It has long been recognized that J. R. R. Tolkien's work is animated by a profound moral and religious vision. It is less clear that Tolkien's vision confronts the leading philosophical and literary concerns addressed by modern writers and thinkers. This book seeks to resolve such uncertainty. It places modern writers and modern quandaries in lively engagement with the broad range of Tolkien's work, while giving special attention to the textual particularities of his masterpiece, The Lord of the Rings.
In ways at once provocative and original, the contributors deal with major modern artists and philosophers, including Miguel de Cervantes, Friedrich Nietzsche, Emmanuel Levinas, Iris Murdoch, and James Joyce. The essays in Tolkien among the Moderns also point forward to postmodernism by examining its implications for Tolkien's work. Looking backward, they show how Tolkien addresses two ancient questions: the problems of fate and freedom in a seemingly random universe, as well as Plato's objection that art can neither depict truth nor underwrite morality. The volume is premised on the firm conviction that Tolkien is not a writer who will be soon surpassed and forgotten—exactly because he has a permanent dwelling place "among the moderns."
Ralph C. Wood is University Professor of Theology and Literature at Baylor University. He is the author and editor of a number of books, including Chesterton: The Nightmare Goodness of God.
Ralph C. Wood has served as University Professor of Theology and Literature at Baylor since 1998. He previously served for 26 years on the faculty of Wake Forest University in Winston-Salem, North Carolina, where he became the John Allen Easley Professor of Religion in 1990. He has also taught at Samford University in Birmingham, at Regent College in Vancouver, and at Providence College in Rhode Island. At Baylor, his main appointment is in the Religion Department; he also teaches in the Great Texts program as well as the Department of English. He serves as an editor-at-large for the Christian Century and as an editorial board member for both the Flannery O'Connor Review and Seven: An Anglo-American Literary Review.
