Transformations: Poems
111
Transformations: Poems
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Overview
Anne Sexton breathes new life into sixteen age-old Brothers Grimm fairy tales, reimagining them as poems infused with contemporary references, feminist ideals, and morbid humor. Grounded by nods to the ordinary—a witch’s blood “began to boil up/like Coca-Cola” and Snow White’s bodice is “as tight as an Ace bandage”—Sexton brings the stories out of the realm of the fantastical and into the everyday world. Stripping away their magical sheen, she exposes the flawed notions of family, gender, and morality within the stories that continue to pervade our collective psyche.
Sexton is especially critical of what follows these tales’ happily-ever-after endings, noting that Cinderella never has to face the mundane struggles of marriage and growing old, such as “diapers and dust,” “telling the same story twice,” or “getting a middle-aged spread,” and that after being awakened Sleeping Beauty would likely be plagued by insomnia, taking “knock-out drops” behind the prince’s back. Deconstructed into vivid, visceral, and often highly amusing poems, these fairy tales reflect themes that have long fascinated Sexton—the claustrophobic anxiety of domestic life, the limited role of women in society, and a psychological strife more dangerous than any wicked witch or poisoned apple.
Product Details
| ISBN-13: | 9781504034357 |
|---|---|
| Publisher: | Open Road Media |
| Publication date: | 04/05/2016 |
| Sold by: | Barnes & Noble |
| Format: | eBook |
| Pages: | 111 |
| Sales rank: | 580,169 |
| File size: | 19 MB |
| Note: | This product may take a few minutes to download. |
About the Author
Like Robert Lowell, Sylvia Plath, W. D. Snodgrass (who exerted a great influence on her work), and other Confessional poets, Sexton offers the reader an intimate view of the emotional anguish that characterized her life. The experience of being a woman was a central issue in her poetry, and though she endured criticism for bringing subjects such as menstruation, abortion, and drug addiction into her work, her skill as a poet transcended the controversy over her subject matter. Sexton’s poetry collections include To Bedlam and Part Way Back, All My Pretty Ones, Transformations, and Live or Die, which won the Pulitzer Prize for poetry in 1967. In 1974 at the age of forty-six, Sexton lost her battle with mental illness and committed suicide.
Read an Excerpt
Transformations
Poems
By Anne Sexton, Barbara Swan
OPEN ROAD INTEGRATED MEDIA
Copyright © 1999 Linda G. SextonAll rights reserved.
ISBN: 978-1-5040-3435-7
CHAPTER 1
THE GOLD KEY
The speaker in this case
is a middle-aged witch, me —
tangled on my two great arms,
my face in a book
and my mouth wide,
ready to tell you a story or two.
I have come to remind you,
all of you:
Alice, Samuel, Kurt, Eleanor,
Jane, Brian, Maryel,
all of you draw near.
Alice,
at fifty-six do you remember?
Do you remember when you
were read to as a child?
Samuel,
at twenty-two have you forgotten?
Forgotten the ten P.M. dreams
where the wicked king
went up in smoke?
Are you comatose?
Are you undersea?
Attention,
my dears,
let me present to you this boy.
He is sixteen and he wants some answers.
He is each of us.
I mean you.
I mean me.
It is not enough to read Hesse
and drink clam chowder
we must have the answers.
The boy has found a gold key
and he is looking for what it will open.
This boy!
Upon finding a nickel
he would look for a wallet.
This boy!
Upon finding a string
he would look for a harp.
Therefore he holds the key tightly.
Its secrets whimper
like a dog in heat.
He turns the key.
Presto!
It opens this book of odd tales
which transform the Brothers Grimm.
Transform?
As if an enlarged paper clip
could be a piece of sculpture.
(And it could.)
SNOW WHITE AND THE SEVEN DWARFS
No matter what life you lead
the virgin is a lovely number:
cheeks as fragile as cigarette paper,
arms and legs made of Limoges,
lips like Vin Du Rhône,
rolling her china-blue doll eyes
open and shut.
Open to say,
Good Day Mama,
and shut for the thrust
of the unicorn.
She is unsoiled.
She is as white as a bonefish.
Once there was a lovely virgin
called Snow White.
Say she was thirteen.
Her stepmother,
a beauty in her own right,
though eaten, of course, by age,
would hear of no beauty surpassing her own.
Beauty is a simple passion,
but, oh my friends, in the end
you will dance the fire dance in iron shoes.
The stepmother had a mirror to which she referred —
something like the weather forecast —
a mirror that proclaimed
the one beauty of the land.
She would ask,
Looking glass upon the wall,
who is fairest of us all?
And the mirror would reply,
You are fairest of us all.
Pride pumped in her like poison.
Suddenly one day the mirror replied,
Queen, you are full fair, 'tis true,
but Snow White is fairer than you.
Until that moment Snow White
had been no more important
than a dust mouse under the bed.
But now the queen saw brown spots on her hand
and four whiskers over her lip
so she condemned Snow White
to be hacked to death.
