Virginians Will Dance or Die!: The Importance of Music in Pre-Revolutionary Williamsburg

by Joshua R. LeHuray

Overview

Music was everywhere in pre-Revolutionary Williamsburg, Virginia. In 1771, plantation owner Landon Carter noted in his diary that he could hear instruments through the windows of every house in town. In taverns and private homes, at formal performances and dances and casually around the campfire, music filled the daily lives of the people of Williamsburg.

While the average citizen enjoyed music during public events, the city's elite, emulating their British counterparts, spent lavishly on instruments, sheet music and private lessons and held private concerts and dances. Williamsburg's theater, the first of its kind in America, provided a venue for all Virginians and brought numerous musical acts to the stage. Drawing on contemporary newspaper accounts, this book is the first to explore how some 18th-century Williamsburg citizens experienced the growing musical world around them.

Product Details

ISBN-13:	9781476624099
Publisher:	McFarland & Company, Incorporated Publishers
Publication date:	06/05/2016
Sold by:	Barnes & Noble
Format:	eBook
Pages:	196
File size:	5 MB
Age Range:	18 Years

About the Author

Joshua R. LeHuray is an educator at the American Civil War Museum in Richmond, Virginia, co-director of the Janesville Fife and Drum Corps from Janesville, Wisconsin and an adjunct history professor at Rappahannock Community College in Virginia. He lives in Richmond.
Joshua R. LeHuray is an educator at the American Civil War Museum in Richmond, Virginia, co-director of the Janesville Fife and Drum Corps from Janesville, Wisconsin and an adjunct history professor at Rappahannock Community College in Virginia. He lives in Richmond.

Table of Contents

Table of Contents

Acknowledgments
Preface
Introduction
1. The Progression of Williamsburg’s Musical Marketplace
2. Virginians Will Dance or Die!
3. Casual Music and Common Folk
4. The Vibrant Stage of Williamsburg’s Colonial Theaters
Epilogue
Appendix I: Music Master Cuthbert Ogle’s Musical Estate
Appendix II: Concerts and Dances of Williamsburg
Appendix III: Slaves and Servants Valued for Their Music or Dancing Skills
Appendix IV: Plays and Performances at the Williamsburg Theatres
Appendix V: The Articles of Association, October 20, 1774
Chapter Notes
Bibliography
Index

Editorial Reviews

this book is the first to explore how some 18th-century Williamsburg citizens experienced the growing musical world around them”—Chicago Tribune.

From the Publisher