Two-Gun Rio Kid

Two-Gun Rio Kid

by Brett Halliday
Two-Gun Rio Kid

Two-Gun Rio Kid

by Brett Halliday

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Overview

Three years after he was run out of town, the Rio Kid returns home to find a community in desperate need of his gunslinging skills

Three years ago, the sheriff of Chapparell, Arizona, was shot dead. Eighteen-year-old Hugh Aiken was falsely accused of the murder and forced to ride south with a lynch mob hot on his trail. He spent the time since hiding out in Mexico, growing from a fresh-faced Texas youth into the hardened gunman known far and wide as the Rio Kid. Now his exile is over.
 
Chapparell has changed since the Kid last set foot on its dusty streets. Most of the ranchers are dead broke, save for one bloodthirsty scoundrel, Henry Pelham, who backs up his business savvy with hired guns. To clear his name and save his hometown, the Rio Kid must undertake his most dangerous adventure yet.
 
Two-Gun Rio Kid is the 4th book in the Rio Kid Adventures, but you may enjoy reading the series in any order.

Product Details

ISBN-13: 9781504025423
Publisher: Open Road Media
Publication date: 12/01/2015
Series: Rio Kid Adventure , #4
Sold by: Barnes & Noble
Format: eBook
Pages: 140
File size: 1 MB

About the Author

Brett Halliday (1904–1977) was the primary pseudonym of American author Davis Dresser. Halliday is best known for creating the Mike Shayne Mysteries. The novels, which follow the exploits of fictional PI Mike Shayne, have inspired several feature films, a radio series, and a television series.
Brett Halliday (1904–1977) was the primary pseudonym of American author Davis Dresser. Halliday is best known for creating the Mike Shayne Mysteries. The novels, which follow the exploits of fictional PI Mike Shayne, have inspired several feature films, a radio series, and a television series. 

Read an Excerpt

Two-Gun Rio Kid

A Rio Kid Adventure


By Brett Halliday

OPEN ROAD INTEGRATED MEDIA

Copyright © 1941 William Morrow & Company
All rights reserved.
ISBN: 978-1-5040-2542-3


CHAPTER 1

The somnolent quiet of mid-afternoon gripped the little Arizona cowtown of Chapparell. Under the fierce rays of the Border sun the alkali dust of Main Street was undisturbed by any moving thing. Two saddled horses switched lethargic tails at buzzing sandflies at the hitchrack in front of the Palace Saloon, and at the south end of the business block a freighter's outfit was pulled up in front of the Star Mercantile Company.

The appearance of a single rider from the north was hardly a disturbing element in the hushed serenity of mid-afternoon. The shaggy little roan cowpony ambled along at a jog-trot that scarcely disturbed the fetlock-deep dust. The stocky figure of his rider was slumped at ease in the heavy stock saddle, with eyes half-closed against the sun-glare, both hands resting in front of him on the saddlehorn. He rode with the slack reins of one whose horse knew the way well and needed no guidance. He was a smooth-shaven, placid-faced young man, clothed in worn and dusty range apparel, his complexion burned a dull bronze by the Arizona sun, shaggy red eyebrows bleached several shades lighter than a lock of sorrel hair escaping from under the sweatband of his Stetson.

Just as there was nothing remarkable about Charlie Barnes' appearance, there was no surface indication that this day was to be different from any one of a thousand uneventful days in the routine of Chapparell's existence. Once a week for years Charlie Barnes had jogged into town in mid-afternoon from his small spread ten miles north to buy a few needed groceries, and discuss range conditions and the market price of beef with old Frank Hess who ran the General Store. Once a week for years, precisely at sundown Charlie had remounted his roan and headed north again for his lonely bachelor cabin nestled in the lower foothills of the Wasatch range.

Today, the routine was to be varied. A stone was to be cast into the placid shining surface of the town's monotony, shattering the calm of the countryside into ever-widening ripples that would swiftly expand to engulf many other lives in a vicious maelstrom of seething passions and roaring guns.

Charlie was wholly without any premonition of what was in store for him when the roan nosed up to the rusty iron rail in front of the General Store and postoffice. He stepped out of the saddle and looped a rein over the rail, then stepped up on the boardwalk and entered the store.

