This vivid and passionate novel opens with the American Civil War, where after the battle of Antietam, we're told that men 'moved among the dead and wounded slowly as wasps over rotted fruit'; it's such writing that makes Tim Bowling's novel memorable—that, and its range, for it ends nineteen years later in western Canada, with two of the major characters. Altogether, a story of impressive scope, and bristling with action. —Jack Matthews, author of The Gambler's Nephew
Bowling is a remarkable writer. The Tinsmith is well-served by meticulous research which serves to provide believable settings for the action of this novel. From the battlefields and the cast of characters found there—embalmers, soldiers (from both sides), civilians who came to sightsee, the ladies holding handkerchiefs over their mouths, the photographers who set up their darkroom wagons and provided first-hand visual accounts of the carnage—to the fogs of the Fraser River, he takes the reader into the heart of the dark drama unfolding in these pages. —Harbour Spiel
The most interesting sections of The Tinsmith, which take place during a turf war among the upstart salmon canneries in frontier-era British Columbia, give the book a heart that's undeniably Canadian . . . there's something wonderful about the way these ruthless cannery owners give a little added mythological heft to Canada's west coast. —Edmonton Journal
[A] riveting tale . . . Bowling captures the unrelenting sensory assault of war and industry as they combine in a sort of amoral apotheosis . . . A powerful and emotionally wrenching book. —Quill & Quire
The Tinsmith is a provocative, ambitious, exciting story . . . [it] delves with guileless courage into the quagmire of past racial conflict, and will be read and recalled with that admirable quality in mind. —Literary Review of Canada
A story as much about society's heavy hand on our backs as the universal human struggle for acceptance in the face of cultural prejudice . . . Bowling creates a bucolic backdrop stained with the reality of war. Lyrical prose enhances a setting the reader falls into. —Alberta Views
Like any general, Bowling is bold at times, but his attacks are on the mark and his theme strikes the heart of the reader. —Salon Books, Telegraph-Journal
Tim Bowling's . . . descriptive powers take flight . . . his amazing ability to draw cringe-inducing characters is gripping and memorable. —The Vancouver Sun
The Tinsmith is filled with beautiful and vivid imagery . . . The American Civil War, of course, has been written about over and over, but Bowling has a special dark and delicate touch with his treatment of the mad carnival of those times, with its blood and guts, society ladies and grasping businessmen, valour and cruelty. He captures moments from one of the worst periods in the history of this continent. —The Winnipeg Review
In a special feature to the National Post, Tim Bowling and Linda Spalding exchanged words about the writing life and their award-nominated novels.
Maclean's Magazine book reviewer Brian Bethune sat down with Tim Bowling to talk about The Tinsmith and Tim's award nomination.
Often what haunts you for a long time has the potential to become literature, Bowling says. And I think I’ve been haunted by that character since I was a kid. —Tim Bowling talking about The Tinsmith in an interview with The National Post's Afterword.
A haunting tale of quiet courage and friendship in the face of racism, corruption and cruelty that runs from the Battle of Antietam to a remote fishing village in British Columbia . . . Dynamic, dazzling. —Kirkus Reviews
The Tinsmith was featured on CBC Radio's All Points West book club. Reviewer Nikki Tate called it a fascinating story, really well told.
Lyrical in both its beauty and its horror, The Tinsmith reveals a writer at the height of his powers. From the battlefields of the American Civil War to the salmon canning wars in British Columbia, Bowling creates vivid worlds that move us. In John Dare—the heir to both of these conflicts—we meet a character of great moral complexity, a man trying to come to grips with the mystery at the heart of his identity. Bowling's vision is grand, fierce, and bloody. —Jury Citation, 2012 Rogers Writers' Trust Fiction Prize
Elegantly written, with characterizations and setting descriptions that paint vivid pictures in the mind . . . this mix of historical novel and mystery should be recommended to all readers of Civil War fiction. —American Library Association's Booklist Online
The Tinsmith begins and ends in blood. Between, the harrowing, stunning new novel by Edmonton writer Tim Bowling is a powerful, haunting evocation of friendship and cruelty, of grace and inhumanity, of violence and beauty. —The Globe and Mail
An odyssey that spans a continent—from the civil war battlefields, to the British Columbia salmon canneries, The Tinsmith is an ambitious and spellbinding read. —Helen Humphreys
Black history in BC brought to life in Tim Bowling’s The Tinsmith.
The Tinsmith makes Amazon.ca Editors' Pick: Best Books of 2012.
The Tinsmith by Tim Bowling makes the EPL Alberta Readers' Choice Award longlist.
Bowling's strong connections to a poetic past resonate most vividly in The Tinsmith, a book that manages to be deeply interesting, searingly beautiful and historically compelling. The Tinsmith touched me completely. It seemed to me the best type of adventure story for the modern man. The Tinsmith included in January Magazine's Best Books of 2012: Fiction.
