FEBRUARY 2013 - AudioFile
Robert Petkoff's spot-on sardonic performance enables TRUTH IN ADVERTISING to eclipse its initial mundane corporate marketing machinations. He injects a playful tone that evokes empathy for Finbar Dolan, a Madison Avenue ad man who aspires to creative directorship. When listeners aren’t contemplating dark post-recession economic realities in this bittersweet manifesto of lost values, art, and consumerism, they’re lifted by Petkoff's hilarious level of acerbic emphasis, wry wit, righteous accents, and verbal sound effects. While despairing of the declining souls of ad men, Dolan is forced to cope with unimaginative colleagues, family illness, fragile love, and harsh deadlines, all while tasked to craft a last-minute Super Bowl commercial for diapers. A.W. © AudioFile 2013, Portland, Maine
The Washington Post - John Wilwol
Peppered with colorful impressions of New York City life, Truth in Advertising is a quick-witted, wry sendup of the advertising industry and corporate culture…[it] delivers a clear-eyed, sympathetic story about complex family ties and the possibility of healing.
Publishers Weekly
The debut novel from New Yorker humorist and former advertising copywriter Kenney is a hilarious ad-world satire and a modest family drama. Finbar Dolan has a successful career in commercials, managing a diaper account for a big New York agency. Otherwise, Fin’s life is a mess: he broke up with his fiancée a month before their wedding, is infatuated with his office assistant, Phoebe, and is estranged from his entire family. When his workaholic boss drags him into the office over Christmas to craft a Super Bowl commercial for biodegradable diapers (one of the concepts involves attaching Al Gore’s head to a global parade of Earth-friendly babies) and his abusive, long-lost father turns up in the hospital, Fin’s universe is tipped on its ear. The advertising insider lore and commercial shoot set pieces are golden; the family drama is less successful. Although set up to seem high stakes, events outside Fin’s control guide his family crisis away from father-son conflict and toward less compelling internal struggles. As a satire, the novel is willing to bite off an ambitious chunk of popular culture, but as a human drama, it chooses to make safe choices. Even so, much is a comic tour de force; fans of Nick Hornby and Jonathan Tropper will have a new author to watch for. Agent: David Kuhn. (Jan.)
Booklist
"A masterful blend of wit and seriousness, stunning in its honesty. A novel sure to appeal to fans of Nick Hornby."
The Phoenix (Boston)
"A snortingly funny debut ... Although Nick Hornby is the obvious reference — humor and heartbreak of ordinary life — this wonderful book is more J. Alfred Prufrock."
Seattle Post-Intelligencer
"It will make you laugh out loud at times and it will also touch you deeply. . . . This is the sort of book where you really care about the characters. . . . You will not be disappointed in Truth in Advertising. The plot is highly entertaining, but it is the joy of getting to know such a realistic, likeable, believable character as Finbar Dolan that makes this novel such a treat. Fin is the sort of guy you will enjoy spending time with.
Toronto Star
"New York-based Kenney . . . knows of what he speaks. He is particularly brilliant at clashing Fin’s jadedness with the unglamorous products he’s forced to pitch. . . . [A] delightfully caustic piece of satire."
Lurzer's International Archive (UK)
"What really amazed me was the unexpected depth and subtleness of the rest of the book, which showcases writing that, in terms of talent, puts Kenney in a league with the best of American writers of his generation."
Christian Science Monitor
[A] comedic send-up of the ad industry's self-importance, as narrated by a good-hearted if skeptical underachiever . . . A pleasure to read.
AdAge.com
"Hilarious. . . . Kenney mixes inside advertising jokes with the broad comedy necessary to keep those in the real world laughing."
Interview.com
The rare novel that's truly cinematic. It is sexy, the plot twists in just the right places; simply put, it's untamable. You will laugh almost as much as you will relate to the plight of the protagonist.. . . This book might just rouse the creative genius in you, too.
USAToday.com
It's the stuff of Jonathan Tropper novels and Judd Apatow films and every Zooey Deschanel fantasy.
Boston Globe
The comedy sparkles [with] mordant one-liners, snappy banter, and hilarious workplace scenarios.
Denver Post
"Here's a smart one. . . . Lovers of the city will find much to love in this relatable, redemptive, and sometimes very funny story."
People Magazine
A lively debut that has ‘movie deal’ written all over it.”
O Magazine (“Ten Titles to Pick Up Now”)
In this Nick Hornby-esque fiction debut, midlife crisis and family tragedy force a 39-year-old ad man to reevaluate his priorities.
BusinessWeek
"Kenney, who’s worked as a copywriter for 17 years, mines this rich territory for satire. . . . Fin’s struggle to understand his dad brings a layer of emotional complexity to the tale. . . . Kenney’s novel wrestles with deep questions: What makes a good man? What makes a good life? What should one’s contribution to the world be?"
