The Wind Knows My Name: A Novel

The Wind Knows My Name: A Novel

by Isabel Allende

Narrated by Edoardo Ballerini, Maria Liatis

Unabridged — 7 hours, 59 minutes

The Wind Knows My Name: A Novel

The Wind Knows My Name: A Novel

by Isabel Allende

Narrated by Edoardo Ballerini, Maria Liatis

Unabridged — 7 hours, 59 minutes

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Overview

Notes From Your Bookseller

Bestselling author Isabel Allende's latest historical epic spans 1938 to 2019, illuminating the stories of children separated from their parents while fleeing war. This deeply felt novel is a tribute to both the sacrifices parents must make to protect their children, as well as the resilience of those children who must face the unthinkable.

NATIONAL BESTSELLER ¿ “The lives of a Jewish boy escaping Nazi-occupied Europe and a mother and daughter fleeing twenty-first-century El Salvador intersect in this ambitious, intricate novel about war and immigration” (People), from the author of A Long Petal of the Sea and Violeta

“Timely, provocative . . . emotionally satisfying . . . [a story about] the kindness of strangers who become family.”-The New York Times Book Review

AN NPR BEST BOOK OF THE YEAR


Vienna, 1938. Samuel Adler is five years old when his father disappears during Kristallnacht-the night his family loses everything. As her child's safety becomes ever harder to guarantee, Samuel's mother secures a spot for him on a Kindertransport train out of Nazi-occupied Austria to England. He boards alone, carrying nothing but a change of clothes and his violin.

Arizona, 2019. Eight decades later, Anita Díaz and her mother board another train, fleeing looming danger in El Salvador and seeking refuge in the United States. But their arrival coincides with the new family separation policy, and seven-year-old Anita finds herself alone at a camp in Nogales. She escapes her tenuous reality through her trips to Azabahar, a magical world of the imagination. Meanwhile, Selena Durán, a young social worker, enlists the help of a successful lawyer in hopes of tracking down Anita's mother.

Intertwining past and present, The Wind Knows My Name tells the tale of these two unforgettable characters, both in search of family and home. It is both a testament to the sacrifices that parents make and a love letter to the children who survive the most unfathomable dangers-and never stop dreaming.

Editorial Reviews

Publishers Weekly

★ 04/10/2023

Refugee children flee from war and unrest in the powerful latest from Allende (Violeta). In 1938 Austria, five-year-old Samuel Adler is grudgingly placed by his mother on a rescue train to Great Britain. He completes the journey, and never sees his parents again. Samuel struggles in an orphanage until he settles in 1942 with a Quaker couple. At 25, he is a violinist with the London Philharmonic, and soon his interest in jazz takes him to America. In a parallel narrative set in 2019, Anita Diaz, seven, leaves El Salvador with her mother to escape ceaseless gang violence, and the two embark on an odyssey that sees them traveling on top of train cars and by foot. They make it to the U.S., where a new family separation policy leaves Anita, who is partially blind, alone in Nogales, Ariz., and her mother deported. Anita shuttles from one host family to another while a social worker and lawyer work tirelessly to safeguard her until she can be reunited with her mother. The two threads converge, first, with bitter irony—Samuel’s grandson is a presidential adviser who advocates for harsh immigration policies (and will remind readers of Trump administration political adviser Stephen Miller)—and, by the end, with hope. The dual narrative structure gives historical weight to the contemporary story line, and Allende finds real depth in her characters, especially when portraying their sacrifices. This authentic and emotionally harrowing work is a triumphant return to form. Agent: Johanna Castillo, Writers House. (June)

From the Publisher

[An] homage to parents who make unthinkable decisions to save their little ones, and to kids who survive some of the toughest challenges imaginable.”—Associated Press

“This beloved author transports us to two dark periods in history: Nazi-overrun Vienna in 1938 and the current dire situation at the border between the United States and Mexico. . . . Both stories are rich enough to carry the weight of one novel, but Allende expertly intertwines them. Employing her signature touch of magical realism, she wraps us in a compassionate story that reminds us ‘we could all just as easily find ourselves in similar situations.’”The Washington Post

