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Overview
Gardening is one of the most popular leisure activities today and most people take it for granted that suitable plants, equipment and information are easily available. This was not always the case. Anne Wilkinson's engaging book recreates the world of amateur Victorian gardeners – those who had no idea how to start gardening, and no information to help them. In the 1860s gardening was mainly the preserve of professionals who worked on large estates, but a new breed of gardeners was emerging – ordinary householders. Their gardens range from country cottage and rectory gardens to urban gardens behind terraced houses. With no help from the professionals – who refused to believe that gardens in towns were a practical possibility – those innovators laid down the foundations for modern amateur gardening as it is today. This book, richly illustrated with images from contemporary magazines and other sources, explores their journey to create their own piece of England's 'green and pleasant land'.
Product Details
| ISBN-13: | 9780752495712 |
|---|---|
| Publisher: | The History Press |
| Publication date: | 04/12/2011 |
| Sold by: | Barnes & Noble |
| Format: | eBook |
| Pages: | 256 |
| File size: | 8 MB |
| Age Range: | 18 Years |
About the Author
Read an Excerpt
The Victorian Gardener
By Anne Wilkinson
The History Press
Copyright © 2013 Anne WilkinsonAll rights reserved.
ISBN: 978-0-7524-9571-2
CHAPTER 1
'The Home of Taste': How Gardening Enhanced Domestic Life
Gardening became popular in Britain in the nineteenth century because it was the right place and the right time. The temperate climate, abundant rainfall and a variety of soil conditions meant that a suitable habitat could be found for almost any plant that was introduced. Skills in botany and horticulture were well established and the challenges posed by new plants were welcomed by gardeners and nurserymen alike. Britain's position as a centre of world trade meant that the people were used to new products and ideas, and they were quickly absorbed into their lives. By the mid-nineteenth century, Britain was a wealthy country; by the end of the century, even the lower middle classes took novelties for granted and were eager to show them off. But no one wanted to fall into the trap of appearing 'vulgar', and they were happy to take advice on taste and style from newly appointed experts. It was inevitable that decorative plants would become one more consumer item on the shopping lists of those with money to spend.
The Victorian home was a refuge from the outside world, a kingdom in itself, ruled over by the head of the family and inhabited by his subjects. The 'home of taste' was said to be 'an anchorage when life becomes a hurricane'. Possessions showed status: a man would be judged by the clothes worn by his family, the furniture and ornaments in his drawing room and the appearance of his garden. Although nominally under the control of the man of the house, the day-to-day running of the home was undertaken by the wife. The garden, therefore, as part of the home, often came under her domain, and women's attitudes to gardening give us insights into how amateurs went about creating gardens in the nineteenth century.
The development of amateur gardening was closely related to the growth of housing, yet while there is plenty of information on how Victorian towns and suburbs developed and how gardens related to the pattern of streets and houses, there is little information on how the gardens were actually used. This has led to a belief that gardening did not take place in towns at all in the nineteenth century, and that amateur gardening did not start until much later. This view appears to be supported by the fact that the Gardeners' Chronicle, often regarded as the 'bible' of Victorian gardening, devoted little space to town or amateur gardening until late in the century, when forced to do so by popular demand. However, the Chronicle was operating with its own interests in mind and, as will be seen in Chapter Three, these did not include people who had small town gardens.
Yet these small gardens did exist and became an essential part of the landscape of all towns. By the 1850s building land in towns had became scarce and houses were built closely together in a uniform pattern, on as small a scale as possible. The market gardeners and nurserymen on the edge of towns were driven out by high land prices and worsening pollution, making it impossible to grow food or keep cows for fresh milk within walking distance of the centre of town. For the first time, large urban areas became purely residential. The repeated pattern of rows of houses, topped with chimneys and interspersed with small gardens, stretched as far as the eye could see. The world became dark. Soot made the buildings black and fog often obscured the daylight. Industry and commerce governed a world regulated by railway time. Even the names of the new synthetic dyes invented to brighten up life reflected the world in which they were produced: Manchester Brown, London Dust and Dust of Ruins. No wonder people living in these new houses wanted to retain a link with the countryside and create a little colour in the drabness.
But in cultivating a garden, the Victorians were not simply indulging in nostalgia for the countryside. British people felt a deep need to establish an 'estate' of their own, however small. If an Englishman's home was his castle, then the garden was his country estate. British social structure had developed differently from other European countries, which may be what makes amateur gardening so peculiarly British. Traditionally farms and estates in Britain remained intact for generations, passing in entirety to the oldest son, while younger sons left the land and sought other occupations. Landowners remained powerful and became patrons of the surrounding communities. In many European countries, however, land was divided among all children on the death of a parent, creating ever-diminishing farms and smallholdings, often barely providing a living above subsistence level. Whereas landowning in England symbolised power, in many other countries it symbolised drudgery and became a burden. When the English middle classes obtained their individual terraced houses or villas, with a rectangle of garden attached, they saw it as a miniature country estate where they could indulge their individuality and be their own masters, whereas the European who was freed from his family smallholding immediately graduated to a town apartment with no more than a balcony from which to look out over his shared urban domain.
