In her debut novel, Henríquez, author of the short story collection Come Together, Fall Apart, explores the depths of love in an unconventional family and a foreign land. In suburban Chicago, young, unsure Miraflores finds herself caught between finishing college and caring for her mother, who has developed premature Alzheimer's disease. While tending to her mother, Mira uncovers a startling secret regarding her Panamanian father, long a forbidden topic; Mira had been told that he abandoned them prior to her birth, but there seems to be more to the story. To find him, and hopefully some perspective, Mira takes an extended vacation to Panama where he remains a citizen. There, Mira makes friends with elderly doorman Hernán and his young relative Danilo and,with their help, pursues every possible lead to her father. While Mira's quest for identity and family stability unfolds, the friendship between her and Danilo deepens, and soon she finds herself with feelings for the energetic, handsome, occasionally abrasive young man. A closely observed tale of relationships with some astute parallels between human interaction and subterranean geology, Henríquez's novel also benefits from a strong sense of place and plotting.
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The World in Half
Narrated by Joana Garcia
Cristina HenríquezUnabridged — 9 hours, 7 minutes
The World in Half
Narrated by Joana Garcia
Cristina HenríquezUnabridged — 9 hours, 7 minutes
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Overview
Miraflores never knew her father, and never thought he wanted to know her. But when she returns to the Chicago suburb where she grew up to care for her ailing mother, she discovers that her mother and father were greatly in love, and that her father had wanted a daughter more than she could have imagined. Now, Miraflores secretly plots a trip to Panama, in search of the man she hopes can heal her mother-and who can help her find the pieces of her own identity. What she finds is unexpected, exhilarating, and holds the power to change the course of her life.
Editorial Reviews
A college student journeys to Panama to track down the father she never knew in this debut novel from Henr'quez (Come Together, Fall Apart, 2006). The product of an adulterous affair between a military wife and a Panama Canal worker, Miraflores (Mira) Reid was raised by single mom Catherine to believe that her biological father had no interest in being a part of her life. Mira is shocked, then, to discover a stash of letters testifying to Gatun Gallardo's passionate yearning to be with her and her mother; it was Catherine who decided they should be apart. Unfortunately, confronting Mom is not really an option, since she is suffering from early-onset Alzheimer's and becoming more helpless each day. Anxious to find out more about Gatun's world, Mira hires a health aide to look after Catherine, takes a leave from school and jets down to Panama to find him. Shortly after arriving in the tropical splendor of Central America, she meets a semi-employed young charmer named Danilo all too eager to help out the pretty tourist. His uncle Hernan also takes a liking to her, in a more paternal way, and she stays with the two bachelors while hitting one dead end after another. Danilo, it turns out, knows more than he lets on, and Mira's poignant discovery of what actually happened to her dad complicates their burgeoning relationship. Back in Chicago, Mira has to deal with her mother's worsening condition and her own lingering anger over the family life they could have had. It is a lot for a young person to handle, as Mira is forced to face her fears and learn from Catherine's mistakes. The talented Henr'quez writes plenty of soaring passages, and Danilo is a wonderful character; but like its conflictedheroine, the novel seems unsure whether it belongs in Chicago or Panama. Thoughtful travelogue whose terrain includes the mother/daughter minefield. Author appearances in New York, Los Angeles, Seattle, Texas, Chicago. Agent: Kate Lee/ICM
Product Details
| BN ID: | 2940177624549 |
|---|---|
| Publisher: | Tantor Audio |
| Publication date: | 03/02/2021 |
| Edition description: | Unabridged |
Read an Excerpt
Table of Contents
Title Page
Copyright Page
Dedication
One - Origination
Two - Orientation
Three - Absorption
Four - Deflation
Five - Infiltration
Six - Concretion
Seven - Saturation
Eight - Friction
Nine - Crystallization
Ten - Erosion
Eleven - Vibration
Acknowledgements
ALSO BY CRISTINA HENRÍQUEZ
Come Together, Fall Apart
RIVERHEAD books Published by the Penguin Group Penguin Group (USA) Inc., 375 Hudson Street, New York, New York 10014, USA Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario M4P 2Y3,
Penguin Books Ltd, Registered Offices:
All rights reserved. No part of this book may be reproduced, scanned,
Library of Congress Cataloging-in-Publication Data
Henríquez, Cristina, date.
eISBN : 978-1-101-02865-0
1. Panama—Fiction. I. Title.
This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons,
While the author has made every effort to provide accurate telephone numbers and Internet addresses at the time of publication, neither the publisher nor the author assumes any responsibility for errors, or for changes that occur after publication.
