Thirty Years' Musical Recollections

Thirty Years' Musical Recollections

by Henry Fothergill Chorley
Thirty Years' Musical Recollections

Thirty Years' Musical Recollections

by Henry Fothergill Chorley

Paperback

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Overview

Thirty Years' Musical Recollections, first published in 1862, is a year-by-year commentary in two volumes on the European operas, ballets, singers and dancers popular in London from 1830 to 1859. It's author was music critic of The Athaneum for over thirty years and also wrote book reviews, novels, plays and poems. Volume 1 covers the period 1830–1847 and serves as a valuable reference work to the musical life of London during these years. Starting with his reminiscences of the opera season in 1830, Chorley takes the reader on a journey from early performances of Italian and German opera in England, via works by Rossini, Bellini and Donizetti and the first appearances of Lablache and of Mademoiselle Taglioni, through to Verdi's operas in 1846. He also describes famous opera singers including Maria Malibran, Giambattista Rubini, Madame Grisi, Madame Pasta, Madame Persiani, Rachel Felix, Signor Mario, and Mademoiselle Jenny Lind.

Product Details

ISBN-13: 9781108001403
Publisher: Cambridge University Press
Publication date: 07/20/2009
Series: Cambridge Library Collection - Music
Pages: 336
Product dimensions: 5.51(w) x 8.50(h) x 0.75(d)

Read an Excerpt


THE YEAR 1847. HER MAJESTY'S THEATRE. OPERAS. "La Sonnambula," "IPuritani," " Norma." Bellini. " La Favorite," " Lucia," " La Figlia dell' Reggimento." Donizetti. " Robert le Diable." Meyerbeer. " Le Nozze di Figaro." Mozart. " Nino," " Ernani," " I due Fos- cari," "I Lombardi," " I Masnadieri." Verdi. IJrintinal Jsin gtrs. Mdes. Sanchioli. Castellan. De Montenegro. Jenny Lind. MM. Gardoni. Superchi. Bouche. Coletti. Fraschini. Staudigl. Lablache. F. Lablache. BALLET. " Coralia." |) rinripal Mdes. Rosati. Marie Taglioni. Grahn. Carlotta Grisi. THE YEAR 1847. From this time forthduring some yearsthere were two Opera-houses. The secession of many artists, and of a large part of the orchestra and chorus, and that in the wake of their conductor, left Her Majesty's Theatre very bare.Possibly it was an inevitable device, that, as provision for expected performances, there should be a provision of promises,singular to recollect, now that their utterly unsubstantial basis is known. It was announced that M. Meyerbeer was to bring his "Camp de Silesie" to Londonthat opera which he has never allowed to travel beyond the barriers of Berlin,aware, it may be fancied, of its weakness.It was undertaken that Mendelssohn should, in the same season, produce his opera of "The Tempest."There was, thirdly, to be a new opera by Signor Verdi. Of these three promises, the last alone was" THE TEMPEST." 295 performed. It may be doubted whether anything beyond the merest preliminary negotiations had been entered into with the two great German masters. The subject of Shakespeare's delicious faery dream had always attracted Mendelssohn. So long, ere this time, as the date of his residence in Dusseldorf, he hadbeen in consultation with Herr Immermann on the...

Table of Contents

1. The year 1847. Mademoiselle Alboni. Signor Ronconi; 2. The year 1848 (Her Majesty's Theatre); 3. The year 1848 (Royal Italian Opera). M. Mayerbeer's operas. Madame Pauline Viardot; 4. The year 1849 (Her Majesty's Theatre). The Countess Rossi; 5. The year 1849 (Royal Italian Opera). M. Meyerbeer's operas – “Le Prophète”. M. Auber's operas; 6. The year 1850 (Her Majesty's Theatre); 7. The year 1850 (Royal Italian Opera); 8. The year 1851 (Her Majesty's Theatre); 9. The year 1851 (Royal Italian Opera); 10. The year 1852 (Her Majesty's Theatre); 11. The year 1852 (Royal Italian Opera); 13. The year 1853 (Royal Italian Opera); 12. The year 1854 (Royal Italian Opera); 13. The year 1855 (Royal Italian Opera); 14. The year 1856 (Her Majesty's Theatre); 15. The year 1856 (Royal Italian Opera), Madame Ristori; 16. The year 1857 (Royal Italian Opera); 17. The year 1857 (Her Majesty's Theatre); 18. The year 1858 (Her Majesty's Theatre–Royal Italian Opera–Drury Lane); 19. The year 1859 (Royal Italian Opera–Drury Lane; 20. The last chapter.

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