Bring me her heart, she said to the hunter,
and I will salt it and eat it.
The hunter, however, let his prisoner go
and brought a boar's heart back to the castle.
The queen chewed it up like a cube steak.
Now I am fairest, she said,
lapping her slim white fingers.
Snow White walked in the wildwood
for weeks and weeks.
At each turn there were twenty doorways
and at each stood a hungry wolf,
his tongue lolling out like a worm.
The birds called out lewdly,
talking like pink parrots,
and the snakes hung down in loops,
each a noose for her sweet white neck.
On the seventh week
she came to the seventh mountain
and there she found the dwarf house.
It was as droll as a honeymoon cottage
and completely equipped with
seven beds, seven chairs, seven forks
and seven chamber pots.
Snow White ate seven chicken livers
and lay down, at last, to sleep.
The dwarfs, those little hot dogs,
walked three times around Snow White,
the sleeping virgin. They were wise
and wattled like small czars.
Yes. It's a good omen,
they said, and will bring us luck.
They stood on tiptoes to watch
Snow White wake up. She told them
about the mirror and the killer-queen
and they asked her to stay and keep house.
Beware of your stepmother,
they said.
Soon she will know you are here.
While we are away in the mines
during the day, you must not
open the door.
Looking glass upon the wall ...
The mirror told
and so the queen dressed herself in rags
and went out like a peddler to trap Snow White.
She went across seven mountains.
She came to the dwarf house
and Snow White opened the door
and bought a bit of lacing.
The queen fastened it tightly
around her bodice,
as tight as an Ace bandage,
so tight that Snow White swooned.
She lay on the floor, a plucked daisy.
When the dwarfs came home they undid the lace
and she revived miraculously.
She was as full of life as soda pop.
Beware of your stepmother,
they said.
She will try once more.
Looking glass upon the wall ...
Once more the mirror told
and once more the queen dressed in rags
and once more Snow White opened the door.
This time she bought a poison comb,
a curved eight-inch scorpion,
and put it in her hair and swooned again.
The dwarfs returned and took out the comb
and she revived miraculously.
She opened her eyes as wide as Orphan Annie.
Beware, beware, they said,
but the mirror told,
the queen came,
Snow White, the dumb bunny,
opened the door
and she bit into a poison apple
and fell down for the final time.
When the dwarfs returned
they undid her bodice,
they looked for a comb,
but it did no good.
Though they washed her with wine
and rubbed her with butter
it was to no avail.
She lay as still as a gold piece.
The seven dwarfs could not bring themselves
to bury her in the black ground
so they made a glass coffin
and set it upon the seventh mountain
so that all who passed by
could peek in upon her beauty.
A prince came one June day
and would not budge.
He stayed so long his hair turned green
and still he would not leave.
The dwarfs took pity upon him
and gave him the glass Snow White —
its doll's eyes shut forever —
to keep in his far-off castle.
As the prince's men carried the coffin
they stumbled and dropped it
and the chunk of apple flew out
of her throat and she woke up miraculously.
And thus Snow White became the prince's bride.
The wicked queen was invited to the wedding feast
and when she arrived there were
red-hot iron shoes,
in the manner of red-hot roller skates,
clamped upon her feet.
First your toes will smoke
and then your heels will turn black
and you will fry upward like a frog,
she was told.
And so she danced until she was dead,
a subterranean figure,
her tongue flicking in and out
like a gas jet.
Meanwhile Snow White held court,
rolling her china-blue doll eyes open and shut
and sometimes referring to her mirror
as women do.
THE WHITE SNAKE
There was a day
when all the animals talked to me.
Ten birds at my window saying,
Throw us some seeds,
Dame Sexton,
or we will shrink.
The worms in my son's fishing pail
said, It is chilly!
It is chilly on our way to the hook!
The dog in his innocence
commented in his clumsy voice,
Maybe you're wrong, good Mother,
maybe they're not real wars.
And then I knew that the voice
of the spirits had been let in —
as intense as an epileptic aura —
and that no longer would I sing
alone.
In an old time
there was a king as wise as a dictionary.
Each night at supper
a secret dish was brought to him,
a secret dish that kept him wise.
His servant,
who had won no roses before,
thought to lift the lid one night
and take a forbidden look.
There sat a white snake.
The servant thought, Why not?
and took a bite.
It was a furtive weed,
oiled and brooding
and desirably slim.
I have eaten the white snake!
Not a whisker on it! he cried.
Because of the white snake
he heard the animals
in all their voices speak.
Thus the aura came over him.
He was inside.
He had walked into a building
with no exit.
From all sides
the animals spoke up like puppets.
A cold sweat broke out on his upper lip
for now he was wise.
Because he was wise
he found the queen's lost ring
diddling around in a duck's belly
and was thus rewarded with a horse
and a little cash for traveling.
On his way
the fish in the weeds
were drowning on air
and he plunked them back in
and the fish covered him with promises.
On his way
the army ants in the road pleaded for mercy.
Step on us not!