For Ryan
One
Origination
More than three thousand miles below the surface of the earth is its core. It’s taken scientists a long time to learn anything about it. Most of them would readily admit that they know more about every other planet in the solar system than they do about the pit that’s at the center of ours. But seismic waves have taught us a few things. There’s a liquid outer core and a solid inner core. The convection currents in the outer core dictate our magnetic fields. The inner core is made of pure iron. Its temperature hovers around 5,000 to 6,000 degrees Celsius. At one time it was molten, so the fact that now it’s not means that little by little the planet has been hardening itself from the inside out. I think about that a lot. And then again, I think maybe the scientists don’t know anything. None of them, after all, have ever traveled to the core of the earth. It would be impossible for any human to get so close to such a fiery heart.
My mother is humming in the bathroom when Lucy arrives. It’s the last Thursday in December, and gusts of bitter wind rattle the house periodically. The sky outside is as gray as a stone. She’s been in the bathroom for more than an hour now, and so far she has completed the entire score of West Side Story and at least a dozen repetitions of “O Christmas Tree.” She won’t admit it, but she’s nervous. “If this woman’s coming here to see me,” she said yesterday, “I might as well make sure she sees something good.” I tried explaining that Lucy wasn’t coming to judge her.
“Yes she is.”
“Trust me, she’s not.”
“Don’t be naïve,” she said. “Everyone is always judging everyone else.”
Lucy shows up, exactly like she said she would, at eight a.m. sharp. Through the window I can see her—a heavyset woman in a camel-colored mohair coat and a man’s fedora—shifting her weight from foot to foot and rubbing her hands together to keep them warm. She has a giant canvas tote bag slung over one shoulder.
“Ding dong,” she says, when I open the door. “Avon calling.”
“Excuse me?” The frigid air from outside rushes in.
“I’m sorry. That was a joke.”
“Are you Lucy?”
“I like to start things off with a joke. Folks usually get a kick out of it. You might be too young to understand that particular one, though. It started in the sixties. Or was it the fifties?” She waves her hand. “It’s not important. Yes, I’m Lucy. Lucy Carter from Sunrise.”
We have to wait another thirty minutes before my mother comes out of the bathroom. In the intervening time, I make Lucy a cup of hot tea, which she sips on the couch while we talk idly about whether each of us is from the area (Lucy is originally from Minnesota, though she’s lived here since she was six years old), and the dreary winter they’re predicting we’ll have this year, what I’m studying in school, and how expensive gas is these days. Because it would seem awkward not to point it out, I explain why there are towers of magazines stacked up against one of the living room walls. The magazines are my old copies of Science that my mother dug up from the basement a few days ago. She woke up that morning and said, while she peeled the shell off a hard-boiled egg, “Do you know what we need, Mira? We need order.” The next thing I knew, she was dredging up every back issue of every magazine we’d ever owned and sorting them by issue date. The Science magazines are next to my National Geographics, the yellow spines layered on top of one another straight as railroad tracks. Lucy eyes the towers approvingly and says, “Well, that makes as much sense as anything, I guess.”
When we’ve exhausted all that and still my mother has yet to make her entrance, I take Lucy on a quick tour of the house. I show her where we keep the flashlights and the batteries in case the power goes out, and where we keep a fire extinguisher under the kitchen sink. I tell her which days the trash is collected, and what time the lamps in the living room are set to turn off every night, and how to jiggle the toilet so that it flushes on the first try. I tell her that I’ve already written out a rent check for the month and that she needs to drop it at the owner, Mrs. Sakac’s, house on Colfax before the fifteenth. I show her that I’ve stuck a Post-it note on the check with Mrs. Sakac’s address. Lucy takes it all in without asking questions or for clarification. Just as we’re about to head down to the basement so that I can show her how to use the washing machine, the knob to the bathroom door rattles.
