Lauren Wilford is a film writer based in Providence, Rhode Island. She is a senior editor at
Bright Wall/Dark Room, an online magazine with offbeat, deeply human takes on film. Her bylines appear there and at RogerEbert.com,
VICE, and
Christianity Today. She is based in Providence, Rhode Island
Matt Zoller Seitz, a finalist for the Pulitzer Prize in criticism, is the TV critic for
New York Magazine and Vulture.com, as well as the editor in chief of RogerEbert.com. A Brooklyn-based writer and filmmaker, Seitz has written, narrated, edited, or produced more than a hundred hours’worth of video essays about cinema history and style for the Museum of the Moving Image and
The L Magazine, among other outlets. His five-part 2009 video essay, “Wes Anderson: The Substance of Style,” was later spun off into a
New York Times bestselling hardcover book series:
The Wes Anderson Collection (Abrams, 2013) and
The Wes Anderson Collection: The Grand Budapest Hotel (Abrams, 2015). Seitz is the founder and original editor of the House Next Door, now a part of
Slant Magazine, and the publisher of Press Play, a blog of film and TV criticism and video essays. He is the director of the 2005 romantic comedy
Home.
Max Dalton is a graphic artist living in Buenos Aires, Argentina, by way of Barcelona, New York, and Paris. He has published a few books and illustrated some others, including The Wes Anderson Collection: The Grand Budapest Hotel (Abrams, 2015). Max started painting in 1977, and since 2008, he has been creating posters about music, movies, and pop culture, quickly becoming one of the top names in the industry.