Understanding Music: Philosophy and Interpretation
With Understanding Music and The Aesthetics of Music (1997) Roger Scruton set a new standard of rigour and seriousness in the philosophy of music. This collection of wide-ranging essays covers all aspects of the theory and practice of music, showing the significance of music as an expression of the moral life. The book is split into two parts, the first is devoted to the aesthetics and theory of music and the second consists of critical studies of individual composers, thinkers and works including essays on Mozart, Wagner, Beethoven's Ninth, Janácek&Schoenberg, Szymanowski and Adorno. Understanding Music will appeal to specialists in philosophy and musicology and also to music lovers who wish to find deeper meaning in this mysterious art. The Bloomsbury Revelations edition includes a new preface from the author.
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Understanding Music: Philosophy and Interpretation
With Understanding Music and The Aesthetics of Music (1997) Roger Scruton set a new standard of rigour and seriousness in the philosophy of music. This collection of wide-ranging essays covers all aspects of the theory and practice of music, showing the significance of music as an expression of the moral life. The book is split into two parts, the first is devoted to the aesthetics and theory of music and the second consists of critical studies of individual composers, thinkers and works including essays on Mozart, Wagner, Beethoven's Ninth, Janácek&Schoenberg, Szymanowski and Adorno. Understanding Music will appeal to specialists in philosophy and musicology and also to music lovers who wish to find deeper meaning in this mysterious art. The Bloomsbury Revelations edition includes a new preface from the author.
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Understanding Music: Philosophy and Interpretation

Understanding Music: Philosophy and Interpretation

by Roger Scruton
Understanding Music: Philosophy and Interpretation

Understanding Music: Philosophy and Interpretation

by Roger Scruton

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Overview

With Understanding Music and The Aesthetics of Music (1997) Roger Scruton set a new standard of rigour and seriousness in the philosophy of music. This collection of wide-ranging essays covers all aspects of the theory and practice of music, showing the significance of music as an expression of the moral life. The book is split into two parts, the first is devoted to the aesthetics and theory of music and the second consists of critical studies of individual composers, thinkers and works including essays on Mozart, Wagner, Beethoven's Ninth, Janácek&Schoenberg, Szymanowski and Adorno. Understanding Music will appeal to specialists in philosophy and musicology and also to music lovers who wish to find deeper meaning in this mysterious art. The Bloomsbury Revelations edition includes a new preface from the author.

Product Details

ISBN-13: 9781474270182
Publisher: Bloomsbury Publishing
Publication date: 02/25/2016
Series: Bloomsbury Revelations
Sold by: Barnes & Noble
Format: eBook
Pages: 304
File size: 3 MB

About the Author

Sir Roger Scruton (1944-2020) is widely seen as one of the greatest conservative thinkers of the twentieth and twenty-first centuries and a polymath who wrote a wide array of fiction, non-fiction and reviews. He was the author of over fifty books, and visiting Professor of Philosophy at the University of Oxford and Senior Fellow at the Ethics and Public Policy Center, Washington DC, USA.
Sir Roger Scruton is widely seen as one of the greatest conservative thinkers of the twentieth and twenty-first centuries and a polymath who wrote a wide array of fiction, non-fiction and reviews. He was the author of over fifty books.

A graduate of Jesus College, Cambridge, Scruton was Professor of Aesthetics at Birkbeck College, London; University Professor at Boston University, and a visiting professor at Oxford University. He was one of the founders of the Salisbury Review, contributed regularly to The Spectator, The Times and the Daily Telegraph and was for many years wine critic for the New Statesman. Sir Roger Scruton died in January 2020.

Table of Contents

Preface

Part I

1 Introduction
2 Sounds
3 Wittgenstein on music
4 Movement
5 Expression
6 Rhythm

Part II

7 My Mozart
8 Beethoven's Ninth Symphony
9 The trial of Richard Wagner
10 A first shot at The Ring
11 True Authority: Janacek, Schoenberg and us
12 Thoughts on Szymanowski
13 Why read Adorno?

Bibliography
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