The Very Best of Fantasy & Science Fiction, Volume 2
A mutant baby goes on a rampage through Central Park. An immigrant reveals secrets in the folds of a perfect gift. Lucky Cats extend their virtual paws to salute a generous revolution. The Internet invades a third-world village.

The premier speculative-fiction magazine Fantasy & Science Fiction continues to discover and showcase many of the most inventive authors writing in any genre. Now drawing even more deeply upon F&SF’s impressive history, this extraordinary companion anthology expands upon sixty-five years’ worth of top-notch storytelling. The Very Best of Fantasy & Science Fiction, Volume Two is a star-studded tribute to the continuing vision of F&SF.
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The Very Best of Fantasy & Science Fiction, Volume 2
A mutant baby goes on a rampage through Central Park. An immigrant reveals secrets in the folds of a perfect gift. Lucky Cats extend their virtual paws to salute a generous revolution. The Internet invades a third-world village.

The premier speculative-fiction magazine Fantasy & Science Fiction continues to discover and showcase many of the most inventive authors writing in any genre. Now drawing even more deeply upon F&SF’s impressive history, this extraordinary companion anthology expands upon sixty-five years’ worth of top-notch storytelling. The Very Best of Fantasy & Science Fiction, Volume Two is a star-studded tribute to the continuing vision of F&SF.
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The Very Best of Fantasy & Science Fiction, Volume 2

The Very Best of Fantasy & Science Fiction, Volume 2

The Very Best of Fantasy & Science Fiction, Volume 2

The Very Best of Fantasy & Science Fiction, Volume 2

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Overview

A mutant baby goes on a rampage through Central Park. An immigrant reveals secrets in the folds of a perfect gift. Lucky Cats extend their virtual paws to salute a generous revolution. The Internet invades a third-world village.

The premier speculative-fiction magazine Fantasy & Science Fiction continues to discover and showcase many of the most inventive authors writing in any genre. Now drawing even more deeply upon F&SF’s impressive history, this extraordinary companion anthology expands upon sixty-five years’ worth of top-notch storytelling. The Very Best of Fantasy & Science Fiction, Volume Two is a star-studded tribute to the continuing vision of F&SF.

Product Details

ISBN-13: 9781616961633
Publisher: Tachyon Publications
Publication date: 07/15/2014
Pages: 432
Product dimensions: 6.00(w) x 8.80(h) x 1.30(d)

About the Author

About The Author
Two-time Hugo Award winner Gordon Van Gelder has been the editor of Fantasy & Science Fiction since 1996. As an editor at St. Martin’s Press for twelve years, he worked with such writers as Christopher Priest, George Pelecanos, and Kate Wilhelm. Van Gelder has also received the World Fantasy, and Locus awards. He lives Hoboken, New Jersey.

Charles de Lint is the best-selling author of more than seventy adult, YA, and children’s books, including Moonheart, The Onion Girl, Widdershins, Medicine Road, and Under My Skin. He is the recipient of the World Fantasy, YALSA, Crawford, and Aurora awards. De Lint is a poet, songwriter, performer, and folklorist, and he writes a book review column for Fantasy & Science Fiction.

Stephen King is the bestselling author of more than forty novels and over 100 short stories, such as Carrie, The Dark Tower, Under the Dome, and Children of the Corn. He is the recipient of the Hugo, Shirley Jackson, Bram Stoker, British Fantasy, Horror Guild, and World Fantasy awards. King's work has been made into major motion pictures, such as The Dead Zone, Carrie, The Shining, and Misery.

Jane Yolen is an American author of close to 300 books. Her books are primarily fantasy, science fiction, folktales and children's books. Her Nebula nominated novella "The Devil's Arithmetic" was made into a movie starting Kristin Dunst and Brittany Murphy. She is also known for her Pit Dragon Quadrilogy.

Paolo Bacigalupi's debut novel The Windup Girl, took the science fiction field by storm, winning the Hugo, Nebula, Locus, Compton Crook, and John W. Campbell Memorial awards. He is also the author of the young adult novel, Ship Breaker, which won the Michael L. Printz Award and was a finalist for the National Book Award. His latest novel is The Drowned Cities, a companion novel to Ship Breaker.

Harlan Ellison has written or edited more than 75 books and more than 1,700 stories, essays, articles, and newspaper columns as well as two dozen teleplays and a dozen movies. His work includes such classics as Deathbird Stories, I, Robot, Strange Wine, Shatterday, and Angry Candy. He has won multiple Hugo, Nebula, Edgar, Stoker, Locus, and Audie awards as well as the Silver Pen, World Fantasy, British Fantasy, Bradbury, and American Mystery awards.

