What do you do when you're a connected and funded musician/producer who, like many others pushing 40 or greater, is disappointed with commercial music made by and for people born after your favorite era of music? If you're
Mark Ronson, you dial a Pulitzer-winning novelist, snare a sympathetic group of stars, session giants, and unknowns, including a singer discovered during a talent quest through churches from New Orleans to Chicago, and record another tribute to your childhood soundtrack. Indeed, apart from the involvement of
Michael Chabon, whose lyrics color nine of the 11 songs,
Uptown Special is business as usual for
Ronson and co-pilot
Jeff Bhasker. The two songs that don't involve
Chabon made the earliest and deepest impressions.
Bruno Mars showcase "Uptown Funk," despite aiming for early
Time and landing closer to a second-tier trifle --
One Way's "Let's Talk," for instance -- topped pop charts in a number of territories and went platinum in
Ronson's native U.K. "Feel Right," led by
Mystikal at his vulgar and ebullient best, splits the difference between
Bobby Byrd and
Son of Bazerk. Everything else was co-written with
Chabon, whose somewhat surreal scenes are matched with predominantly hazier and freewheeling sounds. These songs, including two highlights that boast the dynamite rhythm section of
Willie Weeks and
Steve Jordan, as well as lazing vocals from relative youngsters
Andrew Wyatt and
Kevin Parker, tend to evoke summery soft rock/smooth soul hybrids of the mid- to late '70s, or certain songs by later practitioners like
Phoenix and
Daft Punk. "I Can't Lose" is the lone
Chabon song that breaks a sweat -- thick, twisted synth funk that borrows from
Soho's "Hot Music" and (cleanly) lifts from
Snoop Dogg's "Ain't No Fun," featuring newcomer
Keyone Starr in the role of
Evelyn King (or maybe
Mary Jane Girls'
JoJo McDuffie). Neatly tied together by opening and closing cuts that include
Stevie Wonder on harmonica, because
Ronson could swing it,
Uptown Special is another nostalgic fantasy that provides light entertainment and provokes backtracking. ~ Andy Kellman
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