“Allende’s artistry shapes a lyrical romanticism around social political history and global turmoil . . . [Her dialogue is] current, relevant and real. Our civic discourse is centered by a multitude of voices talking about two things—immigration and identity—who belongs and who doesn't, and how to care for the dispossessed. In Allende’s version healing is possible, because empathy is a hopeful, albeit inconsistent, follower of migration.”—NPR
 
“[Allende is] the queen of magic realism.”—BBC

“It feels something like a modern version of The Secret Garden: lost, grieving people finding joy and hope with each other, with a touch of magic. Beautiful and moving . . . draws parallels between humanitarian crises in different times and places in a way that feels deeply personal.”Book Riot

The Wind Knows My Name is a treat for fans of Kristin Hannah, Christina Baker Kline, and Julia Alvarez, all authors who understand that history always affects current events.”Virtuoso, The Magazine

“Allende is always a must read and readers will queue for her latest mix of history, suspense, emotional insight, social commentary, mysticism, wit, and tenderness.”Booklist

“Powerful . . . Allende finds real depth in her characters, especially when portraying their sacrifices. This authentic and emotionally harrowing work is a triumphant return to form.”Publishers Weekly (starred review)

Library Journal

★ 06/02/2023

In Allende's latest study of love, suffering, and the steady reach of the past, five-year-old violin prodigy Samuel Adler waves goodbye to his mother in 1938 Vienna as he boards a train that will allow him to escape the Nazis while decades later seven-year-old Anita Díaz is pulled from her mother at the U.S.-Mexico border after they flee El Salvador for safety. As the narrative unfolds Samuel's childhood in England, move to the United States as he passionately discovers jazz, and marriage to the freewheeling Nadine, his story converges beautifully with that of Anita, told through the efforts of Selena Durán to rescue her from the institutionalized cruelty of the U.S. immigration system. Selena is founder of the Magnolia Project, designed to help children like Anita, which brings in a lawyer named Frank who starts by falling for Selena and ends by embracing the project. Meanwhile, readers learn about Letitia, who fled the terrors of the El Mozote massacre as a child and whose story binds together all these characters. VERDICT From those who sought to help the Adlers in Vienna to the bonds between Samuel and his wife, Selena and Anita, and Anita and her grandmother, there's much love in a book whose poles are moments of great violence. Classic Allende enlarging her framework, as she did with A Long Petal of the Sea and Violeta.—Barbara Hoffert

June 2023 - AudioFile

Narrators Edoardo Ballerini and Maria Liatis couldn't be better in Isabel Allende's intricate, heartrending novel. From 1938 Europe to 2019 America, numerous upended lives are woven into a fascinating tapestry. Samuel Adler must leave Nazi Germany via the Kindertransport; Leticia Cordero narrowly escapes the El Mozote massacre in El Salvador; because of the Trump government's heartless immigration policy, 7-year-old partially blind Anita is left alone in a detention center after her mother is deported. Ballerini is simply outstanding. Every voice he delivers is believable; every emotion feels authentic. As Anita, Liatis sounds like a child--displaced, afraid, and dependent on a determined social worker and a sympathetic lawyer. Allende's poignant storytelling and sharp criticism of unfeeling bureaucracies are made even better by two remarkable performances. S.J.H. Winner of AudioFile Earphones Award © AudioFile 2023, Portland, Maine

Kirkus Reviews

2023-03-28
A novel about all sorts of characters crossing all sorts of borders.

