JUNE 2014 - AudioFile
Anyone who read rock magazines in the 1970s will remember Lisa Robinson as the tell-all columnist who gained access to the backstage world of rock’s biggest and most outrageous superstars—in particular, The Rolling Stones and Led Zeppelin—during their creative—and decadent—peaks. In this memoir, which she narrates herself, she dryly recounts the maddening backstage whirl, which she remained a part of as late as the ‘80s, when she was reborn as an MTV talking head. Robinson’s unique voice—resonant but laced with the cynicism of a native New Yorker—adds depth to her unique position as a kind of confidante to the stars. It’s the perfect vessel to deliver such delicious—and telling—bons mots as: “In those days, nobody went to Brooklyn. There was no reason to.” J.S.H. © AudioFile 2014, Portland, Maine
The New York Times Book Review - Howard Hampton
…Robinson is often delightful company. She spins good yarns and drops nifty tidbits about a litany of the great and the weird. Meet Lou Reed after hours…kibitz with the New York Dolls' peerless David Johansen, visit Michael Jackson…You can dine with a voluble Phil Spector, delve into the pontifical all-things-to-all-people contradictions of U2 and recall a certain Ms. Smith's prestardom cabaret act…There Goes Gravity aims to entertain, but it also illuminates more than enough.
Publishers Weekly
04/21/2014
During her 40 plus years as a music writer and columnist (New Musical Express, NY Post, Vanity Fair), Robinson has conducted a wealth of high-profile interviews—Patti Smith, Led Zeppelin, Michael Jackson, Jay Z, Eminem. These immersive tales from the hotels and backstage rooms of many larger-than-life musicians form a fly-on-the-wall adventure through the last half century of music. Growing up the daughter of a judge in Manhattan, Robinson used to sneak out to hear Thelonious Monk at the Village Vanguard before ending up in the offices of her future husband, writer and music label insider Richard Robinson. At a time when the feminist movement was still in its infancy, Robinson established herself as part of a rarified circle of women who had truly free access. She had early success with interviews because, initially, she didn't see herself as a rock critic (often writing gossip about fashion) and was cautious to judge, leaving the drug exposes to others. Tellingly, although she was entertained by the likes of Jagger and enthrall by Led Zeppelin, when Robinson was in New York she would head straight to CBGB's to see Television and The New York Dolls, of whom she has been a longstanding champion. For Robinson, writing about the scene "felt like a ‘calling'." Whether I was in a private plane with the Rolling Stones or standing in two inches of beer…at CBGB's—it was exactly where I wanted to be." Her excitement is palpable and will leave you wanting to put your lighter in the air. (Apr.)
From the Publisher
Robinson is often delightful company. She spins good yarns and drops nifty tidbits about a litany of the great and the weird… There Goes Gravity aims to entertain, but it also illuminates.”
–NYTimes Book Review
“Ms. Robinson'seemed to be everywhere in the rock world of the 1970s and ’80s, often as the only woman in a roomful of boys.”
—NYTimes
"Lisa Robinson began reporting at a time when rock journalism 'was in its infancy and mostly populated by boys who had ambitions to become the next Norman Mailer.' Her memories of some of music's biggest legends, from Mick Jagger to Michael Jackson to Lady Gaga (whom she describes as 'a cute girl in her twenties who had really good manners'), animate this book."
—NPR.org
“As a pioneering music journalist in the 1970s (working for Creem, Hit Parader, et al.), Robinson rarely left the house without a VIP pass dangling from her neck. She shares a lifetime’s worth of backstage escapades and intimate insights on rock royalty."
—Washington Post Express
“As a journalist, it's Robinson's job to get the story without a publicist whispering in her ear or lawyers tapping her on the shoulder or anyone telling her how and what to write. And she's done it so well, that, no matter what she writes, music artists love her. After reading this wickedly hilarious, blunt memoir, you will, too.”
—USA Today
“You’ll struggle to name a rock star Lisa Robinson hasn’t interviewed over the years.”
—Time Out New York
“Gossipy, witty, and occasionally profound, Robinson writes about music from a very intimate perspective — whether on tour with the Rolling Stones in 1975 or eating pasta cooked by Lady Gaga in 2011, Robinson has an uncanny ability to get close to musicians.”—Boston Globe
“The excerpts from her long interviews with, say, John Lennon, are fascinating… Plenty of music fans will be more than ready for this circuitous, genial, and opinionated walk on the wild side.”
—Booklist
“Robinson’s a lifelong music journalist; think of her memoir as the literary equivalent of a backstage pass.” –EW
“Tough, smart and with a knack for encountering some of music's biggest names at pivotal moments, Robinson tells the the unique story of her career.” —Rolling Stone
“Working mostly from the countless diaries she kept during her travels, There Goes Gravity moves along at a brisk clip, a pulsating bass of Robinson’s frankness keeping time throughout.” —The Riveter
“There Goes Gravity is a lot more than a rock music 'tell-all'… the author’s insight and knowledge of music elevates [the book] from your standard, run-of-the-mill, behind-the-scenes expose into a series of wonderful stories told by someone who, not only, knows of what she speaks, but loves the people, places and talent that have crossed her path for all these years…" —The Examiner
“Her excitement is palpable and will leave you wanting to put your lighter in the air.”
