With his sophomore effort for
Dawn, everything came together for guitarist and songwriter
Mike Cooper.
Trout Steel established him as one of the pre-eminent players on the
Brit folk and
blues scenes. Given his organic approach to composing; his truly dazzling abilities with acoustic and slide guitars; and his predilection for just the right sidemen and arrangements,
Cooper was among the most poised musicians of his generation, and
Trout Steel proves the point time and again over its 11 tracks. The disc opens with the heartbreaking
"That's How," with restrained string arrangements and a solo alto saxophone courtesy of
Mike Osborne, who was as versed in
Van Morrison's brand of
Celtic R&B as he was in
Ornette Coleman's new melodic ideas. From the lilting vocal and strummed guitars, the tune just breaks itself into pieces continually. The driving, pulsating, countryside
blues of
"Sitting Here Watching" is followed by guest
Stefan Grossman accompanying
Cooper's own droning, open-string
blues and
Tampa Red-style flatpicking. The 11-and-a-half-minute
"I've Got Mine" is a
soundtrack without a film, and shows the first hints of where
Cooper wanted to travel: into the roots of
jazz. Half the cats on the record were in
Mike Westbrook's band at the time to garnish his deep
British blues and historical sense of troubadour revelry. The title track is a hard
country tune -- in the old, weird, American sense of the word -- with
Cooper sliding like a demon to provide his melodic accompaniment. His vocals, wonderfully reedy and open, howl through the longing in the lyric and help to portray the notions of travel and stasis in the story. The record closes with two unanticipated tracks that lend immeasurably to the depth and dimension
Cooper displayed at the time, and where he wanted to go as a musician: one was the completely improvisational number
"Pharaoh's March," dedicated to
Pharaoh Sanders, which showcased an entire saxophone section wailing it out with a restrained modal tension held by the guitar for over seven minutes. The other is
"Weeping Rose," a lilting love song rooted firmly in the soil of the
British folk tradition of the vanquished rambler heading off to journey once more. After the complete strangeness of
"Pharaoh's March," it was exactly what was needed to make the disc go out whispering and closed; rather than aching, raw, and uncertain. But even here, this song, with its complex rhythmic guitar pattern, offers in its lyrics the notion of restlessness: "Go ahead, I'll meet you further/down the road."
Cooper capped off his greatest album with both a hint and a warning that he was not about to do the same thing twice. What a ride
Trout Steel is: exhilarating and adventurous each time it is played. ~ Thom Jurek
