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The Tudors In 100 Objects
By John Matusiak The History Press
Copyright © 2016 John Matusiak
All rights reserved.
ISBN: 978-0-7509-6928-4
CHAPTER 1
Silver-gilt boar badge from Bosworth Field
In the high summer of 1485, the entire political future of a troubled and comparatively insignificant kingdom on the damp and misty fringe of Europe hung in the balance. By that time, those old enough to have witnessed the winding course of the thirty-year contest between the two rival branches of the Plantangenet line that we now call the Wars of the Roses had grown wearily accustomed to its interminable twists and turns. Though the fighting was sporadic, the armies small and the material losses inconsiderable, the crown had nevertheless become little more than a political football as Henry VI lost his throne to Edward IV at Towton in 1461, only to retrieve it in 1470 with the help of Edward's former henchman, Warwick 'the Kingmaker', before losing it once more to his vanquished enemy eight years later. With Edward's eventual death in 1483, moreover, and the subsequent succession of his brother, Richard III, the dynastic merry-go-round began yet another giddy circuit when Henry Tudor, great-grandson of a fugitive Welsh brewer wanted for murder, made his way to Market Bosworth in England's midland heart to stake his own flimsy claim to primacy. At the head of some 8,000 men and outnumbered by two to one, he would nevertheless triumph in a particularly foul and inglorious fray fought on blood-soaked fen and moorland, which left the crown of his enemy's butchered corpse to be rudely plucked from a thicket.
Yet despite the crucial importance of the battle which marked the dawn of Tudor England, the precise location of 'Bosworth Field' had remained a matter of debate for centuries until the chance discovery of the object pictured here. It was not until the late 1990s, in fact, that a team of archaeologists and historians began to look afresh at local place names and conduct soil tests for historical wetlands that revealed crucial new evidence locating the battle at Sutton Cheney in Leicestershire, some 2 miles away from where it was traditionally considered to have taken place. Employing original accounts that described the battlefield as marshy, local farmland was systematically scoured with metal detectors, though it was not until the final week of a six-month extension to the 1999 survey that a single 30mm lead ball was located and a series of groundbreaking discoveries began to unfold. Indeed, after a full season of further work, thirty lead munitions – far more than from all the other fifteenth- and sixteenth-century battlefields in Europe put together – were uncovered, along with the remains of swords and buckles, silver coins from Burgundy, and a variety of shot fired from handguns.
As if to quell the misgivings of any remaining doubters once and for all, however, there finally emerged the most iconic and conclusive object of all those discovered on Bosworth Field: a silver-gilt boar, the location and nature of which, beside the site of Fen Hole, not only confirmed the battle site but evoked the most poignant of images. For the boar was Richard III's own emblem, given in large numbers to his supporters, and while most of these badges were of base metal, this one is silver-gilt, and could only have been given to a knight or someone of even higher status. The recipient was therefore in all likelihood a knight in the king's own retinue and someone who may well have ridden with him in his final desperate cavalry charge, launched as victory was slipping from his grasp in a vain bid to kill his protagonist and win the day. In the process, we are told, the king not only killed the Lancastrian standard bearer and threw down another man but personally attacked Henry Tudor, who kept him at bay until help came. Thereafter, however, the king's small body of knights was driven back remorselessly until he himself was cut down when his horse became stuck in a mire – not far at all, it seems, from the small medieval marsh where this object was retrieved – and the succession of England's first Tudor king was finally assured.
CHAPTER 2
The first state bed of Henry VII
In the twenty-four years that followed his crushing victory at the Battle of Bosworth Field, Henry VII both confirmed and consolidated the Tudor dynasty's grasp on power by a canny combination of sound finance, tough justice and peace abroad. Above all, however, he married wisely and procreated vigorously. Elizabeth of York, his swiftly acquired bride, was the eldest daughter of Edward IV, and the resulting union of the red and white roses was the surest possible safeguard against any further scheming by his enemies. For the new queen was not only sprung from the requisite royal stock but fertile. Within a year of her marriage she had borne a son, Arthur, and five years later a second boy, the future Henry VIII, would follow. Prince Arthur, the so-called 'rosebush of England', was in effect the living embodiment of lasting union between the once contending houses of Lancaster and York, leaving the queen's other surviving offspring, including two daughters, both as handy insurance policies against the vagaries of sixteenth-century medicine and as priceless bargaining chips in the game of European diplomacy. Indeed, it is no exaggeration to say that if Tudor England was founded on the field of battle, it would thrive or falter on the fortunes of the royal marriage bed.
