'Til the Well Runs Dry
Lauren Francis-Sharma's 'Til the Well Runs Dry opens in a seaside village in the north of Trinidad where young Marcia Garcia, a gifted and smart-mouthed 16-year-old seamstress, lives alone, raising two small boys and guarding a family secret. When she meets Farouk Karam, an ambitious young policeman, the risks and rewards in Marcia's life amplify forever.



On an island rich with laughter, Calypso, Carnival, cricket, beaches and salty air, sweet fruits and spicy stews, the novel follows Marcia and Farouk from their amusing and passionate courtship through personal and historical events that threaten Marcia's secret, entangle the couple and their children in a scandal, and endanger the future for all of them.



'Til the Well Runs Dry tells the twinned stories of a spirited woman's love for one man and her bottomless devotion to her children. For readers who cherish the previously untold stories of women's lives, here is a story of grit and imperfection and love that has not been told before.
"1116891003"
'Til the Well Runs Dry
Lauren Francis-Sharma's 'Til the Well Runs Dry opens in a seaside village in the north of Trinidad where young Marcia Garcia, a gifted and smart-mouthed 16-year-old seamstress, lives alone, raising two small boys and guarding a family secret. When she meets Farouk Karam, an ambitious young policeman, the risks and rewards in Marcia's life amplify forever.



On an island rich with laughter, Calypso, Carnival, cricket, beaches and salty air, sweet fruits and spicy stews, the novel follows Marcia and Farouk from their amusing and passionate courtship through personal and historical events that threaten Marcia's secret, entangle the couple and their children in a scandal, and endanger the future for all of them.



'Til the Well Runs Dry tells the twinned stories of a spirited woman's love for one man and her bottomless devotion to her children. For readers who cherish the previously untold stories of women's lives, here is a story of grit and imperfection and love that has not been told before.
16.99 In Stock
'Til the Well Runs Dry

'Til the Well Runs Dry

by Lauren Francis-Sharma

Narrated by Ron Butler, Bahni Turpin

Unabridged — 13 hours, 3 minutes

'Til the Well Runs Dry

'Til the Well Runs Dry

by Lauren Francis-Sharma

Narrated by Ron Butler, Bahni Turpin

Unabridged — 13 hours, 3 minutes

Audiobook (Digital)

$16.99
FREE With a B&N Audiobooks Subscription | Cancel Anytime
$0.00

Free with a B&N Audiobooks Subscription | Cancel Anytime

START FREE TRIAL

Already Subscribed? 

Sign in to Your BN.com Account


Listen on the free Barnes & Noble NOOK app


Related collections and offers

FREE

with a B&N Audiobooks Subscription

Or Pay $16.99

Overview

Lauren Francis-Sharma's 'Til the Well Runs Dry opens in a seaside village in the north of Trinidad where young Marcia Garcia, a gifted and smart-mouthed 16-year-old seamstress, lives alone, raising two small boys and guarding a family secret. When she meets Farouk Karam, an ambitious young policeman, the risks and rewards in Marcia's life amplify forever.



On an island rich with laughter, Calypso, Carnival, cricket, beaches and salty air, sweet fruits and spicy stews, the novel follows Marcia and Farouk from their amusing and passionate courtship through personal and historical events that threaten Marcia's secret, entangle the couple and their children in a scandal, and endanger the future for all of them.



'Til the Well Runs Dry tells the twinned stories of a spirited woman's love for one man and her bottomless devotion to her children. For readers who cherish the previously untold stories of women's lives, here is a story of grit and imperfection and love that has not been told before.

Editorial Reviews

The New York Times Book Review - Jennifer Keishin Armstrong

In the end, Marcia's story, told lovingly in this, Francis-Sharma's debut novel, is as universally touching as it is original.

