This is Rewakowicz's third scholarly book and in it she examines several aspects of post-communist Ukrainian prose and poetry and individual and national self-formation. Rewakowicz (Rutgers Univ.; Univ. of Washington) proposes that multi-thematic, multiform literary creations reflect the sociopolitical and cultural growing pains that accompanied the two decades in which Ukraine shed its enslaving Russian communist rule. The postcolonial themes and attitudes of literary work reflect the deeply rooted inferiority complex engendered by the years of despicable references to non-native Russian speakers of occupied nations. Rewakowicz points out that the secondary role of native tongue is difficult to overcome, even when legalized as national language. The author analyzes several works, looking at national and political Ukrainian allegiance in the authors’ use of surzhyk patois; popular literature assumes the role of a signpost, directing readers' attention to the shaping of national cultural and linguistic identity. Offering postmodern feminist and post-imperialist perspectives, this is fine scholarship.
Summing Up: Highly recommended. Graduate students, researchers, faculty.
In Ukraine's Quest for Identity: Embracing Cultural Hybridity in Literary Imagination, 1991–2011, Maria G. Rewakowicz surveys and analyzes two decades of Ukrainian writing on identity issues. Using postcolonial arguments and culturological tools developed by Pierre Bourdieu, she examines the ‘space of possibles,’ the cultural context from which post-independence Ukrainian literature arises. She discovers an intriguing and complex field where identities are actively explored, asserted, tested, molded, and, most importantly, compared, combined, and reconciled with one another. The range of issues involved in these explorations of identity include national identity, language, history, gender, religion, class, geography, age, crime, drugs, sex, and violence. Rewakowicz skillfully navigates the social and cultural currents of the contemporary Ukrainian literary landscape to uncover their characteristic multiplicity, fluidity, and hybridity.
Maria G. Rewakowicz has written the first comprehensive study of the development of Ukrainian literature since the Soviet collapse. Rewakowicz interprets major Ukrainian literary texts as construction sites for ethnic, regional, linguistic, and gender representations and concludes that the key feature of the post-communist Ukrainian literary scene—cultural hybridity—reflects the uncertainty of the nation’s warped post-Soviet transition.
Maria G. Rewakowicz provides here an insightful, critical survey of literature and writing about literature in Ukraine in the first two decades since independence. She chronicles the painful processes of cultural decolonization and the spaces opened for cultural hybridity and bilingualism as key components of an emergent civic identity and plural literary canons, including popular literature (detective novels). She also highlights the importance of women as writers, critics, and fictional character, language choice (Ukrainian vs. Russian), the role of place (region and city), history, and trauma in this comprehensive snapshot of Ukrainian culture in this momentous period in the country’s history.
Ukraine’s Quest for Identity: Embracing Cultural Hybridity in Literary Imagination, 1911–2011 represents a thoughtful, innovative, and well-researched study of the country’s literary production dating back to the first two decades of its independence. Most importantly, this monograph also contributes to the long-term development of the field by laying out a sustainable methodology to explore the phenomenon of hybridity in other post-Soviet literatures and cultures.
Ukraine’s Quest for Identityis a very valuable contribution to the study of contemporary Ukrainian literature. Its wide scope allows it to expand upon important topics on the subject that have been introduced in the past and to bring up issues that evolve as Ukraine approaches it its third decade of independence.. . [Rewakowicz’s] well-researched and engagingly organized monograph will be a very helpful tool for the growing number of people who study contemporary Ukraine and sense the importance that its literature holds in understanding the country’s complex identity today.
This is Rewakowicz's third scholarly book and in it she examines several aspects of post-communist Ukrainian prose and poetry and individual and national self-formation. Rewakowicz (Rutgers Univ.; Univ. of Washington) proposes that multi-thematic, multiform literary creations reflect the sociopolitical and cultural growing pains that accompanied the two decades in which Ukraine shed its enslaving Russian communist rule. The postcolonial themes and attitudes of literary work reflect the deeply rooted inferiority complex engendered by the years of despicable references to non-native Russian speakers of occupied nations. Rewakowicz points out that the secondary role of native tongue is difficult to overcome, even when legalized as national language. The author analyzes several works, looking at national and political Ukrainian allegiance in the authors’ use of surzhyk patois; popular literature assumes the role of a signpost, directing readers' attention to the shaping of national cultural and linguistic identity. Offering postmodern feminist and post-imperialist perspectives, this is fine scholarship.
Summing Up: Highly recommended. Graduate students, researchers, faculty.
This is an ambitious and insightful work. It synthesizes much recent critical literature and provides an analysis of post-independence Ukrainian writing. By focusing on the concepts of hybridity and pluralism, Maria G. Rewakowicz demonstrates the different ways in which national identity is currently imagined—through local geography, women’s writings, Russian-language Ukrainian prose, and popular literature depicting national traumas, such as the Second World War and Chornobyl. What emerges is an account of the fascinating process by which cultural memory is constructed and an inclusive identity created. This study is an excellent introduction to contemporary Ukrainian writing and the prominent discourses that underpin it.
This is Rewakowicz's third scholarly book and in it she examines several aspects of post-communist Ukrainian prose and poetry and individual and national self-formation. Rewakowicz (Rutgers Univ.; Univ. of Washington) proposes that multi-thematic, multiform literary creations reflect the sociopolitical and cultural growing pains that accompanied the two decades in which Ukraine shed its enslaving Russian communist rule. The postcolonial themes and attitudes of literary work reflect the deeply rooted inferiority complex engendered by the years of despicable references to non-native Russian speakers of occupied nations. Rewakowicz points out that the secondary role of native tongue is difficult to overcome, even when legalized as national language. The author analyzes several works, looking at national and political Ukrainian allegiance in the authors’ use of surzhyk patois; popular literature assumes the role of a signpost, directing readers' attention to the shaping of national cultural and linguistic identity. Offering postmodern feminist and post-imperialist perspectives, this is fine scholarship.
Summing Up: Highly recommended. Graduate students, researchers, faculty.
