Commemorating the 30th anniversary of
Cowboy Junkies' 1988 breakthrough
The Trinity Session, dub-techno producer
Deadbeat and singer/songwriter
Fatima Camara, both of whom are Canadians residing in Berlin, recorded a full interpretation of the iconic album.
Trinity Thirty attempts to preserve the lonesome, late-night vibe of
the Junkies' mixture of originals, covers, and traditional tunes, keeping the arrangements stripped down to the basics.
The Trinity Session, of course, was famously recorded in a church, taking advantage of the room's natural reverb, with the band and their guest musicians circled around a single microphone, and nothing was overdubbed or edited.
Deadbeat and
Camara didn't attempt the exact same recording process, but they did record using single microphones in a spacious studio, so the results sound vast and open. Even though the interpretation lacks the primarily acoustic instrumentation of the original, it feels surprisingly less electronic than one would expect. There's some dubby echo, to be sure, but the synths manage to have a similar glow as the guitar, fiddle, and dobro heard on
The Trinity Session. Several of the tracks are slower and longer than
the Junkies' versions, and "I Don't Get It" and "Walking After Midnight" are combined as a medley. Stretching the songs further out and making them even spacier helps contribute to the overall mood, which is a bit haunting but overall quite soothing. It brings to mind the non-disco acts on
Italians Do It Better, or some of
Tricky's more subdued moments.
Trinity Thirty is a noble gesture paying tribute to a time-honored classic. ~ Paul Simpson
![evermore [deluxe version]](http://prodimage.images-bn.com/pimages/0602435648583_p0_v1_s90x140.jpg "evermore [deluxe version]")