From the Publisher

"Remarkably accomplished first-time novelist Francis-Sharma makes it clear on page one that Marcia is strong, courageous, and resourceful." ---Booklist Starred Review

From the Publisher - AUDIO COMMENTARY

"Remarkably accomplished first-time novelist Francis-Sharma makes it clear on page one that Marcia is strong, courageous, and resourceful." —Booklist Starred Review

New York Times bestselling author of The Lace Read Brunonia Barry


An evocative and emotionally resonant family saga with one of the most compelling heroines I've met in a long time. A story of love, loss, and triumph set in a world of secret and moral consequence. Like the Obeah woman in her story, Lauren Francis-Sharma has cast a spell that refuses to release me. I won't forget this story or the voice of this wonderful new writer any time soon.

author of the #1 New York Times bestseller The Dee Jacquelyn Mitchard


'Til The Well Runs Dry is unforgettable. Like the best poetry, it has all the high notes: a beautiful girl, a spell that leads to love and death, and a terrible secret -- in language pierced with the cries and colors of the West Indies. But this is not just a story; it's the author's retelling of her own origins. Sweet, brutal, and unsparing, this is Lauren Francis-Sharma's first book, yet she commands the page.

Henry Louis Gates Jr.


Lauren Francis-Sharma takes us to the island of Trinidad, the 'Land of the hummingbird,' in a story that feels like a song, with a chorus of voices across generations, revealing a culture as vibrant and enriching as it is overlooked by those on the mainland.

APRIL 2015 - AudioFile

An astonishingly unique historical novel, which begins in Trinidad in the 1940s, this is an example of the best that an audiobook can offer. The two narrators, Ron Butler and Bahni Turpin, are superb choices who move the listener smoothly between the two main characters. Farook and Marcia Garcia are star-crossed lovers who don’t have fate on their side. Turpin evokes the rhythms of English as spoken in Trinidad, lyrical, and rhythmic. Through her confident narrative style, Marica Garcia comes across as a strong, beleaguered young woman. Her trials evoke empathy in the listener. Butler establishes the contorted choices that face Farook as an Indian man who is prevented by racism from marrying his true love. This sprawling tale spans Trinidad and the United States, from the 1940s-1960s. M.R. Winner of AudioFile Earphones Award, 2016 ALA Media Award, 2016 Audies Finalist © AudioFile 2015, Portland, Maine

Kirkus Reviews

2014-04-03
From the Caribbean island of Trinidad comes a saga ripe with heartbreak and joy. Trinidad is home to a striking diversity of people—descendants of African slaves, indentured Indians, Chinese laborers, Spanish colonizers and French land managers. American novelist Francis-Sharma, whose parents are Trinidadian immigrants, has a keen grasp of the customs and speech of the island's human patchwork. In 1943, when Farouk Karam catches sight of teenage Marcia Garcia, she's raising two disabled toddlers, scraping by as a seamstress. Farouk, a police officer from a middle-class Hindu family, is smitten with Marcia and goes to the local obeah woman in Tunapuna, looking for help. Soon after, the toddlers mysteriously disappear, Marcia is bereft, and Farouk's support leads to romance. They marry, but when Farouk brings Marcia to meet his parents, he's browbeaten by their disapproval and their revelation of the village gossip, which says the two lost boys were the children of Marcia and her father, who was driven from the village. Farouk wants the truth, but pride and a vow of silence prevent Marcia from speaking. Farouk leaves her and stays away until he can't bear it any longer—a pattern that repeats itself over two decades. Though they have four children, the Karams never live like a family (at least not for more than a few weeks, until someone's temper flares). Marcia leaves for America, but the arranged job turns out to be akin to slavery. When she escapes and finds herself homeless in New York, her determination to survive and bring her children over only strengthens. Sharma delivers a rich and satisfying debut on the ties of family, love and culture—and how those ties are sometimes better when broken.

Product Details

BN ID: 2940170460540
Publisher: Tantor Audio
Publication date: 03/17/2015
Edition description: Unabridged

Read an Excerpt

Chapter 1

MARCIA GARCIA

The cardboard box trembled. The panicked squeals from inside it grew louder as I hurried through the overgrown grass.

The school day was half over. Children were noisily filling the road across from me, unbuttoning their stifling uniforms in the heat of the lunch hour, scrambling home. I’d long ago stopped wondering what they thought of me. I didn’t want to feel the pang of loss for that old, simpler life.

I crouched to peek inside the box.

A wild opossum, a manicou, clawed at the corners. For an amateur hunter, a manicou was a big prize—a delicacy that could stretch for days—but distaste for finishing the job held me back.

