Unbound: Transgender Men and the Remaking of Identity

Unbound: Transgender Men and the Remaking of Identity

by Arlene Stein

Narrated by Suzanne Elise Freeman

Unabridged — 11 hours, 10 minutes

Unbound: Transgender Men and the Remaking of Identity

Unbound: Transgender Men and the Remaking of Identity

by Arlene Stein

Narrated by Suzanne Elise Freeman

Unabridged — 11 hours, 10 minutes

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Overview

An intimate portrait of a new generation of transmasculine individuals as they undergo gender transitions

Award-winning sociologist Arlene Stein takes us into the lives of four strangers who find themselves together in a sun-drenched surgeon's office, having traveled to Florida from across the United States in order to masculinize their chests. Ben, Lucas, Parker, and Nadia wish to feel more comfortable in their bodies; three of them are also taking testosterone so that others recognize them as male. Following them over the course of a year, Stein shows how members of this young transgender generation, along with other gender dissidents, are refashioning their identities and challenging others' conceptions of who they are. During a time of conservative resurgence, they do so despite great personal costs.*

Transgender men comprise a large, growing proportion of the trans population, yet they remain largely invisible. In this powerful, timely, and eye-opening account, Stein draws from dozens of interviews with transgender people and their friends and families, as well as with activists and medical and psychological experts.*Unbound*documents the varied ways younger*trans men see themselves and how they are changing our understanding of what it means to be male and female in America.

Editorial Reviews

The New York Times - Parul Sehgal

[Stein] depicts her subjects with warmth and respect, and strains to include as much as she can about the social, emotional, medical and psychological dimensions of transitioning. The result is frantically overstuffed but earnest, diligent and defiantly optimistic…Stein repeatedly allows herself to be impolitic and wincingly frank, almost using herself as a foil for the limitations of second-wave feminism…Throughout the book, however, Stein is full of admiration for the transgender men she meets—especially as they challenge her. And toward the end of her investigation, a new note creeps in, one of wonder.

Publishers Weekly

04/09/2018
Stein (Reluctant Witnesses) tracks the rapid evolution of gender identity in this provocative group portrait of trans men. The book opens in the waiting room of a South Florida plastic surgery clinic, where four patients are scheduled to undergo “top surgery” (chest masculinization) on the same day. For the next year Stein follows the four subjects as they recover from surgery and grow accustomed to their new bodies, interviewing their friends, families, and acquaintances. While in the past passing as cisgender was the goal, Stein finds these days people are just as likely to reject the gender binary outright and claim trans as their own identity. Of Stein’s four subjects, Lucas makes a point of coming out as trans, Parker is interested in passing in the traditional sense, Nadia chooses to change her body but not her gender, and Ben is still figuring out where he is most comfortable (meanwhile he uses social media to keep people updated, posting a photo of the bandages and tubes on his chest). The book also notes the prominence of reality television and social media in creating space for more gender identities to flourish by making “the personal eminently more public.” Stein posits that trans identity as it exists right now in younger people is less an act of survival and more an act of self-reinvention. Though Stein finds no tidy conclusions, her book succeeds in documenting what it means to be trans today. (June)

From the Publisher

"Earnest, diligent and defiantly optimistic....What gives this book its real heat — is more personal; it’s the challenge posed to [Stein's] own cherished beliefs."
—Parul Sehgal, The New York Times

“A book written by a sociologist who writes like a novelist. It's a rare nonfiction page-turner and an important book.”
—Rebecca Makkai, Conde Nast Traveler

"Sensitive....A much needed primer for those who are puzzled by contemporary discussions about gender."
The New Yorker

“Moves beyond the popular fixation on bathroom politics to explore individual lives.”
The Washington Post
 
“Moving.... By allowing her subjects to speak for themselves as those selves are reinvented in various ways, Stein leaves room for productive conversations to appear.”
Harper’s Magazine
 
“For readers bewildered by how to make sense of gender today.... Having received rave reviews, for those wanting to learn more about transgender people, especially as their issues continue to make news, Unbound serves as a useful primer.”
The Bay Area Reporter

