After the heavily distorted bass and doomsday church organ of
Emerson, Lake & Palmer's debut album, the exhilarating
prog rock of epic proportions on
Tarkus, and the violent removal of the sacred aura of
classical tunes on
Pictures at an Exhibition,
Trilogy,
ELP's fourth album, features the trio settling down in more crowd-pleasing pastures. Actually, the group was gaining in maturity what they lost in raw energy. Every track on this album has been carefully thought, arranged, and performed to perfection, a process that also included some form of sterilization.
Greg Lake's acoustic
ballad "From the Beginning" put the group on the charts for a second time. The adaptation of
Aaron Copland's
"Hoedown" also yielded a crowd-pleaser.
Prog rock fans had to satisfy themselves with the three-part
"The Endless Enigma" and
"Trilogy," both very strong but paced compositions. By 1972,
Eddie Offord's recording and producing techniques had reached a peak. He provided a lush, comfy finish to the album that made it particularly suited for living-room listening and the FM airwaves. Yet the material lacks a bit of excitement.
Trilogy still belongs to
ELP's classic period and should not be overlooked. For newcomers to
prog rock it can even make a less-menacing point of entry. ~ Francois Couture