Entertainment Weekly
"We're sold on Kenney's trenchant, quick-witted debut."
Associated Press Staff
This debut novel reads at times like a laugh-out-loud standup routine. What sustains it, though, is much more substantial: an engaging, believable plot, a fascinating if jaundiced view inside the contemporary world of New York advertising, and most of all, a lead character you're glad you get to know. . . . It's a measure of Kenney's writing talent that the regular gusts of delicious, smart-alecky ad agency banter among Dolan and his witty comrades and the painful-to-read scenes depicting the toxic relations among siblings feel equally real in this novel. . . . [A] smart, cinematic story.
Chicago Tribune
Truth in Advertising has a cinematic sense of motion. . . . [Kenney is] a naturally comic author who has created a likeable narrator in Fin Dolan. . . . Humor springs from a deep well of family-induced anguish, and soon enough comedy and tragedy are braided throughout the narrative.
Cleveland Plain Dealer
You'd expect that a man who writes humor pieces for the New Yorker would be funny – and he is. John Kenney, who also worked as an advertising copywriter, knows that world and skewers it mercilessly and hilariously in his debut novel. . . . It would also be safe to say that amazing things will most likely be happening in John Kenney's literary career right now. Truthfully.
Dallas Morning News
[Kenney’s] insights are dead-on. . . . [His] plot is perfectly balanced between the insanity of both work and family, and the ending is satisfying without being saccharine. . . . Engaging and entertaining . . . The joy is in the journey, of spending time with a character that is, at times, annoying and thoughtful,arrogant and scared, childish and mature — in other words, someone like the rest of us.
Washington Post
Peppered with colorful impressions of New York City life, Truth in Advertising is a quick-witted, wry sendup of the advertising industry and corporate culture. . . . Delivers a clear-eyed, sympathetic story about complex family ties and the possibility of healing.
New York Times
The protagonist, Finbar Dolan, is Don Draper stripped of all his glamour, success and pomade. What Fin, a midlevel copywriter, does have on Don is a sense of humor. . . . Framed around a surprisingly sweet romance, as well as Fin’s eventual confrontation with his painful family history, this debut offers a pleasing lightness-to-heart ratio.”
Shelf Awareness (Best Books of 2013)
"An honest and insightful novel about a business and a life that have both been anything but . . . . Wonderfully entertaining and elegantly written."
O Magazine (“Ten Titles to Pick Up Now”)
In this Nick Hornby-esque fiction debut, midlife crisis and family tragedy force a 39-year-old ad man to reevaluate his priorities.
O Magazine(“Ten Titles to Pick Up Now”)
In this Nick Hornby-esque fiction debut, midlife crisis and family tragedyforce a 39-year-old ad man to reevaluate his priorities.
From the Publisher
The protagonist, Finbar Dolan, is Don Draper stripped of all his glamour, success and pomade. What Fin, a midlevel copywriter, does have on Don is a sense of humor. . . . Framed around a surprisingly sweet romance, as well as Fin’s eventual confrontation with his painful family history, this debut offers a pleasing lightness-to-heart ratio.”
“Peppered with colorful impressions of New York City life, Truth in Advertising is a quick-witted, wry sendup of the advertising industry and corporate culture. . . . Delivers a clear-eyed, sympathetic story about complex family ties and the possibility of healing.”
“[Kenney’s] insights are dead-on. . . . [His] plot is perfectly balanced between the insanity of both work and family, and the ending is satisfying without being saccharine. . . . Engaging and entertaining . . . The joy is in the journey, of spending time with a character that is, at times, annoying and thoughtful,arrogant and scared, childish and mature — in other words, someone like the rest of us.”
“You'd expect that a man who writes humor pieces for the New Yorker would be funny – and he is. John Kenney, who also worked as an advertising copywriter, knows that world and skewers it mercilessly and hilariously in his debut novel. . . . It would also be safe to say that amazing things will most likely be happening in John Kenney's literary career right now. Truthfully.”
“Truth in Advertising has a cinematic sense of motion. . . . [Kenney is] a naturally comic author who has created a likeable narrator in Fin Dolan. . . . Humor springs from a deep well of family-induced anguish, and soon enough comedy and tragedy are braided throughout the narrative.”
“This debut novel reads at times like a laugh-out-loud standup routine. What sustains it, though, is much more substantial: an engaging, believable plot, a fascinating if jaundiced view inside the contemporary world of New York advertising, and most of all, a lead character you're glad you get to know. . . . It's a measure of Kenney's writing talent that the regular gusts of delicious, smart-alecky ad agency banter among Dolan and his witty comrades and the painful-to-read scenes depicting the toxic relations among siblings feel equally real in this novel. . . . [A] smart, cinematic story.”
"We're sold on Kenney's trenchant, quick-witted debut."
