The Transmedia Construction of the Black Panther: Long Live the King
In The Transmedia Construction of the Black Panther: Long Live the King, Bryan J. Carr explores and analyzes the evolution of the Black Panther character since his inception in the 1960s across comics, film, television, video games, and music. The Black Panther, Carr argues, is the sum of the creative works of countless individuals across various media that have each contributed to the legacy of the first mainstream Black superhero, all happening against a backdrop of social and cultural upheaval, global political struggle for equality, and the long shadow of colonizing Western attitudes. The Panther’s existence is a complex one that not only illustrates in microcosm those same struggles in the historically white superhero space, but also offers a perfect case study for media trends of representation then and now. Carr addresses a number of questions: Does the Black Panther really represent a powerful counter-narrative to long-standing regressive attitudes toward Black identity and Africa? Who were the key contributors to our understanding of the character? And finally, how can we use the character to understand the complexities of our modern consolidated media systems? Scholars of media studies, film and television studies, comics studies, cultural studies, critical race studies, and African studies will find this book particularly useful.

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The Transmedia Construction of the Black Panther: Long Live the King
In The Transmedia Construction of the Black Panther: Long Live the King, Bryan J. Carr explores and analyzes the evolution of the Black Panther character since his inception in the 1960s across comics, film, television, video games, and music. The Black Panther, Carr argues, is the sum of the creative works of countless individuals across various media that have each contributed to the legacy of the first mainstream Black superhero, all happening against a backdrop of social and cultural upheaval, global political struggle for equality, and the long shadow of colonizing Western attitudes. The Panther’s existence is a complex one that not only illustrates in microcosm those same struggles in the historically white superhero space, but also offers a perfect case study for media trends of representation then and now. Carr addresses a number of questions: Does the Black Panther really represent a powerful counter-narrative to long-standing regressive attitudes toward Black identity and Africa? Who were the key contributors to our understanding of the character? And finally, how can we use the character to understand the complexities of our modern consolidated media systems? Scholars of media studies, film and television studies, comics studies, cultural studies, critical race studies, and African studies will find this book particularly useful.

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The Transmedia Construction of the Black Panther: Long Live the King

The Transmedia Construction of the Black Panther: Long Live the King

by Bryan J. Carr
The Transmedia Construction of the Black Panther: Long Live the King

The Transmedia Construction of the Black Panther: Long Live the King

by Bryan J. Carr

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Overview

In The Transmedia Construction of the Black Panther: Long Live the King, Bryan J. Carr explores and analyzes the evolution of the Black Panther character since his inception in the 1960s across comics, film, television, video games, and music. The Black Panther, Carr argues, is the sum of the creative works of countless individuals across various media that have each contributed to the legacy of the first mainstream Black superhero, all happening against a backdrop of social and cultural upheaval, global political struggle for equality, and the long shadow of colonizing Western attitudes. The Panther’s existence is a complex one that not only illustrates in microcosm those same struggles in the historically white superhero space, but also offers a perfect case study for media trends of representation then and now. Carr addresses a number of questions: Does the Black Panther really represent a powerful counter-narrative to long-standing regressive attitudes toward Black identity and Africa? Who were the key contributors to our understanding of the character? And finally, how can we use the character to understand the complexities of our modern consolidated media systems? Scholars of media studies, film and television studies, comics studies, cultural studies, critical race studies, and African studies will find this book particularly useful.


Product Details

ISBN-13: 9781793631855
Publisher: Lexington Books
Publication date: 03/25/2024
Pages: 296
Product dimensions: 6.01(w) x 9.07(h) x 0.87(d)

About the Author

Bryan J. Carr is associate professor in the communication and information science departments at the University of Wisconsin - Green Bay.

Table of Contents

Acknowledgments

Chapter 1: Introduction: A King of Many Faces

Chapter 2: Context of the King: Africa, the Media, Blackness, and Hegemony

Chapter 3: The Panther in the Silver Age: The King Arrives

Chapter 4: The Panther in the 1970s: Whitewashing and New Jungle Action

Chapter 5: The Panther in the 1980s-90s: A King for a New Age and a New Audience

Chapter 6: The Panther in the 00s-10s: A Rise to Prominence and Growing Pains

Chapter 7: The Panther Today: Meditations on Kinghood

Chapter 8: A King in Many Forms: Black Panther in TV, Games, and Elsewhere

Chapter 9: A King Goes Hollywood: Black Panther and the MCU

Chapter 10: What Makes a King?: The Transmedia Mythmaking of Black Panther

Bibliography

About the Author

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