Tosa Mitsunobu and the Small Scroll in Medieval Japan

Tosa Mitsunobu and the Small Scroll in Medieval Japan

by Melissa McCormick
ISBN-10:
0295989025
ISBN-13:
9780295989020
Pub. Date:
10/13/2009
Publisher:
University of Washington Press
ISBN-10:
0295989025
ISBN-13:
9780295989020
Pub. Date:
10/13/2009
Publisher:
University of Washington Press
Tosa Mitsunobu and the Small Scroll in Medieval Japan

Tosa Mitsunobu and the Small Scroll in Medieval Japan

by Melissa McCormick

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Overview

Tosa Mitsunobu and the Small Scroll in Medieval Japan is the first book-length study to focus on short-story small scrolls (ko-e), one of the most complex but visually appealing forms of early Japanese painting. Small picture scrolls emerged in Japan during the fourteenth century and were unusual in constituting approximately half the height of the narrative handscrolls that had been produced and appreciated in Japan for centuries. Melissa McCormick's history of the small scroll tells the story of its emergence and highlights its unique pictorial qualities and production contexts in ways that illuminate the larger history of Japanese narrative painting.

Small scrolls illustrated short stories of personal transformation, a new literary form suffused with an awareness of the Buddhist notion of the illusory nature of worldly desires. The most accomplished examples of the genre resulted from the collaboration of the imperial court painter Tosa Mitsunobu (active ca. 1469-1522) and the erudite Kyoto aristocrat Sanjonishi Sanetaka (1455-1537). McCormick unveils the cultural milieu and the politics of patronage through diaries, letters, and archival materials, exposing the many layers of allusion that were embedded in these scrolls, while offering close readings that articulate the artistic language developed to an extreme level of refinement. In doing so, McCormick also offers the first sustained examination in English of Tosa Mitsunobu's extensive and underappreciated body of artistic achievements.

The three scrolls that form the core of the study are A Wakeful Sleep (Utatane soshi emaki), which recounts the miraculous union of a man and a woman who had previously encountered each other only in their dreams; The Jizo Hall (Jizodo soshi emaki), which tells the story of a wayward monk who achieves enlightenment with the help of a dragon princess; and Breaking the Inkstone (Suzuriwari soshi emaki), which narrates the sacrifice of a young boy for his household servant and its tragic consequences. These three works are easily among the most artistically accomplished and sophisticated small scrolls to have survived.


Product Details

ISBN-13: 9780295989020
Publisher: University of Washington Press
Publication date: 10/13/2009
Pages: 320
Product dimensions: 10.30(w) x 11.30(h) x 1.00(d)
Age Range: 18 Years

About the Author

Melissa McCormick is professor of Japanese art and culture, Harvard University.

Table of Contents

Note to Readers

Acknowledgments

INTRODUCTION: THE SMALL SCROLL AND JAPANESE PICTORIAL NARRATIVE

1 A BRIEF HISTORY OF SMALL SCROLLS

Fourteenth-Century Examples

Large Scrolls and Short Narratives

A Theory of the Short-Story Small Scroll

Short-Story Small Scrolls in the Fifteenth Century

The Visual Language of Short-Story Small Scrolls

Small Scrolls as "Picture Books" for Children

Smallness in Late Medieval Culture

2 THE CULTURAL MILIEU OF SANJONISHI SANETAKA AND TOSA MITSUNOBU

The Reception of Miracles of the Kasuga Deity

Mitsunobu, Painting Bureau Director

Poetry Gatherings and Artistic Projects

Buddhist Icons, Mortuary Portraits, and the Court Artist

Mitsunobu, Sanetaka, and the Collaborative Process

Clouds of Mt. Koya: A Small Scroll by Mitsunobu and Sanetaka

3 A WAKEFUL SLEEP: PAINTING THE DREAM TALE

A Muromachi Period Dream Tale

Reworking the Courtly Romance in Text and Image

Visualizing a Karmic Bond

The Female Protagonist and the Romantic Ideal

A Wakeful Sleep and Aristocratic Marriage

4 THE JIZO HALL: A PICTORIAL REBIRTH

The Scroll and the Story

Combinatory Logic

The Shadow Protagonist

An Imperial Painting

5 BREAKING THE INKSTONE: AN ACOLYTE TALE FOR A YOUNG SHOGUN

The Pictorial Language of Breaking the Inkstone

Breaking the Inkstone as an Acolyte Tale

Yoshizumi and Hosokawa Masamoto

Masamoto, Mountains, and Magic

Breaking the Inkstone and Bonds between Men

Epilogue

Appendix: Translations

Notes

Bibliography

Illustration Credits

Index

What People are Saying About This

Quitman E. Phillips

"Melissa McCormick's excellent study covers much material almost completely ignored in Western scholarship, and brings fresh insights even to one who knows the works and the Japanese scholarship."

Gregory P. A. Levine

"If what we wish for is a book based on first—rate scholarship that proposes a new way of seeing, understanding, and appreciating art within a particular historical and cultural setting, then this book is it."

From the Publisher

"If what we wish for is a book based on first—rate scholarship that proposes a new way of seeing, understanding, and appreciating art within a particular historical and cultural setting, then this book is it."—Gregory P. A. Levine, University of California, Berkeley

"Melissa McCormick's excellent study covers much material almost completely ignored in Western scholarship, and brings fresh insights even to one who knows the works and the Japanese scholarship."—Quitman E. Phillips, University of Wisconsin—Madison

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