“Stein tracks the rapid evolution of gender identity in this provocative group portrait of trans men....Her book succeeds in documenting what it means to be trans today.”
Publishers Weekly
 
“Arlene Stein brings insight, wit, and generosity to this perceptive analysis of the dazzling shifts in how we imagine, and live out, gender today. Unbound will surprise readers who thought they had this figured out decades ago.”
 —Janice Irvine, Professor of Sociology, University of Massachusetts

“A new sociological study on transgender individuals and their experience transitioning. This significant book provides medical, sociological, and psychological information that can only serve to educate those lacking understanding and awareness of an entire community of individuals who deserve representation. A stellar exploration of the complexities and limitations of gender.”
Kirkus Reviews (starred)

“If you’ve been trying to make sense of how gender today seems to have slipped the chains that bind it to our bodies in familiar ways, Unbound is a book for you. It’s a sympathetic account by non-transgender sociologist Arlene Stein, aimed at a primarily non-transgender audience, of four people assigned female at birth who surgically masculinize their chests. Stein helps her readers understand that they, too, no longer need be bound by conventional expectations of the meaning of our flesh.”
—Susan Stryker, founding co-editor, TSQ: Transgender Studies Quarterly

“In this gripping, illuminating and clear-eyed portrait of what it means to be transmasculine in today’s America, Arlene Stein does justice to an oft-misrepresented topic. A vivid and fiercely empathetic narrative that juxtaposes nuanced portraits of these young people with a clearly articulated understanding of what it means to navigate a culture that treats gender minorities with contempt, ignorance, and violence. Unbound is a revelatory read that fills an important role in gender studies.”
—Ryan Berg, author of No House to Call My Home

Unbound is a timely and critical response to the loud silence permeating the current public discourse on gender and transgender experiences, especially the lived realities of transgender men within the US. A critical and stunning work that will shift the ways gender has been politicized and imagined. Should be required reading for all.”
—Darnell L. Moore, author of No Ashes in the Fire: Coming of Age Black and Free in America 

Kirkus Reviews

★ 2018-04-03
A new sociological study on transgender individuals and their experience transitioning.In her latest, gender theorist Stein (Sociology/Rutgers Univ.; Reluctant Witnesses: Survivors, Their Children, and the Rise of Holocaust Consciousness, 2014, etc.) follows the lives of four individuals who have gone through the process of transitioning from female to male. The author states that her book is a "group portrait of those who choose to remake their bodies and lives using the tools they have at their disposal." Stein spent considerable time with her subjects, Ben, Parker, Lucas, and Nadia, each one existing at different levels of the transgender spectrum. Ben, who grew up in a highly supportive environment, never identified as a woman; he had large breasts and struggled on a daily basis with his body image. As a result, he started hormonal treatments and eventually underwent top surgery to fully transition from female to male. Parker is a prototypical Californian, though he is from Virginia. Muscular and blond, he referred to himself as a "gurl" and dressed as a tomboy. He was outspoken and refused to wear the clothes his parents wanted him to wear as a girl. Lucas' identity fits near the intersection of male and female—i.e., he identifies neither as a man nor a woman but rather "somewhere masculine of center." Finally, Nadia wishes to modify her body but still wants to be recognized as a woman. Stein takes readers on each one of these individual's incredible journeys, shedding a rigorous, respectful, and highly studied light on the experience of transgender individuals today. For example, "transgender men," she writes, "are not simply retrieving the male that resides within; they're also creating themselves." This significant book provides medical, sociological, and psychological information that can only serve to educate those lacking understanding and awareness of an entire community of individuals who deserve representation.A stellar exploration of the complexities and limitations of gender.

