The premise of Paul Thaler's THE WATCHFUL EYE can be easily stated. Television has altered the basic nature of American
criminal justice processes through the incursion of cameras in America's courtrooms. At bottom, perceptions of courtroom
processes change and all the relevant players -- judges, prosecutors, defense attorneys, witnesses, defendants and juries -- evince
altered behavior as a consequence of their encounter with television. The subtext underlying Thaler's analysis, repeated in
numerous guises as a continuing mantra throughout the book, is that the changes wrought in the courtroom by television's presence
have not, by and large, been good ones.
At the outset, the reader is informed that the "statistical myopia" evident in surveys aimed at assessing the impact of televised
judicial proceedings will not be present here. Rather, Thaler employs a richer approach that includes the extensive use of
secondary source material, as well as over 50 interviews with journalists, academics, and the relevant actors in high profile
criminal justice proceedings. In particular, a case study of the highly publicized New York City trial of Joel Steinberg, accused of
murdering his 6 year old daughter, relies heavily on interviews with most of the trial's key participants including the judge, key
witnesses, (in particular, Hedda Nussbaum), attorneys on both sides of the case, jurors, and even Joel Steinberg, the defendant.
Thaler's eclectic study begins with an historical overview of the media-court relationship with a particular focus on the camera in
the courtroom controversy as it has evolved since the medium's infancy. The chapter serves well as a primer on the legal
controversies engendered by the countervailing interests often posed between the First Amendment's free press dictate, and the
6th Amendment's right to a fair trial. A full chapter focuses on the emergence of the Courtroom Television Network (Court TV)
as a "player" in this domain, with the author doing little to conceal his dubiousness about the enterprise. Steven Brill, the driving
force behind Court TV, bears the brunt of much of Thaler's criticism and skepticism. Before reaching the Steinberg case study
(which accounts for approximately half of the book), Thaler describes television's role in other celebrated criminal trial settings
including those involving Claus von Bulow, Amy Fisher, William Kennedy Smith, and Rodney King.
In focusing on the Steinberg case, Thaler attempts to bring a theoretical perspective to the analysis, utilizing concepts such as the
distraction factor, the self- consciousness factor, feedback, and mediated feedback in an effort to unravel the consequences of
television's presence on courtroom proceedings and outcomes. At best, these concepts serve as an organizational device for
categorizing a highly descriptive, anecdotal account of the Steinberg trial proceedings. Indeed, one cannot help but be
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disappointed with what emerges from the author's extensive interviewing. For the most part, the reader becomes privy to a stream
of self-serving assertions and post-hoc rationalizations from all the case participants. Perhaps most disappointing is the lack of
insights gained from over 50 hours of interviewing with the defendant himself, Joel Steinberg.
In a fundamental sense, THE WATCHFUL EYE fails to offer very much that is "new" or that a casual consumer of the televised
courtroom would not have already seen for him or herself. Indeed, Thaler's observations are standard fare and have been
repeated tenfold in the daily journalistic commentary and lay bantering about the penultimate television trial scenario, the current
O. J. Simpson double murder case. While a "good read," the style of the book is somewhat reminiscent of Woodward and
Armstrong's THE BRETHREN in its allusions to individual states of mind, and its characterizations of the innermost feelings of
key participants in the phenomena under study. In giving the Steinberg case study a docudrama feel, it appears that a good deal of
creative license has been taken.
Obviously, the interface between First and Sixth Amendment rights raises complex issues. Thaler's analysis, in my view, fails to
adequately confront or take account of the "public domain" reality of much of the information that television is criticized for making
public. Nor does the author successfully fend off the allegation that sensational trials will be treated sensationally (and, perhaps,
with a lesser hold on reality -- see the Central Park Jogger case) sans cameras in the courtroom. Curiously, and disappointingly,
the book does not address sufficiently the potential remedies, including those judicially imposed, for the possible clash of
constitutional values. When, for example, addressing the possibility of sequestering the jury in the Steinberg case, Thaler clearly
sides with Judge Rothwax's assertion that such an action would bring an untoward inconvenience to the jurors so burdened.
Throughout THE WATCHFUL EYE, Paul Thaler professes to be an agnostic on the bottom line issue of television's beneficial or
baneful effects in trial proceedings. Even a casual reader, however, would quickly conclude that the author of this study is a
doubting critic of the televised courtroom. That, however, is not the book's major pitfall. Rather, Thaler is never very precise in
fleshing out the actual substantive impact of televised trials on the administration of criminal justice. For every assertion made, a
counter assertion is alluded to. All interviewed subjects cannot help but report their own subjective and self-serving perspectives
on their experiences in a televised trial. While Thaler offers the reader a useful overview of the television trial controversy, his
book does not yield significant new insights or conclusions. The reader is left with a generalized sense that television coverage of
trials "makes a difference." Yet we are also left with little clue about what, in the final analysis, the consequences of that
"difference" are.