Allende’s latest begins in Vienna on Kristallnacht, when Samuel Adler’s father is beaten so badly he eventually dies from his injuries. But Samuel doesn’t find that out until years have passed: After Samuel’s mother places him on a Kindertransport train to England, he loses touch with both parents. Then Allende jumps to the United States, where Leticia Cordero has ended up (illegally) after narrowly surviving the El Mozote massacre in El Salvador. In alternating chapters, Allende also describes Anita Díaz, a 7-year-old girl separated from her mother in a detention facility after crossing illegally into Arizona; Selena, a social worker trying to help Anita; and Frank, a hotshot lawyer who joins Anita’s case because he has the hots for Selena. Eventually—predictably—all these storylines intersect. Unfortunately, the two-dimensional characters never come to life. Neither does their dialogue, which is overstuffed with exposition. Allende uses her characters shamelessly as political mouthpieces. Hapless Frank, for example, complains: “But we can’t just open the floodgates and let millions of immigrants and refugees in. What’s the solution, Selena?” Selena, as you can imagine, tells him. This tactic appears throughout the book, which leans heavily on blatant exposition and draws heavy-handed parallels between Hitler’s Europe and Trump’s America. “Hitler used terror as a political tactic,” Allende writes, “taking advantage of discontent over economic woes.” This habit might have been more tolerable if Allende’s conclusions weren’t so trite. On Kristallnacht, she writes, a “sense of misfortune hung in the air.” There is little here that is original and even less that is genuinely moving.

Allende is too caught up in drawing historical and political parallels to imbue her characters with life.

Product Details

BN ID: 2940176828092
Publisher: Penguin Random House
Publication date: 06/06/2023
Edition description: Unabridged
Sales rank: 1,012,286

Read an Excerpt

The Adlers 

Vienna, November 1938



A sense of misfortune hung in the air. From the early morning hours, a menacing breeze had swept through the streets, whistling between the buildings, forcing its way in through the cracks under doors and windows.

“Just winter settling in,” Rudolph Adler murmured to himself in an attempt to lighten his mood. But he couldn’t blame the weather for the tightness in his chest, which he’d felt for several months now.

The stench of fear, like rust and rotting garbage, clung to his nostrils; neither his pipe tobacco nor his citrus-scented aftershave lotion could mask it. That afternoon, the stink of dread stirred up by the wind was suffocating, making him feel dizzy and nauseous. He decided to turn away the patients left in his waiting room and close up early. Surprised, his assistant asked if he was ill. She’d worked with the doctor for eleven years and had never known him to shirk his duties; he was a punctual, methodical man.

“Nothing serious, only a cold, Frau Goldberg. I’ll go home and rest,” he answered.

They tidied the office and disinfected the instruments, then said goodbye at the door as they did every evening, neither suspecting that they’d never see each other again. Frau Goldberg headed to the streetcar stop and Rudolph Adler walked the few blocks to the pharmacy at his usual brisk pace, hat in one hand and doctor’s bag in the other, his shoulders hunched. The sidewalk was damp and the sky cloudy; it had been drizzly and he predicted they’d soon see one of those autumn rainstorms that always caught him unawares, without an umbrella. He’d walked those streets a thousand times and knew them by memory, but he never stopped admiring his city, one of the prettiest places in the world with its Baroque and Art Nouveau buildings coexisting harmoniously, the majestic trees that had begun dropping their leaves, the equestrian statue in the neighborhood square, the bakery’s window display with its spread of delicate pastries, and the antiques shop crammed with curiosities. But that afternoon he barely raised his eyes from the pavement. He had the weight of the world on his shoulders.

The troubling rumors had begun that morning with news of an assault in Paris: a German diplomat shot five times and killed by a young man, a Polish Jew. Spokespersons for the Third Reich called for revenge.

Since that March, when Germany had annexed Austria and the Nazi Wehrmacht paraded its military pomp and circumstance through the heart of Vienna to a cheering, jubilant crowd, Rudolph Adler had been plagued with fear. His worries had begun a few years prior and only worsened as Nazi power was consolidated through increased financing and a growing stockpile of weapons. Hitler used terror as a political tactic, taking advantage of discontent over economic woes after the humiliating defeat in the Great War and the Great Depression in 1929. In 1934, Austrian chancellor Engelbert Dollfuss was assassinated in a failed government coup, and since then eight hundred others had been killed in various attacks. The Nazis intimidated their detractors, provoked disturbance, and pushed Austria to the brink of civil war. At the start of 1938, internal violence was so untenable that Germany, from the other side of the border, exerted pressure to annex the troubled country as one of its provinces. Despite the concessions that the Austrian government had made to German demands, Hitler ordered an invasion. The Nazi party had laid the groundwork for the invading force to be met with open arms by the majority of the population. The Austrian government surrendered and two days later Hitler himself entered Vienna, triumphant. The Nazis quickly seized total control. Opposition was declared illegal. German laws and SS and Gestapo oppression, as well as antisemitic policies, went into immediate effect.

