The Wrong Side of Goodbye (Harry Bosch Series #19)

by Michael Connelly

Overview

In this #1 New York Times bestseller, California's newest private investigator, Detective Harry Bosch, must track down a missing heir while helping a police department connect the dots on a dangerous cold case.

Harry Bosch is California's newest private investigator. He doesn't advertise, he doesn't have an office, and he's picky about who he works for, but it doesn't matter. His chops from thirty years with the LAPD speak for themselves.

Soon one of Southern California's biggest moguls comes calling. The reclusive billionaire is nearing the end of his life and is haunted by one regret. When he was young, he had a relationship with a Mexican girl, his great love. But soon after becoming pregnant, she disappeared. Did she have the baby? And if so, what happened to it?

Desperate to know whether he has an heir, the dying magnate hires Bosch, the only person he can trust. With such a vast fortune at stake, Harry realizes that his mission could be risky not only for himself but for the one he's seeking. But as he begins to uncover the haunting story—and finds uncanny links to his own past—he knows he cannot rest until he finds the truth.

Swift, unpredictable, and thrilling, The Wrong Side of Goodbye shows that Michael Connelly "continues to amaze with his consistent skill and sizzle" (Cleveland Plain Dealer).

#1 NEW YORK TIMES BESTSELLER
#1 USA TODAY BESTSELLER
10 BEST MYSTERIES OF 2016, SEATTLE TIMES
NOTABLE BOOK OF 2016, WASHINGTON POST

Product Details

ISBN-13:	9781455524211
Publisher:	Grand Central Publishing
Publication date:	05/16/2017
Series:	Harry Bosch Series
Pages:	448
Sales rank:	53,717
Product dimensions:	5.20(w) x 7.60(h) x 1.30(d)

About the Author

Michael Connelly is the author of twenty-eight previous novels, including #1 New York Times bestsellers The Crossing and The Burning Room. His books, which include the Harry Bosch series and Lincoln Lawyer series, have sold more than sixty million copies worldwide. Connelly is a former newspaper reporter who has won numerous awards for his journalism and his novels and is the executive producer of Bosch, starring Titus Welliver. He spends his time in California and Florida.

Hometown:

Sarasota, Florida

Date of Birth:

July 21, 1956

Place of Birth:

Philadelphia, Pennsylvania

Education:

B.A. in Journalism, University of Florida, 1980

Website:

http://www.michaelconnelly.com

Editorial Reviews

PRAISE FOR MICHAEL CONNELLY:"

Michael Connelly is an undisputed master."—Chuck Leddy, Boston Globe"

Connelly continues to amaze with his consistent skill and sizzle."—Cleveland Plain Dealer"

Mr. Connelly is superb at building suspense."—Tom Nolan, Wall Street Journal "

Any new book by Michael Connelly is a cause for celebration."—Jackie Cooper, Huffington Post

From the Publisher

…the characters aren't what make Mr. Connelly's books worthwhile. The classic mystery plotting and streamlined storytelling are what render him so readable. Of all the big-name writers who dominate this genre, Mr. Connelly is the most solid, old-school pro. His books also have a kind of broody glamour…Tiny, Hispanic San Fernando; the panoramic skyscraper in which Harry is hired for the Vance job; the grand old-money throwback that is the Vance estate; the more interesting places where Vibiana et al. wound up: All of it is etched in indelible detail and with great care. The people of The Wrong Side of Goodbye may not be with you by the next time Harry comes around. But the settings will be etched into the Bosch road map of California life.

The New York Times - Janet Maslin

Sooner or later, Harry Bosch will have to turn in his gun and retire from police work, but until that time Michael Connelly continues to think up creative ways to keep his old war horse on the job.

The New York Times Book Review - Marilyn Stasio

10/03/2016
Bestseller Connolly’s canny detective, Harry Bosch, remains a compelling lead, but even longtime fans may feel that his creator gives him a few too many fortuitous breaks in his 21st outing (after 2015’s The Crossing). Bosch’s long career with the LAPD is a thing of the past, and he now divides his time between PI work and pro bono service as a reserve police officer for the city of San Fernando. He gets involved in an apparently impossible case for an extremely wealthy client, Whitney Vance, who pays Bosch $10,000 just to agree to a meeting. The 85-year-old Vance asks Bosch to find out, in complete secrecy, what became of the woman Vance impregnated 65 years earlier and who disappeared from his life almost immediately afterward. The billionaire, who believes he is nearing his end, hopes the investigator can ascertain whether he has a living heir. Though the trail is beyond cold, Bosch lucks into a solid lead. The multiple contrivances significantly diminish the plot. Agent: Philip Spitzer, Philip G. Spitzer Literary. (Nov.)

Publishers Weekly

06/15/2016
So big that Hachette allowed him a one-hour booth takeover at BookExpo America, Connelly returns with another tale featuring redoubtable detective Harry Bosch. No plot details yet, but note that 2015's The Crossing had the most preorders of any Connelly title ever. With a 550,000-copy first printing.

Library Journal

Narrator Titus Welliver has developed a great voice for detective Harry Bosch over several titles, and here again in twin investigations that touch on Bosch’s family, especially his daughter, Maddie. While working on a serial rapist "screen cutter" case in the small community of San Fernando, Bosch is asked by a reclusive aviation billionaire to find an heir who may or may not exist. Welliver uses subtle changes in tone and pitch to find unique voices for various characters. When Bosch’s partner goes missing, Welliver ramps-up the tension using swift pacing and increased volume. Music at the ends of chapters is a bonus. Welliver's narration maintains the laid-back persona of Bosch while evoking his drive to save his partner from one of the most dangerous psychopaths they’ve ever encountered. A great mystery and a great narration are a winning combination. S.C.A. Winner of AudioFile Earphones Award © AudioFile 2016, Portland, Maine

NOVEMBER 2016 - AudioFile

2016-10-05
Harry Bosch, balancing a new pair of gigs in greater LA, tackles two cases, one of them official, one he struggles to keep as private as can be.Now that he’s settled the lawsuit he brought against the LAPD for having forced him into retirement, Harry (The Crossing, 2015, etc.) is working as an unsalaried, part-time reservist for the San Fernando Police Department while keeping his license as a private investigator. Just as the San Fernando force is decimated by the layoffs that made Harry such an attractive hire, it’s confronted with a serious menace: the Screen Cutter, a serial rapist with a bizarre penchant for assaulting women during the most fertile days of their menstrual cycles. Ordinarily Harry would jump at the chance to join officers Bella Lourdes and Danny Sisto in tracking down the Screen Cutter, and he does offer one or two promising suggestions. But he’s much more intent on the private job he’s taken for 85-year-old engineering czar Whitney Vance, who wants him to find Vibiana Duarte, the Mexican girl he impregnated when he was a USC student, and her child, who’d be well past middle age by now—and also wants him to keep his inquiries absolutely secret. Harry’s admirably dogged sleuthing soon reveals what became of Vibiana and her child, but his discovery is less interesting and challenging than his attempts to report back to his client, who doesn’t answer his private phone even as everyone around Harry is demanding information about the case he doesn’t feel he can share. Grade-A Connelly. The dark forces arrayed against the hero turn out to be disappointingly toothless, but everything else clicks in this latest chapter of a compulsively good cop’s odyssey through the City of Angels and its outlying neighborhoods and less angelic spirits.

Kirkus Reviews