“Can’t be lucky if you’s a coward,” my mother had always said.

Over at the right side of the yard, under the purpleheart tree, the boys were digging rusty spoons into the hot earth, hoping the bitter mounds of caked black dirt they piled onto their warped utensils would magically turn into warm slices of coconut bread. They hadn’t noticed me yet, off to the left, watching our dinner plan its escape.

I ran to the underside of the house, finding the hammer my father had used to repair the base of my mother’s sewing table before she died and long before the neighbors sent him away from the village. Returning to the trap, I steeled myself and reached inside.

Breathe. Breathe.

I snatched the manicou’s small furry neck. Its rigid body thrashed across the damp floor of the box, its slanty, black, rat-like eyes looked up at me, wide and frantic. The manicou’s pulse quickened against my fingertips. It was putting up an honorable fight. But it could change nothing about its fate. The same was true of me.

I wouldn’t look into the darkened box again. Instead, I squeezed its coarse fur and its next layer of squishy flesh, harder and harder, pushing its flailing body down into the peeling bottom of the box. I slid out the hammer I had wedged between my thighs and with half-closed eyes, I smashed its skull over and over until, finally, the throbbing between my shaking, bloodied fingers came to an end.

*   *   *

The boys sat side by side on the cool slab floor. I spooned the boiled manicou from the pot and scraped away the spiky fur with the knife I’d sharpened on a yard stone. The slightness of its body in my palms made me feel sickly. I swallowed thick bile before making a delicate cut down the middle of the manicou’s spine, pulling back its slick skin to expose the soft, pink-grey meat.

The boys moved onto their knees and watched through eager brown eyes as I sliced the meat into inch-wide strips, layering it with seasonings. Lemon juice, salt, black pepper, fresh chunks of garlic, onion. I lifted the bowl to their noses, letting them smell the flavors seeping into the meat before I tossed the tender, sticky pieces with my fingers. I never tired of seeing their awe at my performing the simplest tasks. I loved them for being with me when there was no one else left.

I nudged them aside and relit the coal pot. The shimmery flames smacked the pot’s rusty bottom. The boys drooled. I passed my shirt over their mouths and tried to shoo them away, but they refused. The sugar melted into the hot oil, turning silvery black. I slid the damp cuts into the searing pot. The smoke swallowed us. The coconut milk whitened the pieces, offering a promising sizzle.

My plan that afternoon was to feed the boys early and get them to my neighbor, Carol Ann, so I could leave on time for my appointment with Mrs. Duncan in Tunapuna. I wanted to avoid the after-school ruckus and the judgmental eyes. But it took a few hours for the tough meat to soften and stew, and then the boys took their time, massaging each bite between their small teeth.

“Eat up,” I said.

I wiped their faces, cleaned their ears, then set aside slivers for each of the next four days. Rice, bread, cassava, breadfruit—any one of those would accompany the leftover meat and gravy quite nicely.

I hurried the boys to Carol Ann’s, where they both pressed their backs against her door and began to cry.

“Come. Let her go,” Carol Ann said, yanking at their shirtsleeves.

Being a seamstress required house calls. And living way out in Blanchisseuse, where roads were often blocked by landslides, for weeks or even months, I could never be sure when I would make it back. Carol Ann, a client whose taste didn’t match her budget, had been kind enough, on occasion, to mind them for me, though I long suspected by the way she chewed the inside of her cheek that she’d rather repay her debt to me any other way.

*   *   *

In Tunapuna, I delivered four drop-waist dresses before arriving at the top of Mrs. Duncan’s road. Although Mrs. Duncan had been my mother’s most loyal customer and likely wouldn’t have cared that I was ten minutes late, I despised the tardiness. I was sixteen years old. It was difficult getting customers to trust me. Sticking to my word, keeping my mother’s past clients happy, kept food on the table.

I walked briskly with the sun disappearing behind a sky half-full of dust-colored clouds. I smiled at two ladies who stood near the road chatting with metal spoons in their hands. The thick scents of their aromatic foods boiling outside in heavy pots reminded me that I hadn’t eaten enough.

