Returning from a six-year hiatus -- during which time bassist
Robin Richards devoted himself to his work as a composer for film and other projects --
Dutch Uncles sound as predictably unpredictable as ever on
True Entertainment. Following the brash, politically charged
Big Balloon, the band revisits their poised, polished side while reflecting on the meaning of creativity and success. This smoothness helps them pull off feats like alluding to
the Killers' "Mr. Brightside" in the lyrics to the album's title track while borrowing from
Yellow Magic Orchestra,
Roxy Music,
the Blue Nile, and
Eno-era
Talking Heads in its music. Along with dropping these musical footnotes,
Dutch Uncles prove the mix of brains and melody championed by the angular and indie dance bands of the 2000s still has plenty of life in it on
True Entertainment. Nowhere is this clearer than on "Tropigala (2 to 5)," a bouncy, bittersweet disco-pop gem that features backing vocals from
Anna Prior of
Metronomy, another survivor of that era. However,
Dutch Uncles are thankfully too strange to be truly slick, no matter how glossy or hooky their songs are; there aren't many other acts that would include a lyric like "read my muppet lips" on a track as catchy as the plastic disco-funk of "Poppin'." As always,
Duncan Wallis' shivery vibrato helps set the band further apart from the pack on eloquent expressions of doubt and anxiety like "I'm Not Your Dad" or "In Salvia." Despite this nerviness, the band brings a sense of fun to the album -- and songs such as "Dead Letter" in particular -- that suits them well. Sophisticated, witty, but not too clever for genuine emotion,
True Entertainment often feels like a culmination of
Dutch Uncles' music. At its best, it finds them growing into the kind of cult-favorite act that would have inspired them at the beginning of their journey -- and that makes it a true testament to their creativity. ~ Heather Phares