"Kenney, who’s worked as a copywriter for 17 years, mines this rich territory for satire. . . . Fin’s struggle to understand his dad brings a layer of emotional complexity to the tale. . . . Kenney’s novel wrestles with deep questions: What makes a good man? What makes a good life? What should one’s contribution to the world be?"
“In this Nick Hornby-esque fiction debut, midlife crisis and family tragedy force a 39-year-old ad man to reevaluate his priorities.”
“A lively debut that has ‘movie deal’ written all over it.”
("Ten Titles to Pick Up Now") - O Magazine
In this Nick Hornby-esque fiction debut, midlife crisis and family tragedy force a 39-year-old ad man to reevaluate his priorities.
William Landay
"John Kenney writes with style, intelligence, humor, and heart. Truth in Advertising is a frank and wickedly funny peek into a world you only think you've seen, a glossy high-powered ad agency. But it is also something more: the story of a man thoroughly marinated in the little white lies of advertising who must learn, finally, to be honest with himself. Highly recommended."
Andy Borowitz
“No one makes me laugh like John Kenney. So I expected Truth in Advertising to be very funny, and it is. But I was unprepared for how deeply felt and richly observed it would be. This is a beautiful novel and a dazzling debut.
Booklist (starred review)
"A masterful blend of wit and seriousness, stunning in its honesty. A novel sure to appeal to fans of Nick Hornby."
Library Journal
Finbar Dolan, a thirtysomething writer at a prominent New York advertising agency, is lost. Life in New York has no more appeal. And while he enjoys the perks of first-class travel and his large salary, writing diaper commercials has become meaningless. Distanced from his siblings, Fin is thrown off course when his brother calls with news that their estranged father is dying; Fin is further surprised to find himself at his father's bedside at Christmas. Now with a deadline looming on a Super Bowl commercial, Fin struggles to forgive his parents, figure out what is important, and finally say what he means to those about whom he cares the most. VERDICT This debut novel by a frequent New Yorker contributor is not a coming-of-age tale, but it carries that same wonder of transition as you watch Fin Dolan grow and change. With wry wit, excellent pacing, and pitch-perfect, often hilarious, dialog, Kenney has created something remarkable: a surprisingly funny novel about an adult American male finally becoming a man. Highly recommended.—Jennifer Beach, Cumberland County P.L., VA
FEBRUARY 2013 - AudioFile
Robert Petkoff's spot-on sardonic performance enables TRUTH IN ADVERTISING to eclipse its initial mundane corporate marketing machinations. He injects a playful tone that evokes empathy for Finbar Dolan, a Madison Avenue ad man who aspires to creative directorship. When listeners aren’t contemplating dark post-recession economic realities in this bittersweet manifesto of lost values, art, and consumerism, they’re lifted by Petkoff's hilarious level of acerbic emphasis, wry wit, righteous accents, and verbal sound effects. While despairing of the declining souls of ad men, Dolan is forced to cope with unimaginative colleagues, family illness, fragile love, and harsh deadlines, all while tasked to craft a last-minute Super Bowl commercial for diapers. A.W. © AudioFile 2013, Portland, Maine
Kirkus Reviews
The dilemma of the storyteller powerless to shape his own story gets a beautiful new spin in this first novel about an adman facing a family crisis. Welcome to the shoot. It's a TV commercial for Snugglies, the world's biggest diaper brand. The producer's just learned that Gwyneth (yes! Paltrow!) is leaving a day early, upending the schedule, and they've been using the wrong diapers (wasted film, wasted dollars). Those hiccups and baby puke aside, really, everything's fine. The narrator of this hilarious opening is protagonist Finbar Dolan, 39-year-old senior copywriter at a top-tier New York agency. (Kenney himself is a veteran copywriter.) Fin is Boston Irish, the youngest of four siblings. Their father was an abusive cop; he left them when Fin was 12. Their mother committed suicide. The children went their separate ways. Fin found an escape in advertising; he enjoyed writing the false narratives that commercials demand. He tried to write his own narrative, asking a sweet-natured woman to marry him, but his heart wasn't in it, and he broke off the engagement eight months ago. Now, his oldest brother, Eddie, is calling to say their father, unseen for 25 years, is in the hospital, a heart attack. Reluctantly, Fin goes to the Cape, and we temporarily leave the crazy roller coaster of the ad world for Fin's family. The Dolans are frozen in time, as haunted as an O'Neill family. A late revelation (Kenney peels the onion with care) shows why Fin is the most traumatized of the four. But this is not a bleak novel. Kenney is marvelous on workplace camaraderie. Fin's two best friends are co-workers. One of them he's in love with, but the dummy only realizes this when it's almost too late. With wry humor, always on point, Kenney guides us through the maze of work, family, love (elusive) and friendship (a lifesaver). This is an outstanding debut.
