Unfoldings: Essays in Schenkerian Theory and Analysis

by Carl Schachter, Joseph N. Straus (Editor)

Overview

Carl Schachter is, by common consent, one of the three or four most important music theorists currently at work in North America. He is the preeminent practitioner in the world of the Schenkerian approach to the music of the eighteenth and nineteenth centuries, which focuses on the linear organization of music and now dominates discussions of the standard repertoire in university courses and in professional journals. His articles have appeared in a variety of journals, including some that are obscure or hard to obtain. This volume gathers some of his finest essays, including those on rhythm in tonal music, Schenkerian theory, and text setting, as well as a pair of analytical monographs, on Bach's Fugue in B-flat major from Volume 1 of the Well-Tempered Clavier and Chopin's Fantasy, Op. 49.

Product Details

ISBN-13:	9780195353082
Publisher:	Oxford University Press
Publication date:	12/31/1998
Sold by:	Barnes & Noble
Format:	eBook
File size:	8 MB

About the Author

One of the preeminent figures in the world of music theory, Carl Schachter is Distinguished University Professor Emeritus in the Department of Music at Queens College and the Graduate Center of the City University of New York. He is also on the faculty at the Mannes College of Music.

Joseph N. Straus is Professor of Music at Queens College and the Graduate Center of the City University of New York and former President of the Society for Music Theory. His books include Remaking the Past: Musical Modernism and the Influence of the Tonal Tradition (1990) and The Music of Ruth Crawford Seeger (1995).

Table of Contents

	A Dialogue between Author and Editor	3
Part I	Rhythm and Linear Analysis
1	A Preliminary Study	17
2	Durational Reduction	54
3	Aspects of Meter	79
Part II	Schenkerian Theory
4	Either/Or	121
5	Analysis by Key: Another Look at Modulation	134
6	The Triad as Place and Action	161
7	A Commentary on Schenker's Free Composition	184
Part III	Words and Music
8	Motive and Text in Four Schubert Songs	209
9	The Adventures of an F#: Tonal Narration and Exhortation in Donna Anna's First-Act Recitative and Aria	221
Part IV	Analytical Monographs
10	Bach's Fugue in Bb Major, Well-Tempered Clavier, Book I, No. 21	239
11	Chopin's Fantasy, Op. 49: The Two-Key Scheme	260
	Carl Schachter: List of Publications	289
	Index	291

Editorial Reviews

"The idea of feting Carl Schachter by publishing a collection of his essays in music theory and analysis is most laudable. Schachter is one of the heroes of musical analysis, and his collected writings explain Schenkerian analysis better than any of the existing textbooks in English on the subject. Joseph N. Straus, a scholar of high standing, is well placed to put this book together."—William Drabkin, University of Southampton

"Many of the foremost among the new generation of music scholars and theorists have been Schachter's students. Schachter's role in the dissemination and broadening of Schenker's teaching can hardly be overestimated....By and large, Schachter's articles, along with the writings of Oswald Jonas and Ernst Oster, represent the most significant scholarly, original contributions to Schenkerian music theory since Schenker's work itself. Stimulating and imaginative, they emanate from a unique and authoritative command of the topic. I would consider Schachter's work and articles as important as any music-theoretical work in our time, and essential reading for anyone seriously interested in music theory."—Edward Laufer, University of Toronto

"Carl Schachter is one of the preeminent music theorists, or music analysts, in the English-speaking world, and he is the world's leading practitioner of Heinrich Schenker's analytical method. He has not only applied Schenker's theories in a particularly beautiful and elegant way; he has expressed those theories—especially in the domain of musical rhythm—in an exemplary manner, combining the most sensitive musical imagination with scrupulous reasoning and scholarly caution. These facts alone amply justify the publication of Unfoldings. But, in addition, Schachter is unmatched as a communicator of complex musical ideas. His writing, like his lecturing, is so graceful, so cultured, and yet so utterly lacking in pretension, that it is a joy to read....This volume is a permanent treasure."—William Rothstein, Queens College and the Graduate Center, City University of New York

From the Publisher