Vivaldi
Legend has it that Antonio Vivaldi once stopped in the middle of celebrating Mass to slip into the sacristy and write out a fugue subject that was obsessing him. That story may be apocryphal, but is captures a paradoxical quality in Vivaldi's life. Born in 1678, Vivaldi was the oldest son of a violinist. He was educated for the Church and was ordained in 1703, but soon set aside his priestly functions to work full-time as violin teacher and house composer at a music school for charity pupils. That work, in turn, led Vivaldi to try his hand at composing and producing operas, which were soon performed throughout Italy: and Vivaldi had found his career. Years later, when the Italian audience began to tire of his operas, he set out for Vienna to conquer a new scene. Sadly, instead, he fell sick there and died.
"1100539474"
Vivaldi
Legend has it that Antonio Vivaldi once stopped in the middle of celebrating Mass to slip into the sacristy and write out a fugue subject that was obsessing him. That story may be apocryphal, but is captures a paradoxical quality in Vivaldi's life. Born in 1678, Vivaldi was the oldest son of a violinist. He was educated for the Church and was ordained in 1703, but soon set aside his priestly functions to work full-time as violin teacher and house composer at a music school for charity pupils. That work, in turn, led Vivaldi to try his hand at composing and producing operas, which were soon performed throughout Italy: and Vivaldi had found his career. Years later, when the Italian audience began to tire of his operas, he set out for Vienna to conquer a new scene. Sadly, instead, he fell sick there and died.
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Vivaldi

Vivaldi

Vivaldi

Vivaldi

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Overview

Legend has it that Antonio Vivaldi once stopped in the middle of celebrating Mass to slip into the sacristy and write out a fugue subject that was obsessing him. That story may be apocryphal, but is captures a paradoxical quality in Vivaldi's life. Born in 1678, Vivaldi was the oldest son of a violinist. He was educated for the Church and was ordained in 1703, but soon set aside his priestly functions to work full-time as violin teacher and house composer at a music school for charity pupils. That work, in turn, led Vivaldi to try his hand at composing and producing operas, which were soon performed throughout Italy: and Vivaldi had found his career. Years later, when the Italian audience began to tire of his operas, he set out for Vienna to conquer a new scene. Sadly, instead, he fell sick there and died.

Product Details

ISBN-13: 9781032918662
Publisher: Taylor & Francis
Publication date: 10/14/2024
Series: The Baroque Composers
Pages: 564
Product dimensions: 6.00(w) x 1.25(h) x 9.00(d)

About the Author

Michael Talbot, Emeritus Professor, University of Liverpool, UK

Table of Contents

Contents: Introduction; Part I Biographical Studies: The fortunes of Vivaldi biography, from Pincherle to the present, Michael Talbot; Antonio Vivaldi e i Vivaldi, Gastone Vio; Antonio Vivaldi prete, Gastone Vio; Vivaldi dagli archivi di Mantova, Claudio Gallico; I nove 'principi di altezza' corrispondenti di Vivaldi e la dedica enigmatica del Concerto RV 574. Alla ricerca dell'indirizzario perduto, Carlo Vitali; Documenti inediti su Vivaldi a Roma, Fabrizio Della Seta; Wenzel von Morzin as a patron of Antonio Vivaldi, Michael Talbot; Vivaldi e il Teatro La Pergola a Firenzi: nuove fonti, William C. Holmes. Part II Source Studies: Towards a Vivaldi chronology, Paul Everett; Vivaldi's marginal markings: clues to sets of instrumental works and their chronology, Paul Everett; Vivaldi at work: the autograph of the 'Gloria' RV 589, Paul Everett; Vivaldi's Quadro? The case of RV Anh. 66 reconsidered, Michael Talbot; La famosa mano di Monsieur Roger: Antonio Vivaldi and his Dutch publishers, Rudolf Rasch; Vivaldi and Lotti: two unknown borrowings in Vivaldi's music, Kees Vlaardingerbroek. Part III Analytical and Genre Studies: Le opere giovanili di Antonio Vivaldi, Federico Maria Sardelli; Vivaldi's 'Crucifixus' in its descriptive and rhetorical context, Jasmin Cameron; Formal structure in Vivaldi's variation sets, Nicholas Lockey; 'Die schwarze Gredel', or the parallel minor key in Vivaldi's instrumental music, Bella Brover-Lubovsky; Ueber die Beziehungen zwischen einigen Concerto- und Sinfonia-Sätzen Vivaldis, Karl Heller; The dramatic in Vivaldi's cantatas, Colin Timms; Vivaldi's Serenatas: long cantatas or short operas?, Michael Talbot; Antonio Vivaldi's setting of Teuzzone: dramatic speech and musical image, Reinhard Strohm; Name Index.
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