JANUARY 2016 - AudioFile
Ellen Hopkins’s distinctive characterizations of five teens who are in recovery from the effects of sex trafficking are given equally distinctive voices by five adept narrators. In this follow-up to Hopkins’s 2009 novel TRICKS, listeners benefit from the uniqueness of each narrator as the story shifts between changing points of view. The different narrators’ voices assist listeners who are new to the series to keep the characters straight. Straightforward deliveries work well as the narrators voice the traumatic pasts and painful rehab of the teens without resorting to melodrama or coming off as self-pitying. Overall, a weighty and difficult novel and an ensemble of highly nuanced and varied performances. E.M.C. © AudioFile 2016, Portland, Maine
Booklist
"Hopkins’ undeniable empathyfor young people remains sincere and moving."
School Library Connection
Mature readers will...cry when reading this work.
Booklist
"Hopkins’ undeniable empathyfor young people remains sincere and moving."
School Library Journal
09/01/2015
Gr 10 Up—In this sequel to Tricks (S. & S., 2009), the author revisits the lives of five very different young adults who ended up victims of sex trafficking in Las Vegas. Hopkins spares no details while relaying the dire circumstances Eden, Seth, Whitney, Ginger, and Cody experienced and yet still manages to infuse each character's story with hope. The protagonists have to decide what their futures will hold and how much they want to fight to get there. Reading the first novel is not necessary, as enough backstory is provided. However, some readers may prefer to understand the teens' path to sex trafficking before reading this story of redemption. Hopkins clearly has done her research, as detailed in an author's note, and the stories carry even more weight when readers realize that this is the reality many children and teens face. Hopkins's use of free verse allows the raw emotion to shine through, and mature teens will hang on to every word. VERDICT Ordering is a must for libraries where the first was popular. Recommended widely for older YA readers.—Kelly Jo Lasher, Middle Township High School, Cape May Court House, NJ
JANUARY 2016 - AudioFile
Ellen Hopkins’s distinctive characterizations of five teens who are in recovery from the effects of sex trafficking are given equally distinctive voices by five adept narrators. In this follow-up to Hopkins’s 2009 novel TRICKS, listeners benefit from the uniqueness of each narrator as the story shifts between changing points of view. The different narrators’ voices assist listeners who are new to the series to keep the characters straight. Straightforward deliveries work well as the narrators voice the traumatic pasts and painful rehab of the teens without resorting to melodrama or coming off as self-pitying. Overall, a weighty and difficult novel and an ensemble of highly nuanced and varied performances. E.M.C. © AudioFile 2016, Portland, Maine
Kirkus Reviews
2015-08-05
Five white teens move on with their lives after doing sex work in Las Vegas. At the end of Tricks (2009), three of the five protagonists saw glimmers of hope, one was stuck in a rut, and one had been shot. This sequel picks up with Cody in the hospital, awakening to learn that he's paralyzed from the waist down. Whitney, who had overdosed, heads home to an emotionally distant family, facing PTSD and addictions to drugs and to her pimp. Ginger has a kind grandmother waiting—but also a mother who's been selling Ginger to men. Eden can't go home: her fundamentalist parents sent her to a reform camp where she needed to trade sex for food. Farm boy Seth is still being kept by a sugar daddy and tricking on the side. "Tricking chews / you up from the inside out," but with some help—including two too-good-to-be-true romantic partners—can these kids "chisel a better path?" Hopkins' free verse shows the rhythm of their steady yet halting progress. Reading Tricks first is mandatory, both because this period of their lives ties so tightly to the teens' distant and recent pasts and because, while their back stories are distinct, their first-person narrative voices aren't. Less startling than its predecessor; a hopeful aftermath tale for readers already attached to these characters. (Verse fiction. 14-18)