The American heartland was reminded of the existence of rockabilly in 1982, when
the Stray Cats compilation
Built for Speed finally broke the Long Island hepcats in the United States, but some of that credit should have gone to
the Kingbees. In 1980, "My Mistake," a lean and grooving bit of updated rockabilly with a "Peter Gunn" bassline, became a regional hit in the Midwest, and the band toured hard behind the single and their self-titled debut album, despite the fact their label,
RSO Records, was starting to crumble after the soundtrack to the movie
Sgt. Pepper's Lonely Hearts Club Band proved to be a major commercial disaster. If
RSO had been in better shape, "My Mistake" might have been a major hit nationwide (it peaked at 80 on the Billboard singles charts), but it was a fine bit of proto-rockabilly, as was the album that spawned it.
Kingbees leader
Jamie James was an avowed
Buddy Holly fan, and their debut album showed they learned their lessons well from the bespectacled master; the band was a three-piece with no frills and plenty of energy, and
James' lively, concise guitar leads were given excellent support by bassist
Michael Rummans and drummer
Rex Roberts, and the three delivered solid harmonies.
James could write in the rockabilly idiom without drowning his songs in cliches, and "My Mistake," "Shake-Bop," "Once Is Not Enough," and "Fast Girls" demonstrate they could push the style into the present day without robbing it of what made it memorable. (They also knew just what to do when they were covering
Buddy Holly or
Don Gibson.)
Jamie James and
the Kingbees may not have been major advocates of rockabilly as a fashion statement, but they knew how to make a hot rock & roll record, and
The Kingbees is a strong and satisfying set from a combo whose members knew how to make the sound connect in their own way. [In 2015,
Omnivore Records gave
The Kingbees an expanded reissue that made the most of its strong points. The remastered audio favors the album's clean, no-frills production and sounds like three guys playing live into good microphones, just as it should be. Along with the original ten-track album, the
Omnivore edition features five tunes from a 1979 demo -- one of which, "Burnin' the Town Tonight," didn't make the cut for the album, though it appeared on their second LP. And three songs from a 1980 gig in Detroit show the band was tight and scrappy on-stage.
Jamie James also wrote new liner notes for the album, and the result is a package that those who liked this band will be happy to have in their collections.] ~ Mark Deming