Twentieth-Century British Authors and the Rise of Opera in Britain / Edition 1

Twentieth-Century British Authors and the Rise of Opera in Britain / Edition 1

by Irene Morra
ISBN-10:
075466063X
ISBN-13:
9780754660637
Pub. Date:
12/14/2007
Publisher:
Taylor & Francis
ISBN-10:
075466063X
ISBN-13:
9780754660637
Pub. Date:
12/14/2007
Publisher:
Taylor & Francis
Twentieth-Century British Authors and the Rise of Opera in Britain / Edition 1

Twentieth-Century British Authors and the Rise of Opera in Britain / Edition 1

by Irene Morra
$190.0
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Overview

This book is the first to examine in depth the contributions of major British authors such as W. H. Auden and E. M. Forster, as critics and librettists, to the rise of British opera in the twentieth century. The perceived literary values of British authors, as much as the musical innovations of British composers, informed the aesthetic development of British opera. Indeed, British opera emerged as a simultaneously literary and musical project. Too often, operatic adaptations are compared superficially to their original sources. This is a particular problem for British opera, which has become increasingly defined artistically by the literary sophistication of its narrative sources. The resulting collaborations between literary figures and composers have crucial implications for the development of both opera and literature. Twentieth-Century British Authors and the Rise of Opera in Britain reveals the importance of this literary involvement in operatic adaptation to literature and literary studies, to music and musicology, and to cultural and theoretical studies.

Product Details

ISBN-13: 9780754660637
Publisher: Taylor & Francis
Publication date: 12/14/2007
Edition description: 1
Pages: 146
Product dimensions: 6.12(w) x 9.19(h) x (d)

About the Author

Irene Morra is Lecturer in the Departments of English and Critical and Cultural Theory at Cardiff University, UK.

Table of Contents

Contents: Preface; Introduction; Drama, verse and the musical libretto; Nation, modernity and the operatic stage; The muddying of the wells; Conclusion; Works consulted; Index.
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