The interior of the store was dimly lighted and as hot as a baking oven from the sun's rays radiated downward from a corrugated iron roof. Frank Hess was in his customary rocking chair in a little niche back of the tarnished grille that set the postoffice off from the rest of the store. He looked up at Charlie's entrance, spat a thin stream of tobacco juice expertly into a tin bucket half-full of sand, and said, "Howdy, Charlie," without moving from his chair.

Charlie said, "Howdy," in return, and thus far everything was as it had always been. But as Charlie sauntered toward a backless chair set conveniently close to the open cracker barrel he heard Hess's rocker creak, and he blinked his mild blue eyes in surprise when the gnarled shopkeeper arose.

"Never mind gettin' up just yet," he protested. "I'll set a while before I give you my order."

But Frank Hess had moved importantly behind the grillwork and was shuffling through a packet of mail that had arrived by the noon stage. He announced, "You got a letter," and pushed a sealed white rectangle out through the window.

Charlie Barnes hesitated in front of the chair by the cracker barrel. "I reckon there must be some mistake," he protested. "I never get no letters. You know I don't, Frank." He used a tone of mild reproof, as though he suspected the postmaster of trying to force someone else's mail on him.

"Says Charlie Barnes right here on the envelope." Frank Hess peered at the envelope nearsightedly. "From El Paso." He chuckled thinly. "You sure you ain't been writing to one of them matermonial advertisements since Henry Pelham done cut you out with Peggy Aiken?"

Charlie's bronzed complexion took on a deeper hue. At the neck-line of his shirt the color showed a deep red. "In the first place, I ain't admittin' that Pelham has cut me out yet with Peggy. And in the second place you know dang well I ain't mailed no letters out of here to no marriage advertisements."

"From what I hear, Henry Pelham's got the inside track with Peggy, and no mistake. It's a damn shame, too, Charlie, but he's got the get-up and gall that a girl like Peggy likes. Law's sakes, you been courting her for three years and I bet you ain't popped the question yet."

"That," said Charlie Barnes strongly, "ain't neither here nor there." His tone indicated that the discussion of his courtship was ended. He stepped forward two paces and picked up the letter.

Sure enough, it was addressed to "Charlie Barnes, Chapparell, Arizona." He frowned down at it and turned it over uncertainly in his hands, murmuring, "Now who do you reckon'd be writin' me a letter from El Paso?"

Frank Hess hobbled back to his rocking chair. "Best way I know is to open it and find out," he snapped. "That's what most folks does."

Charlie leaned one elbow on the counter and scratched an itchy spot behind his right ear. He tore the envelope open carefully and shook out a single folded sheet of paper. He squinted down at it and moved his lips to form each word as he laboriously read:

Dear Charlie,

I'm in El Paso, heading back to Arizona where I'm going to fight that murder charge I run from three years ago. I never killed Sheriff Edwards, Charlie, and I can prove it if I'm given half a chance. But I want to know how the land lays before I ride into Chapparell again for I can't do much good if they string me up before I can nose around some. So I want you to meet me at the old Bar L headquarters south of town when I ride in. That'll be in about a week, I reckon. I'll wait there for you, and if you can't come please send me some word.

Hugh Aiken


Charlie Barnes stared at the signature a long time after his lips ceased moving. Hugh Aiken! Peggy's brother! The Rio Kid was coming home after three years below the Mexican Border.

From that bold signature on the letter in front of him, Charlie lifted his gaze to a fly-specked reward poster conspicuously tacked above the window. He stared hypnotically at the faded picture of a clear-eyed and laughing youth. Below Hugh Aiken's picture, bold black lettering proclaimed: "$10,000 REWARD FOR THE CAPTURE OF THE RIO KID: DEAD OR ALIVE."

For three years that same reward poster had hung there above the postoffice window, a constant reminder to the citizens of the little border town that one of them had turned killer and renegade, had murdered foully from behind in the night and escaped into Mexico a few jumps in front of an outraged posse.

Since that black night three years ago, meager reports concerning the Rio Kid had drifted back to his home town. The appellation had been hung on him in Border haunts because of his extreme youth and a fancied resemblance to Billy the Kid whose gun exploits were still fresh in the memories of Western desperadoes.

