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Overview
«Provate a immaginare. È il 20 marzo del 1995, un lunedí. Una bella mattina di sole primaverile. [...] Ieri era domenica, e domani - l'equinozio - sarà un giorno festivo. Magari potevate fare il ponte, forse avete anche pensato: "E se oggi non andassi al lavoro?" Purtroppo però, per molte ragioni, non potete concedervi questa vacanza. Per questo vi siete svegliati all'ora solita, vi siete lavati, vestiti, e siete andati alla stazione della metropolitana. Poi come sempre avete fatto la fila per salire su uno dei treni e andare in ufficio. Una mattina come tutte le altre, senza nulla di speciale. Un giorno come tanti della vostra vita. Ma degli uomini dissimulati tra la folla, con la punta degli ombrelli appositamente affilata, perforano delle sacche di plastica piene di uno strano liquido».
Product Details
ISBN-13: | 9788858408179 |
---|---|
Publisher: | EINAUDI |
Publication date: | 03/26/2013 |
Sold by: | GIULIO EINAUDI EDITORE - EBKS |
Format: | eBook |
File size: | 596 KB |
Language: | Italian |
About the Author
![About The Author](http://img.images-bn.com/static/redesign/srcs/images/grey-box.png?v11.8.5)
Haruki Murakami (Kioto, 1949) es uno de los pocos autores japoneses que han dado el salto de escritor de prestigio a autor con grandes ventas en todo el mundo. Ha recibido numerosos premios, entre ellos el Noma, el Tanizaki, el Yomiuri, el Franz Kafka o el Jerusalem Prize, y su nombre suena reiteradamente como candidato al Nobel de Literatura. En España, ha merecido el Premio Arcebispo Juan de San Clemente, la Orden de las Artes y las Letras, concedida por el Gobierno español, y el Premi Internacional Catalunya 2011.
Hometown:
Tokyo, JapanDate of Birth:
January 12, 1949Place of Birth:
Kyoto, JapanEducation:
Waseda University, 1973Website:
http://www.harukimurakami.comTable of Contents
PART ONE UNDERGROUND | |
Map of the Tokyo Subway | viii |
Preface | 3 |
TOKYO METROPOLITAN SUBWAY: CHIYODA LINE | 9 |
Kiyoka Izumi: | 12 |
Nobody was dealing with things calmly | |
Masaru Yuasa: | 18 |
I've been here since I first joined | |
Minoru Miyata: | 24 |
At that point Takahashi was still alive | |
Toshiaki Toyoda: | 28 |
I'm not a sarin victim, I'm a survivor | |
Tomoko Takatsuki: | 36 |
It's not even whether or not to take the subway, | |
just to go out walking scares me now | |
Mitsuteru Izutsu: | 41 |
The day after the gas attack, I asked my wife for a divorce | |
Aya Kazaguchi: | 45 |
Luckily I was dozing off | |
Hideki Sono: | 48 |
Everyone loves a scandal | |
TOKYO METROPOLITAN SUBWAY: MARUNOUCHI LINE (DESTINATION: | |
OGIKUBO) | 52 |
Mitsuo Arima: | 55 |
I felt like I was watching a programme on TV | |
Kenji Ohashi: | 58 |
Looking back,it all started because the bus was | |
two minutes early | |
Soichi Inagawa: | 65 |
That day and that day only I took the first door | |
Sumio Nishimura: | 68 |
If I hadn't been there, somebody else would have | |
picked up the packets | |
Koichi Sakata: | 73 |
I was in pain, yet I still bought my milk as usual | |
Tatsuo Akashi: | 76 |
The night before the gas attack, the family was | |
saying over dinner, "My, how lucky we are" | |
Shizuko Akashi: | 84 |
Ii-yu-nii-an (Disneyland) | |
TOKYO METROPOLITAN SUBWAY: MARUNOUCHI LINE (DESTINATION; | |
IKEBUKURO) | 91 |
Shintaro Komada: | 93 |
"What can that be?" I thought | |
Ikuko Nakayama: | 97 |
I knew it was sarin | |
TOKYO METROPOLITAN SUBWAY: HIBIYA LINE (DEPARTING: | |
NAKA-MEGURO) | 102 |
Hiroshige Sugazaki: | 105 |
"What if you never see your grandchild's face?" | |
Kozo Ishino: | 110 |
I had some knowledge of sarin | |
Michael Kennedy: | 115 |
I kept shouting "Please, please, please!" in Japanese | |
Yoko Iizuka: | 120 |
That kind of fright is something you never forget | |
TOKYO METROPOLITAN SUBWAY: HIBIYA LINE (DEPARTING: | |
KITA-SENJU; DESTINATION: NAKA-MEGURO) | 125 |
Noburu Terajima: | 128 |
I'd borrowed the down payment, and my wife was | |
expecting it looked pretty bad | |
Masanori Okuyama: | 132 |
In a situation like that the emergency services | |
aren't much help at all | |
Michiaki Tamada: | 135 |
Ride the trains every day and you know what's | |
regular air | |
TOKYO METROPOLITAN SUBWAY: HIBIYA LINE | |
Takanori Ichiba: | 139 |
Some loony's probably sprinkled pesticides or something | |
Naoyuki Ogata: | 143 |
We'll never make it. If we wait for the ambulance we're done for | |
Michiru Kono: | 148 |
It'd be pathetic to die like this | |
Kei'ichi Ishikura: | 154 |
The day of the gas attack was my sixty-fifth birthday | |
TOKYO METROPOLITAN SUBWAY: KODEMMACHO STATION | |
Ken'ichi Yamazaki: | 159 |
I saw his face and thought: "I've seen this | |
character somewhere" | |
Yoshiko Wada, widow of Eiji Wada: | 165 |
He was such a kind person. He seemed to get even | |
kinder before he died | |
Kichiro Wada and Sanaé Wada, parents of Eiji Wada: | 175 |
He was an undemanding child | |
Koichiro Makita: | 181 |
Sarin! Sarin! | |
Dr Toru Saito: | 186 |
The very first thing that came to mind was poison | |
gas cyanide or sarin | |
Dr Nobuo Yanagisawa: | 191 |
There is no prompt and efficient system in Japan | |
for dealing with a major catastrophe | |
Blind Nightmare: | 195 |
Where Are We Japanese Going? | |
PART TWO THE PLACE THAT WAS PROMISED | |
Preface | 213 |
Hiroyuki Kano: | 217 |
I'm still in Aum | |
Akio Namimura: | 229 |
Nostradamus had a great influence on my generation | |
Mitsuharu Inaba: | 239 |
Each individual has his own image of the Master | |
Hajime Masutani: | 251 |
This was like an experiment using human beings | |
Miyuki Kanda: | 261 |
In my previous life I was a man | |
Shinichi Hosoi: | 272 |
"If I stay here," I thought, "I'm going to die" | |
Harumi Iwakura: | 285 |
Asahara tried to force me to have sex with him | |
Hidetoshi Takahashi: | 295 |
No matter how grotesque a figure Asahara appears, | |
I can't just dismiss him | |
Afterword | 305 |
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