Tragic Conditions in Shakespeare: Disinheriting the Globe

Paul A. Kottman offers a new and compelling understanding of tragedy as seen in four of Shakespeare’s mature plays—As You Like It, Hamlet, King Lear, and The Tempest.

The author pushes beyond traditional ways of thinking about tragedy, framing his readings with simple questions that have been missing from scholarship of the past generation: Are we still moved by Shakespeare, and why? Kottman throws into question the inheritability of human relationships by showing how the bonds upon which we depend for meaning and worth can be dissolved.

According to Kottman, the lives of Shakespeare's protagonists are conditioned by social bonds—kinship ties, civic relations, economic dependencies, political allegiances—that unravel irreparably. This breakdown means they can neither inherit nor bequeath a livable or desirable form of sociality. Orlando and Rosalind inherit nothing “but growth itself” before becoming refugees in the Forest of Arden; Hamlet is disinherited not only by Claudius’s election but by the sheer vacuity of the activities that remain open to him; Lear’s disinheritance of Cordelia bequeaths a series of events that finally leave the social sphere itself forsaken of heirs and forbearers alike.

Firmly rooted in the philosophical tradition of reading Shakespeare, this bold work is the first sustained interpretation of Shakespearean tragedy since Stanley Cavell’s work on skepticism and A. C. Bradley’s century-old Shakespearean Tragedy.

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Tragic Conditions in Shakespeare: Disinheriting the Globe

Paul A. Kottman offers a new and compelling understanding of tragedy as seen in four of Shakespeare’s mature plays—As You Like It, Hamlet, King Lear, and The Tempest.

The author pushes beyond traditional ways of thinking about tragedy, framing his readings with simple questions that have been missing from scholarship of the past generation: Are we still moved by Shakespeare, and why? Kottman throws into question the inheritability of human relationships by showing how the bonds upon which we depend for meaning and worth can be dissolved.

According to Kottman, the lives of Shakespeare's protagonists are conditioned by social bonds—kinship ties, civic relations, economic dependencies, political allegiances—that unravel irreparably. This breakdown means they can neither inherit nor bequeath a livable or desirable form of sociality. Orlando and Rosalind inherit nothing “but growth itself” before becoming refugees in the Forest of Arden; Hamlet is disinherited not only by Claudius’s election but by the sheer vacuity of the activities that remain open to him; Lear’s disinheritance of Cordelia bequeaths a series of events that finally leave the social sphere itself forsaken of heirs and forbearers alike.

Firmly rooted in the philosophical tradition of reading Shakespeare, this bold work is the first sustained interpretation of Shakespearean tragedy since Stanley Cavell’s work on skepticism and A. C. Bradley’s century-old Shakespearean Tragedy.

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Tragic Conditions in Shakespeare: Disinheriting the Globe

Tragic Conditions in Shakespeare: Disinheriting the Globe

by Paul A. Kottman
Tragic Conditions in Shakespeare: Disinheriting the Globe

Tragic Conditions in Shakespeare: Disinheriting the Globe

by Paul A. Kottman

eBook

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Overview

Paul A. Kottman offers a new and compelling understanding of tragedy as seen in four of Shakespeare’s mature plays—As You Like It, Hamlet, King Lear, and The Tempest.

The author pushes beyond traditional ways of thinking about tragedy, framing his readings with simple questions that have been missing from scholarship of the past generation: Are we still moved by Shakespeare, and why? Kottman throws into question the inheritability of human relationships by showing how the bonds upon which we depend for meaning and worth can be dissolved.

According to Kottman, the lives of Shakespeare's protagonists are conditioned by social bonds—kinship ties, civic relations, economic dependencies, political allegiances—that unravel irreparably. This breakdown means they can neither inherit nor bequeath a livable or desirable form of sociality. Orlando and Rosalind inherit nothing “but growth itself” before becoming refugees in the Forest of Arden; Hamlet is disinherited not only by Claudius’s election but by the sheer vacuity of the activities that remain open to him; Lear’s disinheritance of Cordelia bequeaths a series of events that finally leave the social sphere itself forsaken of heirs and forbearers alike.

Firmly rooted in the philosophical tradition of reading Shakespeare, this bold work is the first sustained interpretation of Shakespearean tragedy since Stanley Cavell’s work on skepticism and A. C. Bradley’s century-old Shakespearean Tragedy.


Product Details

ISBN-13: 9780801895425
Publisher: Johns Hopkins University Press
Publication date: 10/26/2009
Series: Rethinking Theory
Sold by: Barnes & Noble
Format: eBook
Pages: 208
File size: 2 MB
Age Range: 18 Years

About the Author

Paul A. Kottman is an assistant professor of comparative literature at the New School, editor of Philosophers on Shakespeare, and author of A Politics of the Scene.

Table of Contents

Acknowledgments
Introduction: Disinheriting the Globe
1. On As You Like It
2. On Hamlet
3. On King Lear
4. On The Tempest
Notes
Index

What People are Saying About This

W. B. Worthen

An engaged, thorough, and responsible reading of a problem of ongoing importance. On nearly every page there’s a surprising insight, a controversial and provocative assertion, a rereading of something familiar that makes it newly rich and strange.

W. B. Worthen, Columbia University

From the Publisher

An engaged, thorough, and responsible reading of a problem of ongoing importance. On nearly every page there’s a surprising insight, a controversial and provocative assertion, a rereading of something familiar that makes it newly rich and strange.
—W. B. Worthen, Columbia University

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