The Symphonic Repertoire, Volume I: The Eighteenth-Century Symphony
Central to the repertoire of Western art music since the 18th century, the symphony has come to be regarded as one of the ultimate compositional challenges. In his five-volume series The Symphonic Repertoire, the late A. Peter Brown explores the symphony from its 18th-century beginnings to the end of the 20th century. In Volume 1, The Eighteenth-Century Symphony, 22 of Brown's former students and colleagues collaborate to complete the work that he began on this critical period of development in symphonic history. The work follows Brown's outline, is organized by country, and focuses on major composers. It includes a four-chapter overview and concludes with a reframing of the symphonic narrative. Contributors address issues of historiography, the status of research, and questions of attribution and stylistic traits, and provide background material on the musical context of composition and early performances. The volume features a CD of recordings from the Bloomington Early Music Festival Orchestra, highlighting the largely unavailable repertoire discussed in the book.

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The Symphonic Repertoire, Volume I: The Eighteenth-Century Symphony
Central to the repertoire of Western art music since the 18th century, the symphony has come to be regarded as one of the ultimate compositional challenges. In his five-volume series The Symphonic Repertoire, the late A. Peter Brown explores the symphony from its 18th-century beginnings to the end of the 20th century. In Volume 1, The Eighteenth-Century Symphony, 22 of Brown's former students and colleagues collaborate to complete the work that he began on this critical period of development in symphonic history. The work follows Brown's outline, is organized by country, and focuses on major composers. It includes a four-chapter overview and concludes with a reframing of the symphonic narrative. Contributors address issues of historiography, the status of research, and questions of attribution and stylistic traits, and provide background material on the musical context of composition and early performances. The volume features a CD of recordings from the Bloomington Early Music Festival Orchestra, highlighting the largely unavailable repertoire discussed in the book.

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Overview

Central to the repertoire of Western art music since the 18th century, the symphony has come to be regarded as one of the ultimate compositional challenges. In his five-volume series The Symphonic Repertoire, the late A. Peter Brown explores the symphony from its 18th-century beginnings to the end of the 20th century. In Volume 1, The Eighteenth-Century Symphony, 22 of Brown's former students and colleagues collaborate to complete the work that he began on this critical period of development in symphonic history. The work follows Brown's outline, is organized by country, and focuses on major composers. It includes a four-chapter overview and concludes with a reframing of the symphonic narrative. Contributors address issues of historiography, the status of research, and questions of attribution and stylistic traits, and provide background material on the musical context of composition and early performances. The volume features a CD of recordings from the Bloomington Early Music Festival Orchestra, highlighting the largely unavailable repertoire discussed in the book.


Product Details

ISBN-13: 9780253356406
Publisher: Indiana University Press
Publication date: 07/16/2012
Series: Symphonic Repertoire Series , #1
Pages: 920
Product dimensions: 7.10(w) x 10.10(h) x 1.90(d)
Age Range: 18 Years

About the Author

Mary Sue Morrow is Professor of Musicology at the College-Conservatory of Music, University of Cincinnati, and author of Concert Life in Haydn's Vienna and German Music Criticism in the Late Eighteenth Century.

Bathia Churgin is former chair and founder of the Musicology Department at Bar-Ilan University. She has edited numerous editions of 18th-century instrumental music that include historical and analytical essays.

Table of Contents

Acknowledgments
List of Abbreviations
I. Overview
1. Reclaiming the Eighteenth-Century SymphonyMary Sue Morrow
2. Historiography of the Eighteenth-Century SymphonyMary Sue Morrow
3. Eighteenth Century ViewpointsMary Sue Morrow
4. Patrons and PracticesMary Sue Morrow
II. Italy
5. The Symphony in ItalyBathia Churgin
6. The Italian Opera SinfoniaMarita Petzoldt McClymonds
7. Antonio BrioschiSarah Mandel-Yehuda
8. Giovanni Battista SammartiniBathia Churgin
9. Luigi BoccheriniTimothy Noonan
10. Gaetano BrunettiRené Ramos
III. North Germany
11. The Symphony in North GermanyJoanna Cobb Biermann
12. Johann Gottlob HarrerH. Todd Rober
13. Johan AgrellJeannette Morgenroth
14. Johann Samuel EndlerJoanna Cobb Biermann
15 .Carl Philipp Emanuel BachMary Sue Morrow
IV. South Germany
16. The Symphony in South GermanySterling E. Murray
17. Joseph and Placidus von CamerloherSuzanne Forsberg
18. Johann StamitzJean K. Wolf
19. Carl CannabichJean K. Wolf
20. Antonio RosettiSterling E. Murray
V. Austrian Monarchy
21. The Symphony in the Austrian MonarchyMary Sue Morrow
22. Georg Christoph WagenseilAllan Badley
23. Carl Ditters von DittersdorfRichard Will
24. Johann Michael HaydnMichael Ruhling
25. Karl von OrdonezPeter Alexander
26. Johann Baptist WanhalPaul Robey Bryan
27. Ignaz Joseph PleyelAllan Badley
VI. France
28. The Symphony in FranceRobert O. Gjerdingen
29. Louis-Gabriel GuillemainJudith L. Schwartz
30. François-Joseph GossecJudith L. Schwartz
VII. Britain
31. The Symphony in BritainSimon McVeigh
32. Johann Christian BachAdena Portowitz
VIII. The Periphery
33. The Symphony on the PeripheryBertil van Boer
34. Johan Helmich RomanBertil van Boer
35. Joseph Martin KrausBertil van Boer
IX. Reflections
36. Sketch for a History of the Eighteenth-Century Symphonic RepertoireMary Sue Morrow
Bibliography of Works Cited
Index

What People are Saying About This

Universityof Auckland - Dean Sutcliffe

The generous number of music examples and tables, advice on the best current editions, and suggestions for further reading give the book outstanding reference valueA treasure trove of information and commentary.

Akademie für Mozart-Forschung, Salzburg - John A. Rice

Mary Sue Morrow and Bathia Churgin have assembled and edited a superb collection of essays . . . The book is gratifyingly up to date, taking account of recently published research on sonata form, the galant style, and the early orchestra. Richly illustrated with musical examples, The Eighteenth-Century Symphony will be welcomed by students both of the genre and of the age that produced it.

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