The uncanny identification of Henry VII's 'first state bed' in 2010 therefore ranks as arguably one of the most evocative and significant early Tudor discoveries of all time. Found by chance in the car park of a Chester hotel after being dismantled and discarded, it was sold at auction for £2,200, as a Victorian bed, to an antique furniture restorer. When the restoration had been completed, however, the eagle-eyed craftsman duly contacted the chief executive of the World Monuments Fund Britain, suspecting that the object actually belonged to the Tudor period. And though the bed's origins remain a matter of some academic debate, dendrochronology confirms that the wood was indeed cut in Germany in the 1480s, while written records trace the bed back to at least 1495, when the king went to Lathom to visit the Stanley family, who had been instrumental in securing his victory at Bosworth. Even more intriguingly, however, the headboard depicts Henry VII and his queen as Adam and Eve transmuted into Christ and surrounded by the fruits of paradise, which would appear to symbolise the couple's imminent hopes for an heir. Notwithstanding the later addition of an inscription from the Matthew Bible of 1537, there is compelling evidence to suggest, therefore, that the bed was actually created at the time of the first Tudor's marriage on 18 January 1486. If so, it is wholly plausible that not only Prince Arthur but Henry VIII, too, was subsequently conceived thereon, raising the bed's value, according to experts, to some £20 million.
CHAPTER 3
The Winchester round table
In light of his slender claim to the throne, it was small wonder that the first Tudor should have taken such pains to emphasise his legitimacy. For, quite apart from the lowly fugitive past of his great-grandfather, Henry VII had other embarrassments to contend with. His paternal grandfather Owen, for instance, had found fortune and influence only by seducing Henry V's French widow after some years' service as an official in her household. And while Margaret Beaufort, the mother of the victor of Bosworth, was descended from John of Gaunt, it was only from what contemporaries discreetly termed the 'wrong side of the blanket'. Equally significantly, the same Parliament that eventually legitimised her and her children had done so only on the express grounds that they should be barred from the throne. Besides which, if Henry VII's claim to the throne came in any case through his mother, it was strictly speaking she rather than he who should have been crowned in 1485. With such a tangle of impediments, it was therefore only the general squandering and sullying of royal blood in the fourteenth century, coupled with the desperation of the hour, that had eventually thrust Henry Tudor to the pinnacle of the Lancastrian cause, and this was something that neither he nor his successor would lightly forget.
In consequence, the Tudor court was awash from the outset with a relentless torrent of high- and low-level propaganda. It was no coincidence, of course, that Henry VII was responsible for introducing the term 'majesty' into the English language or that, in so doing, he consciously developed the practices of pageantry and invested the notion of Tudor kingship with a mystique all of its own. Processions, the shouting of loyal salutations, the doffing of caps and reverent genuflexions in the royal presence all formed part of the same tireless theme that such spectacle was designed to drive home. Meanwhile, grooms, pages, servers and sundry menials were all attired in the Tudor livery of white and green embossed with the Tudor rose. Indeed, lest any should doubt or forget the might and splendour of England's new dynasty, there were also roses in the chains and necklaces worn by the king and queen, on the wooden ceilings and tiled floors of all royal dwellings and even on the gilded harnesses of royal horses. For the same reason, Arthur, the first Tudor prince, was named specifically after the legendary king, with his Welsh connections, and the choice of Winchester as the boy's christening place was deliberately intended to reinforce the new dynasty's ancient connections.
But it was Henry VIII's decision in 1522 to emblazon the round table at Winchester with his own image that symbolised more than any other act the new dynasty's determination to stake its claims to primacy. By that time, the king had already liquidated the two main surviving claimants to his throne from the House of York, clinically dispatching Edmund de la Pole in 1513 after he had spent seven helpless years imprisoned in the Tower, and treating Edward Stafford, Duke of Buckingham, to the fleeting hospitality of the gallows eight years later. In these circumstances, then, with a visit from Emperor Charles V pending, the second Tudor duly took the ultimate step of symbolically linking his kingship with the legendary Arthur himself and the illustrious knights of ancient Britain's dim and distant past.
The table concerned, which hangs today in the Great Hall at Winchester, is in fact nothing more than a forgery created around the year 1290 to celebrate the marriage of one of Edward I's daughters. It has a diameter of 5.5m, is built from English oak and weighs 1,200kg; it originally had twelve legs and seating, ostensibly, for the twenty-four knights of the round table as well as the king himself. But at the time of its construction, it was common throughout Europe for festive events known as 'round tables' to be staged where royal courts engaged in feasting, dancing, and jousting, and attending knights assumed the identities of Arthur and his followers. Indeed, the earliest event of this kind appears to have been held in Cyprus in 1223, while René of Anjou even erected an Arthurian castle for a similar extravaganza of 1446.
Even so, the Winchester round table appears to have been both widely renowned and respected. 'At Venta Symeno alias Winchester in ye castle most famously knowne, standeth fixed ye table at the walle side of ye kinges Hal, which (for ye majesty of Arthure) they cal ye round table', wrote John Leland in The Assertion of King Arthur (1544). Caxton, too, mentioned the Winchester table in his preface to Malory's Morte D'Arthur and seemed to regard it as authentic, though fame and fashion are fickle, and later generations would prove altogether less reverential. Indeed, no doubt because of its resemblance to a dartboard, the table was ultimately used for target practice by Roundhead troops in 1645, and only in 1789, when the entire object was repainted, were the bullet holes finally filled.