I tapped on Mrs. Duncan’s door. I had scrubbed my fingers with vinegar and lemon juice before leaving home, but as they gripped Mrs. Duncan’s dress box, I could still smell the musky manicou fur.

“Eh, who knockin’ the door?” came the deep bass voice of Inspector Duncan, Mrs. Duncan’s husband.

I could hear Mrs. Duncan sucking her teeth for a long cheups. “Take two steps and open the door, David.”

“Boy, you smart to stay to yourself,” Inspector Duncan joked to someone. “Get married and from the day you bring she home, you only gettin’ lip.”

Thunderous footfalls grew close. I wiped thumb-size drops of rain from my face. I had to get out of Tunapuna within the hour or I wouldn’t make it back to Blanchisseuse in a rainstorm without flapping all the day’s money at some taxi driver who’d complain that “Nobody in dey right mind would leave Blanchisseuse one day and expect to go back de same day.”

Inspector Duncan finally opened the door, gulping the last of what smelled like a spicy puncheon rum. “Good afternoon.” His hands were each the length of a newborn baby. His face sank into pillowy, purple-black, shiny skin that covered a head the size of a small boulder.

“Good afternoon,” I said.

I smiled but could say nothing else. My face had reddened at the sight of the East Indian man sitting on the floral-printed couch, cradling a glass, staring at me.

He was quite handsome, I’ll admit. But he was old. Probably twenty-two or twenty-three. His skin, a deep-fried, golden brown and smooth like velvet pile. The outline of his lips like a bow tie. His nose, downward sloping and strong, with a black mole at its tip. His midnight-black shoes shone like marble, and his shirt, lightly starched, caressed his small muscular frame.

I tried to release his gaze, but his large, dark eyes attached themselves to me. Eyes like a black, hot night. Eyes that made me want to crawl into something small and cool and shadowy.

“Jennifer!” Inspector Duncan called. “The young lady … uh … Ma-Marcia … is here with your dress. Come back in here!”

Mrs. Duncan shrieked with delight, wiping her hands on a red and white cotton apron I’d given her as a gift. When she smiled, her cheeks grew into small, firm circles. “Oh, my dressmaker! Come, chile.” She sweetly scooted her husband aside. “Don’t mind them two old fellas. They don’t teach manners in the police force.”

Again, I tried to shake off the Indian fella’s gaze. Staring straight at him and making sure not to be detected by the Duncans, I rolled my eyes to the top of my head.

“Good afternoon, Mrs. Duncan,” I said, patting her hand.

“This chile is always so polite,” she said.

The fitting took only fifteen minutes, but by the time we returned to the parlor, Inspector Duncan’s patience with his wife had worn thin. “Jennifer?” he said, with a hard cheups. “Where’s the food? We’re hungry.”

I was pretty certain their conversation would wind up in a fight. I mumbled, “Good night,” closing the door behind me. The Indian fella sat, huddled in his corner seat, watching me leave.

If I had any luck I’d catch the last bus and make it back to Blanchisseuse before midnight. If I didn’t, I would have to beg Mrs. Duncan to let me stay the night and run off early the next morning so as not to leave Carol Ann in a pinch past lunchtime.

It was raining harder. I scrambled toward the bus stop where a quiet crowd had already gathered. Footsteps crunched on the gravel behind me. I heard someone say “Hello,” breathlessly, at my back. I didn’t bother to turn around.

“Sorry,” the voice said, moving closer. “I said ‘hello.’”

Finally, I turned. The Indian fella from the Duncans’ couch. Had he left before Mrs. Duncan’s dinner was served?

“Hello.” The wetness on my bare arms left me so chilly, even my voice shook.

“We just met at the Duncan house up the street there,” he said.

The bulging, bright headlights of the bus caught my attention. I didn’t have time for that fella’s gibberish. “We didn’t meet,” I said.

The bus forced its way through new puddles, and I squeezed between two skinny fellas in the middle of the line. Tapping my wet sandals against the muddied walk, I climbed the steps, positioned myself in the first empty seat I could find, and never once looked back.

Copyright © 2014 by Lauren Francis-Sharma

From the B&N Reads Blog

Customer Reviews