Product Details

BN ID: 2940169413106
Publisher: Penguin Random House
Publication date: 06/05/2018
Edition description: Unabridged

Read an Excerpt

In current parlance, I am “cisgender,” which means I do not identify as transgender. (The prefix “trans” is Latin for “on the other side,” and “cis” in Latin means “on the same side.”) That is, I experience my assigned sex and gender as congruent, at least to the degree that it has not become a major challenge in my life. When I was a kid growing up, I remember thinking that it would be cool to be a boy. Since I am now middle-aged, I can remember a time when girls were compelled to wear dresses to school, abortion was illegal, and team sports were something that boys, and not girls, could participate in. Boys got to play with electric trains, which I lusted after but my parents refused to give me—they were “boys’ toys.” Men didn’t have to go through the pain of childbirth, and they fronted the best rock-and-roll bands. Why wouldn’t one dream of being a man?
 
For me, identifying as a feminist and a lesbian enables me to express my femaleness in ways that seem true enough. But over the years I learned that there are others who feel that they were assigned a gender at birth that seems inauthentic and wrong—so much so that many seek out body modifications to bring their bodies into alignment with their selves. A number of years ago, I noticed a young man working in my campus bookstore who seemed vaguely familiar to me. I stared at him for several moments out of the corner of my eye, racking my brain to figure out how I knew him, while trying my best not to attract his attention. Suddenly, I realized that he had once been a student of mine, and that I knew him as female, but now he had peach fuzz on his face, a deep voice, and was all but indistinguishable from the other young men who worked alongside him selling camera equipment. But I was so ill-equipped to figure out how to respond that I pretended not to recognize him, and he did the same.
 
And then in February 2013, Kate, an artist friend of mine, accompanied a close friend of hers who was undergoing top surgery—chest masculinization—in Florida. “You would not believe the numbers of people there,” she told me, describing the long line of individuals, mainly in their twenties, who were waiting in the surgeon’s office. South Florida was once known for a Spring Break scene that drew legions of college students eager for hot fun in the sun—a scene immortalized by the 1960 comedy Where the Boys Are. Today it is also where the “bois”—young, female-assigned people, who identify as masculine, some of whom undergo gender transitions—go to masculinize their chests.
 
The scene at the doctor’s office surprised Kate. “There were people from everywhere you could imagine, and many of them were very young,” she told me in her soft Texas drawl. “Some even brought their parents!” In a nearby gated community, a guesthouse had been established to accommodate the steady flow of patients who needed a place to stay while they recovered from surgery. My curiosity was piqued when, a few months later, I happened to hear about another friend whose nephew also underwent “top surgery” in South Florida, and then I saw a mention of the same doctor in a magazine. Why were so many people flocking to Florida to modify their chests? What were they seeking? What did they find? More broadly, what does it mean that more and more female-assigned individuals are choosing to masculinize their bodies today? What might it tell us about how our notions of gender are changing more generally?
 
Sociologists, or at least my breed of sociologist, try to get as close to a subject as they possibly can, immersing themselves in it. That’s how I met Ben. I came across the crowdfunding website he had set up and I e-mailed him. He quickly agreed to let me tag along during his surgery week. So I booked my room and plane ticket and traveled down to Florida from my home in New Jersey to meet him—and, as it turned out, his parents too.
 
At Dr. Garramone’s office, I also met the four others who were scheduled for surgery the same day as Ben. Three of them were good enough to agree to speak with me: Lucas DeMonte, a twenty-three-year-old health outreach worker from Gainesville, Florida; Parker Price, a twenty-four-year-old software sales manager from Austin, Texas; and Nadia Khoury, a twenty-eight-year-old employ­ment counselor from St. Louis, Missouri. Lucas, Parker, and Nadia, along with Ben, are the subjects of this book. They have allowed me to interview them and their friends and family, and over the next year, they permitted me to follow them at regular intervals, spoke with me over the phone and Skype, and even welcomed me into their homes on occasion. As I got to know them over the course of the next year, I came to better understand the lives and choices of a younger generation of gender dissidents. You can learn a lot about people by listening to their stories.

(Continues…)



Excerpted from "Unbound"
by .
Copyright © 2018 Arlene Stein.
Excerpted by permission of Knopf Doubleday Publishing Group.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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