Hometown:

Bangor, Maine

Date of Birth:

September 21, 1947

Place of Birth:

Portland, Maine

Education:

B.S., University of Maine at Orono, 1970

Read an Excerpt

Excerpt from "The Paper Menagerie" by Ken Liu

One of my earliest memories starts with me sobbing. I refused to be soothed no matter what Mom and Dad tried.

Dad gave up and left the bedroom, but Mom took me into the kitchen and sat me down at the breakfast table.

"Kan, kan," she said, as she pulled a sheet of wrapping paper from on top of the fridge. For years, Mom carefully sliced open the wrappings around Christmas gifts and saved them on top of the fridge in a thick stack.

She set the paper down, plain side facing up, and began to fold it. I stopped crying and watched her, curious.

She turned the paper over and folded it again. She pleated, packed, tucked, rolled, and twisted until the paper disappeared between her cupped hands. Then she lifted the folded-up paper packet to her mouth and blew into it, like a balloon.

"Kan," she said. "Laohu." She put her hands down on the table and let go.

A little paper tiger stood on the table, the size of two fists placed together. The skin of the tiger was the pattern on the wrapping paper, white background with red candy canes and green Christmas trees.

I reached out to Mom's creation. Its tail twitched, and it pounced playfully at my finger. "Rawrr-sa," it growled, the sound somewhere between a cat and rustling newspapers.

I laughed, startled, and stroked its back with an index finger. The paper tiger vibrated under my finger, purring.

"Zhe jiao zhezhi," Mom said. This is called origami.

I didn't know this at the time, but Mom's kind was special. She breathed into them so that they shared her breath, and thus moved with her life. This was her magic.

Table of Contents


“The Third Level” by Jack Finney
“Fondly Fahrenheit” by Alfred Bester
“The Cosmic Charge Account” by C. M. Kornbluth
“The Anything Box” by Zenna Henderson
“The Prize of Peril” by Robert Sheckley
“——All You Zombies——“ by Robert A. Heinlein
“Green Magic” by Jack Vance
“The Doors of His Face, the Lamps of His Mouth” by Roger Zelazny
“Narrow Valley” by R. A. Lafferty
“Sundance” by Robert Silverberg
“Attack of the Giant Baby” by Kit Reed
“The Hundredth Dove” by Jane Yolen
“Jeffty Is Five” by Harlan Ellison
"Salvador" by Lucius Shepard
“The Aliens Who Knew, I mean, Everything” by George Alec Effinger
“Rat” by James Patrick Kelly
“The Friendship Light” by Gene Wolfe
“The Bone Woman” by Charles de Lint
“The Lincoln Train” by Maureen McHugh
“Maneki Neko” by Bruce Sterling
“Winemaster” Robert Reed
“Suicide Coast” by M. John Harrison
“Have Not Have” by Geoff Ryman
“The People of Sand & Slag” by Paolo Bacigalupi
“Echo” by Liz Hand
"The New York Times at Special Bargain Rates" by Stephen King
“The Paper Menagerie” by Ken Liu

Reading Group Guide

Excerpt from "The Paper Menagerie" by Ken Liu

One of my earliest memories starts with me sobbing. I refused to be soothed no matter what Mom and Dad tried.

Dad gave up and left the bedroom, but Mom took me into the kitchen and sat me down at the breakfast table.

"Kan, kan," she said, as she pulled a sheet of wrapping paper from on top of the fridge. For years, Mom carefully sliced open the wrappings around Christmas gifts and saved them on top of the fridge in a thick stack.

She set the paper down, plain side facing up, and began to fold it. I stopped crying and watched her, curious.

She turned the paper over and folded it again. She pleated, packed, tucked, rolled, and twisted until the paper disappeared between her cupped hands. Then she lifted the folded-up paper packet to her mouth and blew into it, like a balloon.

"Kan," she said. "Laohu." She put her hands down on the table and let go.

A little paper tiger stood on the table, the size of two fists placed together. The skin of the tiger was the pattern on the wrapping paper, white background with red candy canes and green Christmas trees.

I reached out to Mom's creation. Its tail twitched, and it pounced playfully at my finger. "Rawrr-sa," it growled, the sound somewhere between a cat and rustling newspapers.

I laughed, startled, and stroked its back with an index finger. The paper tiger vibrated under my finger, purring.

"Zhe jiao zhezhi," Mom said. This is called origami.

I didn't know this at the time, but Mom's kind was special. She breathed into them so that they shared her breath, and thus moved with her life. This was her magic.

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