The realities of town living in the nineteenth century were not very pleasant. There was constant pollution from soot, causing dirt and fog. There was overcrowding, and dirty, smelly streets and heavy traffic. But living in town was a necessity for being near work before cheap train fares made it possible to commute. The ideal compromise for people who could afford it was the suburb. John Claudius Loudon (1783–1843), writing in 1838, explained its attraction: 'Towns, by the concentration which they afford, are calculated essentially for business and facility of enjoyment; and the interior of the country, by its wide expanse, for the display of hospitality, wealth and magnificence, by the extensive landed proprietor: or for a life of labour and wealth, but without social intercourse, by the cultivator of the soil. The suburbs of towns are alone calculated to afford a maximum of comfort and enjoyment at a minimum of expense.'
In the 1830s Loudon wrote The Suburban Gardener for the middle classes, who found it convenient to live in small 'satellite' settlements outside London and other large towns. They were very different from the suburbs that would surround towns without a gap of country by the end of the century: this must be borne in mind when reading books and magazines described as being 'for suburban gardeners'. The late-nineteenth-century suburb was a commuter-land of small terraced houses close to railway stations where the garden could be measured in square feet rather than the quarter or half acre common to Loudon's suburbia.
But could these terraced-house 'gardens' be used as gardens? We think there is nothing odd in calling a small yard at the back of a town house, or even a balcony with a few pots on it, 'a garden'. The space behind a Victorian terraced house, however, was unlikely to have been regarded as a garden until well into the second half of the nineteenth century. Earlier, it would have contained the privy, the only lavatory for the house, and the whole of the 'back extension' of a terraced house would have been the kitchen, scullery and washhouse. It was not an inviting place for the family to use as a 'garden', particularly as the only access would have been through the servant's quarters (and it probably was just one servant in such houses). Until the necessity for a privy disappeared with the introduction of indoor water closets, the 'garden' would never be a place of pleasure.
As to how these 'gardens' were used, once they were considered suitable, there was probably as much variety as there is now: some people enjoy cultivating them, others pave them over and use them as dog runs, and some do nothing, so they simply become patches of weeds. There would have been more scope for a real garden in the semidetached villas which occupied wider spaces and had side access. In either case, houses were not usually owned, but held on leases for several years or months. It was not practical to invest too much money in the permanent features of a garden. This was one reason for the popularity of bedding plants: they only lasted one season, so could be bought when needed and then discarded when a family moved on. Even the more exotic subtropical plants could be regarded as temporary, as it would take a skilled gardener with access to a glasshouse to keep them alive for more than a year or so. Similarly the urns, pots and statues used decoratively could be taken away, along with the other furniture, when the family moved.
Once people had gardens, they had to learn how to look after them. In the early part of the century, those with a rural past would remember the great gardens of their family patrons, and the cottage gardens of their own parents or grandparents. But by the mid-century, with less memory to rely on, people began to copy the great gardens in towns: the parks. Municipal parks were created to provide fresh air and exercise and to appease the unrest felt when working people protested about the conditions in which they had to live. The government gave working people access to open space before they took it for themselves by force. At first parks were modelled on the eighteenth-century landscape style, but as gardeners began to establish themselves as park designers, they took on their own identity, which was maintained beyond the end of the twentieth century. Park garden designs were usually based on shrubs and bedding plants, which became the dominant style for many gardens of the Victorian era.
The Victorians liked to encourage participation in self-improvement, and gardening fitted in with nature study, geology and botany as activities taught to children. Women with time on their hands (and most women in the middle classes had plenty of time on their hands) were expected to be productive in an uncommercial way. Flowers and plants could be drawn and painted; they could be collected, dried or pressed, labelled and put into albums or displayed in frames. For many Victorian women the garden became the focus of their lives. Because it was perceived as part of the home, it was private rather than public, and women had the freedom to express themselves in it without worrying about what other people thought. Considering their clothing and their image of helplessness in the nineteenth century, it may seem extraordinary that women could have even attempted gardening in any practical way. However, nineteenth-century women were used to dealing with life in long skirts and corsets. Servants and farmers' wives had to take part in hard physical work whether they liked it or not, which shows that it could be done, and many women must have taken to gardening as a release from the formality of the rest of their lives.
One of the gardeners most admired by John Loudon in the 1830s was Louisa Lawrence (c. 1803–55). Although she employed six gardeners in her two-acre garden, she planned and supervised the work herself. Loudon thought she had impeccable taste and used her garden as an example of what other gardeners who may not have her means and advantages could do themselves:
It is worthy of remark, that a good deal of the interest attached to the groups on the lawn of the Lawrencian villa depends on the plants which are planted in the rockwork. Now, though everyone cannot procure American ferns, and other plants of such rarity and beauty as are there displayed, yet there are hundreds of alpines, and many British ferns, which may be easily procured from botanic gardens, or by one botanist from another; and, even if no perennials could be obtained suitable for rockwork, there are the Californian annuals, which alone are sufficient to clothe erections of this kind with great beauty and variety of colouring.