After crossing the Border the Rio Kid had been forced to kill again and again, though nevermore was he accused of throwing down on an opponent from behind. As his reputation grew, so had his list of victims, for there were always those eager to gain the notoriety that would come to the man who beat the Rio Kid to the draw; and the legend of his gun-prowess had grown by leaps and bounds until it was impossible to determine where fact ended and fancy began.

Yet, to men like Charlie Barnes who had known and loved the young Hugh Aiken whose picture adorned the reward poster, it was difficult to associate the Rio Kid with the laughing youngster who had enlivened the community with his boyish pranks. Reckless and wild he had been, hard-riding and hot-tempered, with an avid zest for life that had led him into many minor brushes with the law, but certainly without any of the earmarks of one who would turn into a coldblooded killer such as the Rio Kid was reputed to be.

Charlie Barnes' troubled gaze dropped back to the letter in his hand. He drew in a deep sighing breath, and got a bandanna from his hip pocket to mop beads of sweat from his broad face.

Frank Hess's high, cackling laughter brought him back to the present with a jerk. "I can read the signs, I reckon. A-sweating and a-sighing over your letter, hey? Don't try to fool an old man, Charlie. You ain't got nothing to be ashamed of. It ain't fitten for a man to live alone, and there ain't no spare heifers in these parts, so why shouldn't you get one from El Paso?"

Charlie shook his head, avoiding Hess's bright inquisitive gaze. "It ain't what you think," he mumbled. "It ain't from a gal a-tall."

A shadow darkened the outer doorway, and Charlie turned to see Les Edwards enter the store. He wore a white Stetson tilted rakishly over his left eye and a bright silk scarf was knotted loosely about his neck. He had thin, hawk-like features that always tried to be arrogant and always failed because he hadn't enough chin to back up the pose. There was a burnished silver star pinned to his open cowhide vest, and the carved ivory butt of a silver-inlaid .45 swaggered low on his hip in an open holster. It was the same gun that had been found in his father's holster, fully loaded, that night when Sheriff Edwards had been shot through the back and Hugh Aiken's gun was found in the trail a short distance away, with one damning empty cartridge in the chamber.

Les Edwards was just turned eighteen when his father was killed. He was the only support of a widowed mother, and the county had made the gesture of appointing the young man sheriff to succeed the murdered man, and in that frontier community, where the law mostly didn't interfere with a man's private affairs, he had filled the position satisfactorily for three years.

Les Edwards nodded to Charlie and said, "Howdy, Frank." His voice that had been whiny when he was younger was now grating and harsh, though, like his face, it lacked something of the domineering quality he tried to put into it.

Hess said, "Howdy," and his old eyes shifted from the high crown of the young sheriff's new hat to the bright scarf about his neck. "Looks like you're going sparking," he suggested.

Edwards' laughter held the hint of a leer. "Just come from the Bar L. There's a right nice new piece of she-stuff just come across from Mexico with the last batch of hands Henry got in." He winked obscenely and settled himself in the chair by the cracker barrel. "She ain't but sixteen an' don't savvy much, but I calc'late she'll catch onto American ways quick ... with me teachin' her," he ended modestly.

Frank Hess chuckled with only moderate gusto. "Better watch your step around them Mex gals. Some of 'em pack knives in their garters."

"I won't worry none," Edwards smirked. "First thing I do is take their garters off — then they ain't got no place to carry their knives." He laughed aloud and smacked his thigh at his own wit.

"Charlie, here, ought to take some lessons from you on handling the ladies," Hess said. "He's got so doggone hard up for a female that he's dickering with one in El Paso to come out and settle with him."

"That's a damned lie," Charlie choked out. He crumpled the Rio Kid's letter nervously in his hand.

"Lookit him blush," Les Edwards jeered. "Finally give up moonin' over Peggy, huh? I reckon that's usin' sense. Henry Pelham's got the inside track with her. When I left the Bar L he was gettin' ready to ride over an' visit Peggy."

Charlie clamped his lips together tightly and said nothing. He slowly recreased the letter and stuffed it into his shirt pocket. His blue eyes were cold as they rested on the silver star adorning Les Edwards' vest.

