good introduction for Bolaño newbies. In Mexico City, young Jan and Remo are equally obsessed with poetry and sf. But while Jan remains in their rooftop apartment writing fan letters to sf greats, Remo hangs out in seen-better-days cafés and bathhouses with other rebellious young writers.

Kirkus Reviews

2018-11-12

Two young writers attempt to crack Mexico City's literary culture with whatever it takes, including earnest letters to science-fiction icons.

This brief, curious, posthumous novel by Bolaño (1953-2003; 2666, etc.), written circa 1984, can be read as a kind of rehearsal for his 2007 breakthrough, The Savage Detectives. Like that novel, this one features a pair of writers, Jan and Remo, who are determined to comprehend the literary culture they're so passionate about. Jan, an alter ego for Bolaño himself, is more introverted, translating poems and writing fan letters to the likes of Robert Silverberg, Ursula K. Le Guin, James Tiptree Jr., and others. Remo, by contrast, engages with a writing workshop, though he seems to spend less time writing then he does pursuing relationships and investigating the curious explosion of literary magazines in the city from 32 titles to 661. Whether they resolve the mysteries of either literary production or women is beside the point, though; the novel is designed more as a series of set pieces from the pair's lives than a clear narrative, which leaves room for plenty of riffs about writers hungry to make names for themselves. ("In London, teenagers play for a few months at being pop stars," one scholar tells Remo. "Here, as you might expect, we seek out the cheapest and most pathetic drug or hobby: poetry, poetry magazines; that's just the way it is.") The main storyline is interspersed with dialogue from an interview with an unnamed award-winning writer, rambling on tomes about potato farming and science-fiction plots. It's unclear if Bolaño didn't finish this novel or deemed it unfit for publication, but either way it's an unshaped apprentice work, hinting at his particular brilliance—emotional expansiveness, dry humor, passion for the intersection of words and life—but only sketching it out.

An abstracted and loose minor work that only glancingly addresses the author's favorite themes.

Product Details

BN ID:	2940171793098
Publisher:	Penguin Random House
Publication date:	02/05/2019
Edition description:	Unabridged

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