Rudolph’s wife, Rachel, who had always been rational and practical, without the slightest tendency toward catastrophic thinking, was now almost paralyzed with anxiety and only functioned with the help of medication. They both tried to keep their son, Samuel, in the dark about what was happening, to protect his innocence, but the boy, who was about to turn six, had the maturity of an adult; he observed, listened, and understood without asking questions. Rudolph had initially prescribed his wife the tranquilizers he used to treat anxious patients, but when they seemed to have no effect, he turned to other, more powerful drops, which he obtained in opaque unmarked bottles. He could’ve used the sedatives as much as his wife, but he would not risk jeopardizing his professional acumen.

The drops were provided to him in secret by Peter Steiner, a pharmacist and friend of many years. Adler was the only doctor Steiner trusted with his own family’s health, and no government decree forbidding interaction between Aryans and Jews could change the respect they had for each other. In recent months, however, Steiner had been forced to avoid Adler in public, since he couldn’t afford any trouble with the neighborhood Nazi committee. In the past, they’d played thousands of games of poker and chess, exchanged books and newspapers, and taken regular hiking and fishing trips together to escape their wives, as they said jokingly, and in Steiner’s case to flee from his horde of children. Now Adler no longer participated in the poker games in the back room of Steiner’s pharmacy. The pharmacist met Adler at the back door of his shop and provided the medication for Rachel without registering it on the books.

Before the annexation, Peter Steiner had never questioned Adler’s roots and considered the doctor to be just as Austrian as he was. He knew the family was Jewish, as were 190,000 other Austrian citizens, but that meant nothing to him. He was agnostic; the Christianity he ’d been raised with seemed to him as irrational as all other religions, and he knew that Rudolph Adler felt the same way, though he upheld some Jewish customs out of respect for his wife. Rachel felt it was important that their son be raised in the Jewish community and traditions. On Friday evenings, the Steiners were often invited to Shabbat at the Adler home. Rachel and Leah, her sister-in-law, spared no detail: the best table linens, new candles, the fish recipe that had been passed down from a grandmother, fresh loaves of bread, and abundant wine. Rachel was close to Leah, who had been widowed young and had no children. Leah was devoted to her brother Rudolph’s small family, and although Rachel begged the woman to move in with them, she insisted on living alone, visiting often. Leah was sociable and participated in various programs at the synagogue to help the neediest members of the community. Rudolph was the only brother she had left, since the youngest had emigrated to a kibbutz in Palestine, and Samuel was her only nephew. Rudolph presided over the Shabbat prayer, as was expected of him as head of household. With his hands on Samuel’s head, he asked God to bless and protect him, to grant him grace and peace. On more than one occasion Rachel caught a wink exchanged between her husband and Peter Steiner after the prayer, but she let it slide, knowing it wasn’t meant in mockery but merely a gesture of complicity between two nonbelievers.

The Adlers belonged to the secular and educated middle class that characterized Viennese society in general and Jewish society in particular. Rudolph had explained to Peter that for centuries his people had been discriminated against, persecuted, and expelled from many lands, which was why they valued education over material wealth. They could be robbed of their belongings, as had occurred repeatedly throughout history, but no one could take away their intellectual assets. The title of doctor was more highly prized than a fortune in the bank. Rudolph came from a family of craftsmen, proud to count a physician among them. The profession afforded him prestige and authority, though in his case it indeed did not translate to material wealth. Rudolph Adler was not a sought-after surgeon or a professor at the storied University of Vienna, but a family physician, hard-working and generous, who treated more than half of his patients for free.

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