"Trouble with Charlie, he ain't got enough gumption," the old storekeeper said. "God knows I hate Henry Pelham's guts but I do got to admit he ain't lacking in push."

"Hate his guts?" Edwards echoed in amazement. He pushed his hat back off his forehead. "Henry Pelham? How-come, Frank? He's what this country has been needin' a long time. All the ranchers hereabouts have got in a rut. In two years since he took over the Bar L he's built up the whoppin'est herd in this part of Arizony. Now that he's started cuttin' hay off the meadow an' stackin' it for winter feed, he'll have fat stuff to ship in the spring while all the rest of the stock hereabouts is half-starved from winter."

Frank Hess deliberately spat into the tin bucket of sand. "I ain't denying he's smart. Too dang smart if you ask me. He's built up a herd in two years awright. Wet brands and you know it as well as me. You're a hell of a sheriff. Standing up for a man like that."

"You got no proof of that," Edwards protested hoarsely.

"Proof? A day's ride on the Bar L would show half a dozen slickered brands, and you know it as good as me."

"I sure as hell don't know it," Edwards retorted angrily. "Are you forgettin' I'm sheriff? If I saw any slickered brands I'd call him on 'em."

"No, son," said Hess slowly. "I ain't forgetting you're wearing your daddy's star and gun. But I think you've forgot what they mean. When your daddy was alive he didn't make friends with a rustler and close his eyes to what was going on."

"That's a lie. Henry Pelham ain't doin' any rustlin'. I'll bet my star against a plugged nickel you can't prove it."

"Maybe it cain't be proved. But I'd still like to know how he built up a herd so fast."

"He gets a bill of sale with every herd he buys. It ain't his job to check up on where they come from in the first place. If he gets 'em cheap, ain't that smart business? Some of the other ranchers around here might make some money if they'd buy stuff cheap that way."

Frank Hess shook his head sadly. "You got right and wrong all mixed up, son. All I got to say is you're a hell of a sheriff."

"I got the votes last 'lection. I'm enforcin' the law as good as any man could. I can't ride night-herd all over the county every night. If some of the other ranchers would wake up an' hire hands like Henry Pelham does maybe their stuff wouldn't get rustled."

"Gun-hands!" Hess snorted. "Half a dozen tough hombres that ride his fences as much to keep his neighbors out from inside his fences as anything else. He don't need 'em to pertect his stock from rustlers ... not being in cahoots with the rustlers, he don't."

"You can't prove a damn word of what you're sayin'." Les Edwards got to his feet angrily. He jerked the brim of his white hat down over his eyes and stalked out of the store.

Frank Hess shook his head sadly after him. "John Edwards would turn over in his grave if he knew how Les was disgracing that law-badge of his. It was a bad day for Jelcoe County when Hugh Aiken shot John through the back and skipped across the Border."

Charlie Barnes cleared his throat. He sat down in the chair just vacated by the sheriff. He reached in his shirt pocket for the makings, and the Rio Kid's letter rustled as he drew out a sack of tobacco. He furrowed his forehead as he made a tiny trough out of a cigarette paper and poured it full of flake tobacco.

"I never have believed Hugh killed John Edwards," he said flatly.

"I know you and Hugh was good friends, but that don't change what he did. He was drunk and raising hell, and John rode out to arrest him. Maybe it was a accident, sort of, but that don't change the hole that was in John Edwards' back."

"There weren't any witnesses," Charlie reminded the old storekeeper.

"There were witnesses that saw Hugh ride down the trail where he was killed. His gun was laying there where he got scared and dropped it. You admitted that yourself."

Charlie nodded soberly. He struck a match to the crimped end of his cigarette and drew smoke deeply into his lungs. "It was Hugh's gun, all right." He spoke half to himself, rehashing all those ancient arguments that he had gone over and over three years ago. "But nobody knows what really happened on the trail. Hugh might have accidentally dropped it there. Somebody else might have come along an' gunned the sheriff."

"Then what'd Hugh dodge across the Border for? That showed he was guilty."


(Continues...)

Excerpted from Two-Gun Rio Kid by Brett Halliday. Copyright © 1941 William Morrow & Company. Excerpted by permission of OPEN ROAD INTEGRATED MEDIA.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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