And he rode around them
and the ants covered him with promises.
On his way
the gallow birds asked for food
so he killed his horse to give them lunch.
They sucked the blood up like whiskey
and covered him with promises.
At the next town
the local princess was having a contest.
A common way for princesses to marry.
Fifty men had perished,
gargling the sea like soup.
Still, the servant was stage-struck.
Nail me to the masthead, if you will,
and make a dance all around me.
Put on the gramophone and dance at my ankles.
But the princess smiled like warm milk
and merely dropped her ring into the sea.
If he could not find it, he would die;
die trapped in the sea machine.
The fish, however, remembered
and gave him the ring.
But the princess, ever woman,
said it wasn't enough.
She scattered ten bags of grain in the yard
and commanded him to pick them up by daybreak.
The ants remembered
and carried them in like mailmen.
The princess, ever Eve,
said it wasn't enough
and sent him out to find the apple of life.
He set forth into the forest for two years
where the monkeys jabbered, those trolls,
with their wine-colored underbellies.
They did not make a pathway for him.
The pheasants, those archbishops,
avoided him and the turtles
kept their expressive heads inside.
He was prepared for death
when the gallow birds remembered
and dropped that apple on his head.
He returned to the princess
saying, I am but a traveling man
but here is what you hunger for.
The apple was as smooth as oilskin
and when she took a bite
it was as sweet and crisp as the moon.
Their bodies met over such a dish.
His tongue lay in her mouth
as delicately as the white snake.
They played house, little charmers,
exceptionally well.
So, of course,
they were placed in a box
and painted identically blue
and thus passed their days
living happily ever after —
a kind of coffin,
a kind of blue funk.
Is it not?
RUMPELSTILTSKIN
Inside many of us
is a small old man
who wants to get out.
No bigger than a two-year-old
whom you'd call lamb chop
yet this one is old and malformed.
His head is okay
but the rest of him wasn't Sanforized.
He is a monster of despair.
He is all decay.
He speaks up as tiny as an earphone
with Truman's asexual voice:
I am your dwarf.
I am the enemy within.
I am the boss of your dreams.
No. I am not the law in your mind,
the grandfather of watchfulness.
I am the law of your members,
the kindred of blackness and impulse.
See. Your hand shakes.
It is not palsy or booze.
It is your Doppelgänger
trying to get out.
Beware ... Beware ...
There once was a miller
with a daughter as lovely as a grape.
He told the king that she could
spin gold out of common straw.
The king summoned the girl
and locked her in a room full of straw
and told her to spin it into gold
or she would die like a criminal.
Poor grape with no one to pick.
Luscious and round and sleek.
Poor thing.
To die and never see Brooklyn.
She wept,
of course, huge aquamarine tears.
The door opened and in popped a dwarf.
He was as ugly as a wart.
Little thing, what are you? she cried.
With his tiny no-sex voice he replied:
I am a dwarf.
I have been exhibited on Bond Street
and no child will ever call me Papa.
I have no private life.
If I'm in my cups
the whole town knows by breakfast
and no child will ever call me Papa.
I am eighteen inches high.
I am no bigger than a partridge.
I am your evil eye
and no child will ever call me Papa.
Stop this Papa foolishness,
she cried. Can you perhaps
spin straw into gold?
Yes indeed, he said,
that I can do.
He spun the straw into gold
and she gave him her necklace
as a small reward.
When the king saw what she had done
he put her in a bigger room of straw
and threatened death once more.
Again she cried.
Again the dwarf came.
Again he spun the straw into gold.
She gave him her ring
as a small reward.
The king put her in an even bigger room
but this time he promised
to marry her if she succeeded.
Again she cried.
Again the dwarf came.
But she had nothing to give him.
Without a reward the dwarf would not spin.
He was on the scent of something bigger.
He was a regular bird dog.
Give me your first-born
and I will spin.
She thought: Piffle!
He is a silly little man.
And so she agreed.
So he did the trick.
Gold as good as Fort Knox.
(Continues...)
Excerpted from Transformations by Anne Sexton, Barbara Swan. Copyright © 1999 Linda G. Sexton. Excerpted by permission of OPEN ROAD INTEGRATED MEDIA.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Table of Contents
Contents
PUBLISHER'S NOTE,FOREWORD BY KURT VONNEGUT, JR.,
THE GOLD KEY,
SNOW WHITE AND THE SEVEN DWARFS,
THE WHITE SNAKE,
RUMPELSTILTSKIN,
THE LITTLE PEASANT,
GODFATHER DEATH,
RAPUNZEL,
IRON HANS,
CINDERELLA,
ONE-EYE, TWO-EYES, THREE-EYES,
THE WONDERFUL MUSICIAN,
RED RIDING HOOD,
THE MAIDEN WITHOUT HANDS,
THE TWELVE DANCING PRINCESSES,
THE FROG PRINCE,
HANSEL AND GRETEL,
BRIAR ROSE (SLEEPING BEAUTY),
ABOUT THE AUTHOR,
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