“Hold on,” my mother calls from inside. “I’m coming.”
The knob rattles again. We wait.
“It’s locked,” my mother says.
“Unlock it,” I say.
There’s nothing but silence. The knob is still. I step forward and try to turn it. “Mom, unlock the door.”
“Hold on.”
I don’t dare look back at Lucy. It’s embarrassing. I just keep my hand on the knob and listen through the door while my mother fiddles and curses and, finally, turns the lock. When she walks out, she’s wearing a plaid wool pencil skirt, a purple turtleneck sweater, sheer brown hose, and her best heels. She pauses outside the bathroom door, as if she’s just stepped onto a stage. Then she says, as though nothing happened, “Were we going down to the basement?”
Later, after my mother has given Lucy her own tour and after the two of them have had time to ease into some semblance of comfort with each other, we all sit together at the kitchen table and go over the routine: Lucy will move into our house for the next three weeks. She will sleep on the couch. “I’m hoping you can provide sheets and blankets, but I’ll bring my own pillow,” she says. “Nothing against your pillows. I’m sure they’re fine. But my neck needs a buckwheat pillow, and I’ve found that most people don’t keep those around.” Lucy will be with my mother all day, every day. At this, my mother makes a face. “Well, I’m not going to Velcro the two of us together. I just mean I’ll be in the house whenever you are. And if I need to leave the house, I’ll bring you with me. And if you need to leave the house, I’ll take you anywhere you want to go.” My mother opens her mouth and Lucy quickly corrects herself. “Not anywhere. But you know what I mean.” Lucy will do all the driving. She will use her own car. “It’s a reliable Volkswagen Rabbit,” she assures us. “Never had a single repair.” She will implement safety precautions around the house: cover the outlets with plugs; lock up our household cleaners; install night-lights. She will help my mother in all the ways that she can and all the ways that are necessary, but she is not, she takes care to stress, a babysitter. For anything for which my mother doesn’t require assistance—“I would guess that’s still most things at this point,” Lucy says—my mother will be on her own. Nor is she here as hired entertainment. “I can be very entertaining,” she says, “but that’s hardly the point.” Lucy knows, because I marked it on the paperwork, that my mother had to leave her job a month earlier. One of the lawyers in the office where she worked as the receptionist approached her one day after a batch of billing statements my mother was supposed to have sent got returned to the office for lack of postage. He told her that they were all fond of her and had always known her to be capable, but that the work had gotten away from her lately, and that they didn’t want to fire her, but they hoped she would see it was time for her to leave. My mother, who almost never goes with the flow of anything, said she did see. During her lunch that day, she scribbled a letter of resignation. Since then, though, my mother hasn’t quite known what to do with herself. After spending her entire adult life working—never calling in sick, dismissing the idea of vacation—she has no clue how to pass the time. For her, being unemployed is like wandering through a dark and beguiling forest. I assume, though, that’s what Lucy is referring to when she says she’s not entertainment. She’s not here to fill my mother’s time for her, only to keep her safe.
“When are you starting?” I ask.
“I believe I just did.”
The next night, because it’s New Year’s Eve and because Lucy insists, I go out with my friends. Before I leave the house Lucy asks if she can take a picture of me. “I’ve never seen you look so nice,” she says, taking no pains to hide the amazement on her face. I’m dressed in a shimmering silver V-neck blouse, black trousers, and black boots. My hair is long and straight down my back, my bangs long and straight across my forehead.
“You’ve only seen me yesterday and today,” I point out, smiling. But then my mother comes out and corroborates Lucy’s opinion.
“Mira! No jeans!” she says. “Is this always how you dress around your friends?”
“Yes. I wear disco balls to my geophysics classes.”
“I know you thought that was funny, but you should consider it. It would be an improvement over jeans all the time.”
