On their third record in almost as many years,
Idles are at their most anarchic, dialing up their comedic edge and their manic energy. Taken at face value, the elements that make
Idles great are present, including the social commentary, the sense of humor, and the cathartic justified rage. The opening moments of
Ultra Mono play out in familiar territory, from the explosive opener "War" to the panic attack-inducing "Anxiety." Of all the singles, "A Hymn" was the most overlooked. Here, in the context of the album, it comes as welcome respite; dredged in tension and played seriously rather than comedically, it's a side of the band that deserves to be explored. Similarly, the sparse arrangement of "Grounds" is a bold new vector in the
Idles formula. There are a variety of guests, including
Jamie Cullum, who provides a genuinely funny moment as his serene piano melody gets interrupted by the band crashing in on "Kill Them with Kindness," and the ever-electrifying
Jehnny Beth, who adds extra venom on "Ne Touche Pas Moi."
Idles deserve praise for their invigorating output, which avoids getting mired down by bleak outlooks, literary references, or overly poetic lyrics. There is much to enjoy on
Ultra Mono: the band's raucous energy shines just as bright, and their message is just as necessary. ~ Liam Martin