—Publishers Weekly
“Readers should expect several dozen amusing cameos and digressions along the way, though. The focus may be on the artists, but it is Robinson’s voice, straightforward and intimate, that makes this work stand out from the pack. A particularly entertaining rock and roll memoir that will appeal to a wide audience. Highly recommended for music or cultural historians and fans of road diaries.” —Library Journal
“A backstage pass to the greatest circus of the 20th century.”—Kirkus Reviews
“Making a narrow history approachable and captivating to a broad audience is a tall order, but Lisa Robinson proves that she is a master of casting such spells.” —Bustle
“If you care one whit about music and musicians, Gravity is a must-read.”
—PureWow
“[A]n exceptional read… Readers feel like they’re beside Robinson as she recalls each incident without sparing a detail. She creates vibrant portrayals of characteristics, interactions, reactions, settings, and sounds with her informal yet expertly arranged prose.”
—PopMatters
“An obsessive recorder and note taker, Robinson has distilled her hundreds of hours of interviews with legend after legend into bite sized-stories, through it all successfully negotiating the balancing act between fan and journalist with a circus performer's aplomb, a trick she continues as an editor at Vanity Fair.”
—Paper Magazine
“Robinson’s memoir—an epic account of her 40 plus years of writing about music—is an all access pass to rock and roll history, with interviews of everyone from Mick to Eminem to Kanye” —Departures
“[A] vivid, richly detailed memoir that functions as a de facto history of rock — and of an edgier, bygone New York.” —Jewish Daily Forward
“There Goes Gravity offers a magnificent, acute account of style from '70s rock to punk to mainstream pop.”
—NYMAG, The Cut
“A fast, fun read with delectable serving-sized chapters of rock & roll history… Lisa Robinson has raised the microphone stand so high for others to aspire to, and for the readers of music journalism today, that only makes for better, deeper interviews.” —Glide magazine
“Much can be learned from Robinson's initiative, demeanor, and journalistic style in There Goes Gravity. Of course, juicy details about the biggest musicians of all time are interesting too.” —DCist
“Now a contributing editor atVanity Fair, music journalist Lisa Robinson has had a career worth reading about. There Goes Gravity tells the story of a girl in the boys’ club of rock and roll journalism.” —DAME magazine
“To say that Lisa Robinson has led an interesting life is an understatement.” —Brightest Young Things
JUNE 2014 - AudioFile
Anyone who read rock magazines in the 1970s will remember Lisa Robinson as the tell-all columnist who gained access to the backstage world of rock’s biggest and most outrageous superstars—in particular, The Rolling Stones and Led Zeppelin—during their creative—and decadent—peaks. In this memoir, which she narrates herself, she dryly recounts the maddening backstage whirl, which she remained a part of as late as the ‘80s, when she was reborn as an MTV talking head. Robinson’s unique voice—resonant but laced with the cynicism of a native New Yorker—adds depth to her unique position as a kind of confidante to the stars. It’s the perfect vessel to deliver such delicious—and telling—bons mots as: “In those days, nobody went to Brooklyn. There was no reason to.” J.S.H. © AudioFile 2014, Portland, Maine
Kirkus Reviews
★ 2014-01-29
A lifetime of memories from classic rock's heyday by one of the finest rock journalists of her generation. It wouldn't be surprising if Cameron Crowe's misty-eyed classic Almost Famous comes to readers' minds as they troll through this book by longtime New York Post and Vanity Fair journalist Robinson. The author covers her career from joining the Rolling Stones on tour in 1969 to more recent profiles of megastars like Eminem, Kanye West and Lady Gaga. It's a fantastic collection of stories, partially due to the fact that Robinson is a top-notch writer and partly since she enjoyed completely unfettered access and the genuine friendship of figures ranging from John Lennon to Phil Spector. Most of the chapters cover major figures—David Bowie, Led Zeppelin and an elegiac remembrance of Michael Jackson, to name just a few—but Robinson also seems to have a foot in two worlds. While she jetted around the world with champagne in hand, she was also deeply embedded in the origins of the legendary New York City club CBGB. In its orbit, she bonded with gutter rats like the Ramones and introduced David Bowie to Lou Reed for the first time. There's also a bittersweet melancholy that underpins much of the book. On the recent Zeppelin reunion, she writes, "I didn't go. I prefer to remember them the way they were. It's been a long time. The song couldn't possibly be the same." On learning there's a "Joey Ramone Place" in the Bowery now, she recalls some lyrics by Bob Dylan: "They're selling postcards of the hanging." On punk rock: "Scenes aren't meant to last. The best of them sneak or burst into the consciousness of a few. They blow up into something they weren't to begin with. And then, they eventually burn out." All of these movements have been written about before, but the scope of Robinson's memoir lends it an extraordinary spirit. A backstage pass to the greatest circus of the 20th century.