Lucy backs me against a wall and takes a picture. “One more with the flash,” she says.
“Lucy,” I point to my shirt. “I’m pretty sure I’ve got the flash covered.”
“For once,” my mother says, and I roll my eyes, hoping that it comes off as good-natured, before pulling on my coat and walking out the door.
It’s dark by the time I get to campus. Asha buzzes me up to her room and hugs me when I walk in. She has jazz—her favorite since she took a class on Thelonious Monk last quarter—playing softly.
“You look so good!” she says. “Were we supposed to get dressed up? Do you even know where we’re going? Juliette’s still talking about going to the Med, but I don’t know if I feel like it.”
Asha is wearing dark jeans, a slim black turtleneck, and green sneakers. She is, as one of the guys in her dorm told her once, a classic Indian beauty, with thick, wavy hair and flawless golden skin.
I sit on her bed, covered with a Jamawar shawl. “You know she only wants to go there because of Ben, right?” I say.
“That waiter? What’s his last name? Linwood? I think he was in my biology lab.”
“Did you tell Juliette? She’s practically killing herself to find out anything she can about him.”
“Exactly why I didn’t tell her. If she knew where he was every Tuesday and Thursday at three-thirty, she would probably stalk him.”
Asha is leaning over her dresser, lining her almond-shaped eyes with heavy black eyeliner. She licks her pinky and dabs at one of the corners. Then she turns to me and, shaking her finger, says, “So you don’t tell her, either.”
Juliette and Beth arrive together about ten minutes later. They walk into Asha’s dorm room wearing dresses—Juliette a corduroy shirtdress with a wide brown belt around her waist, and Beth a very plain sleeveless black dress that hits at her knees. She has tights on underneath.
The four of us met the first week of freshman year at a barbecue in the courtyard that two of the neighboring dorms threw to welcome new students. Juliette and Beth lived in the same suite, so they came over together, clinging to each other the way everyone did in the beginning just for the comfort of having someone to do things with. Asha was monitoring her veggie burger on the grill and I was talking to my RA. Later, I got in line for a hot dog behind Juliette and Beth. Juliette brokered the introductions, and then Beth and I learned we were in the same major (geophysical sciences), which Asha overheard and which, because she was in the sciences, too (chemistry), prompted her to introduce herself to us a few minutes later as we sat cross-legged on the grass, eating and licking salt from potato chips off our fingers. With the scent of charcoal wafting through the air, we sat outside talking to one another long after all the others at the barbecue had thrown away their plastic plates and wadded napkins and returned to the safe cover of their dorm rooms, until dusk fell and the mosquitoes came out and Asha jumped up because she kept getting bitten. Someone—it must have been Juliette—suggested we all have breakfast together in the dining hall the next morning. We’ve been friends ever since.
“What the hell?” Asha says when she sees them. “Why didn’t anyone tell me we were supposed to be dressing up?”
“What do you mean, why didn’t we tell you?” Juliette asks. “It’s New Year’s Eve.”
“This is just the dress I use for interviews,” Beth says, before sitting beside me on the bed and putting her arm around my shoulder, squeezing me in a sideways hug. “How are you?” she asks.
“I’m okay,” I say. She gives me the most pitying smile, lips together, turned down at the corners.
“What interviews?” Asha asks.
“What are we listening to?” Juliette wants to know.
“Sonny Rollins. ‘ ’Round Midnight.’ It’s a standard,” Asha says. “What interviews?”
“It’s nice. Can I download it from you?”
“Sure. What interviews, Beth?”
“The interviews I’m trying to set up for summer intern-ships. Didn’t I tell you I’m trying to get a job at Fermi Lab?”
“Okay, before the three of you get all caught up in your ultra-fascinating science talk, where are we going?” Juliette asks, after coming over and giving me her own hug.
“I heard you wanted to go to Medici,” I say, winking suggestively.
(Continues…)
Excerpted from "The World in Half"
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Copyright © 2010 Cristina Henriquez.
Excerpted by permission of Penguin Publishing Group.
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