CHAPTER 4
Letter to Pope Clement VII requesting the annulment of Henry VIII's marriage to Catherine of Aragon
Ultimately, it would take much more than propaganda to remedy Henry VIII's dynastic insecurity. It would require a male child that could not be had, and a divorce that could only be obtained by a breach with Rome. When, on 18 February 1516, Catherine of Aragon's procreative exertions had borne their first lasting fruit with the arrival of Princess Mary, there had been renewed hope. Clutching the girdle of her patron saint and namesake, and kept ignorant of her father's recent demise for fear that grief might affect the final passage of her pregnancy, she had finally emerged from a difficult labour with at least the partial satisfaction of a daughter. But the queen's harrowing catalogue of previous failures remained a cause of considerable disquiet for her impatient husband. A stillborn daughter had already fallen from her womb in 1510 and at the end of November 1514 she had also given birth to a premature child, 'a prince who lived not long after'. Indeed, before the Princess Mary's birth, Catherine had brought forth four sons in all, none of whom survived longer than a few weeks. And only a year or so later, the king's infidelities had begun to make their mark.
In the years that followed, Anne Boleyn tightened her grip upon Henry's affections; Thomas Wolsey's best efforts to bring about an equitable solution short of an outright break with the Holy See would result in his disgrace and downfall in 1529. But on 18 January of that same year the King of England was still sufficiently optimistic to write to his 'most dear friend' the Cardinal of Ravenna, in a spirit of co-operation and goodwill, announcing the imminent arrival in Rome of his mistress's father, Thomas Boleyn, Earl of Wiltshire. The earl, whom the king saw fit to describe as 'Our most beloved kinsman', was to serve as ambassador in the Holy City to Emperor Charles V in yet another effort to break the deadlock that had dogged all previous divorce negotiations, and the cardinal was 'vehemently' begged 'to attend to him with the same courtesy and grant him in all things the same trust as if Your Most Reverend Lordship heard Us speaking in person'. At the same time, the recipient was entreated to continue in his 'most fair determination to please Us' and also 'to make bold use of anything in Our power whenever it seems useful or honourable to Your Most Reverend Lordship'.
Ultimately, however, both the cardinal's good offices and Boleyn's diplomacy would prove no more fruitful than Thomas Wolsey's own, and nineteen months later a group of eighty-one English noblemen and clergy, including the Archbishop of Canterbury, were prepared to attach their seals to another letter, composed in an altogether less amiable tone. Sent from London on 13 July 1530, it would take two months to arrive in the Pope's hands, and warned, with what would prove to be prophetic candour, that 'a refusal of annulment would require recourse to extreme measures for the good of the kingdom which we would not hesitate to take'.
CHAPTER 5
Edward VI, base silver shilling
Anne Boleyn was quickly come and gone, and on 12 October 1537, that 'most precious jewel' of a healthy son was born at last to Henry VIII's third wife, Jane Seymour. The mother, however, would soon be cold in the grave from a grievous post-natal infection, and only nine years later, this self-same 'boy of wondrous hope' was left a vulnerable orphan cast adrift amid the surging sectarian and faction-ridden currents of mid-Tudor politics. First, under the partly right-minded but wholly wrong-headed stewardship of his uncle and Lord Protector, Edward Seymour, England would continue its agonising descent into the foreign wars and economic upheaval begun by his father. Then, after Seymour's ousting in 1549, the desperate quest for stability under John Dudley, Duke of Northumberland, became all too often the pretext for injustice and repression. As England finally succumbed to France in March 1550 with the Treaty of Boulogne, its new Church veered leftwards to an ever more radical brand of Protestantism, and the corridors of power continued to heave with faction and ambition, while in the wider world the unfamiliar scourge of inflation racked the common people and strained social bonds to the limit. To cap all, even nature herself seemed to assume an unforgiving aspect towards Edward VI's embattled kingdom, as 'sweating sickness' cut two consecutive swathes through high and low alike in 1551 and 1552.
Yet it was probably the 'hideous monster of base moneys' and inflation that most affected common people in their everyday struggle for survival. The practice of debasing the coinage by reducing its precious metal content had in fact been instituted by Cardinal Wolsey in 1526, but escalated drastically with the so-called 'Great Debasement' of 1542. Suspected by many economists to be the master plan of Thomas Wriothesley, Earl of Southampton and the king's principal secretary, the aim was to increase the supply of money available to the Crown for war with Scotland and France without recourse to Parliament. To begin with, Henry VIII kept secret what he was doing, collecting all the silver and gold that was paid in to him as loans and benevolences, and issuing it out again from the Mint, mixed with alloy, so that he was able to pay out about a quarter as much again as he received. In consequence, however, the silver coins struck from 1542 to 1551 steadily sank in value. In March 1542, for example, the silver content of English coins averaged 75 per cent of each coin's face value. But by March 1545 the value of the silver content had fallen to 50 per cent, and by March 1546 to 33.33 per cent. Indeed, even before the end of Henry VIII's reign the surface layer of silver had become so thin that it would invariably wear off revealing the copper below, especially in the area of the king's nose, giving rise to his nickname 'Old Coppernose'.
(Continues...)
Excerpted from The Tudors In 100 Objects by John Matusiak. Copyright © 2016 John Matusiak. Excerpted by permission of The History Press.
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