Loudon's approval of Mrs Lawrence shows that he was prepared to accept women as equals in matters of gardening taste, whether or not he expected them to go out and weed and dig themselves. When recommending how gardens should be run, he frequently refers to women as essential helpers, particularly for watering and insect-collecting. Loudon's own wife, Jane (1807–58), certainly was a practical gardener. In Gardening for Ladies she recommends tools and equipment which are suitable for women, including a small spade, clogs to put on over shoes, or a small plate of iron to go under the sole of the shoe, fastened with a leather strap, stiff, thick leather gloves or gauntlets, and a light wheelbarrow. She stresses the benefits to health and even describes the process of digging: 'A lady, with a small light spade may, by taking time, succeed in doing all the digging that can be required in a small garden, the soil of which, if it has been long in cultivation, can never be very hard or difficult to penetrate, and she will not only have the satisfaction of seeing the garden created, as it were, by the labour of her own hands, but she will find her health and spirits wonderfully improved by the exercise, and by the reviving smell of the fresh earth.'10 Jane Loudon started the Ladies' Magazine of Gardening in 1842, but because of her husband's ill health she had to abandon it after a year. It covered the history of flowers and descriptions of gardens, and included letters from other ladies. She clearly felt it was important to concentrate on what women could do, rather than what they could not.
Another practical woman gardener of the same era was the anonymous author of A Handbook on Town Gardening by a Lady, published in 1847. It was presumably anonymous because the 'lady' did not feel it suitable to put her name to something sold for profit. She also wrote about the practical aspects of gardening, although she expected to have a labourer to do the heaviest work, such as digging large holes, but she sounds as if she would certainly have been outside, directing operations. A further woman writer who was prepared to put her name to a book in the mid-century was Elizabeth Watts, who published Modern Practical Gardening in the 1860s. One of the best reasons to look at the work of women gardening writers, particularly those in the early part of the century, is that they give us an insight into the problems of all amateurs, both male and female, in having very little information to go on and not being listened to. Almost all the male writers at the time were professional gardeners, botanists, florists or nurserymen, and they assumed that their readership was composed almost entirely of other professionals.
When the Gardeners' Chronicle started to include articles for amateurs in the 1850s, one was entitled 'A Word for the Ladies':
The Gardeners' Chronicle is indeed, to a great extent, a gentleman's paper, yet there is much information scattered up and down its pages adapted for the gentler sex. If, when the paper is laid on the table, the ladies who love gardening will favour us with their attention, we shall hope to assist them in their pleasing employment ... Ladies are great gardeners on a small scale, and a vast majority of the homes which are made more cheerful and elegant by flowers owe their charm to their hands. They generally love flowers for their own sake, and their attachment is less mingled than that of men with considerations of interest, such as beating their neighbours in their feats of horticultural skill, or adding a respectable adjunct to their domain. A woman looks upon a flower as she does upon a child, with an affection abstracted from external considerations of what trouble it will occasion, or what it will cost to keep. And as her principles are more pure in the department of gardening and its ends, so her pleasures are more simple and deep ... The wife, on a fine June morning, is watering and transplanting, and anxiously training up to perfection some floral beauties, and a little help in stooping or carrying mould would then be a great boon. But the husband looks listlessly on and does nothing – or rather, as is too often the case, he grumbles at the time and labour bestowed; and in his careless perambulation sets his foot on the choicest pet of the neatly kept border. But, 'Sigh no more ladies, sigh no more,' for you have resources in yourselves in this department which will easily make you independent of all but labours of love, and contented to be without aid grudgingly bestowed.
(Continues...)
Excerpted from The Victorian Gardener by Anne Wilkinson. Copyright © 2013 Anne Wilkinson. Excerpted by permission of The History Press.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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Table of Contents
Contents
List of Colour Plates,List of Black and White Illustrations,
Foreword,
Preface,
Acknowledgements,
Introduction,
Part One: The Gardeners,
1. 'The Home of Taste': How Gardening Enhanced Domestic Life,
2. 'Every Man his own Gardener',
Part Two: Learning to Garden,
3. The Quest for Information,
4. Nurserymen, Seedsmen and Florists,
5. The Hardware of the Garden,
6. Societies, Shows and Competitions,
Part Three: Creating the Garden,
7. The Front Garden,
8. The Pleasure Garden,
9. The Vegetable Garden,
10. The Fruit Garden,
11. The Flower Garden,
12. The Natural Garden,
13. The Rose Garden,
14. The Water Garden,
15. The Exotic Garden,
16. The Indoor Garden,
Epilogue: What the Victorian Gardeners Did for Us,
Appendix 1. Victorian Gardening Magazines,
Appendix 2. Suppliers and Places to Visit,
Notes,
Bibliography,