Walking in Berlin: A Flaneur in the Capital
304
Walking in Berlin: A Flaneur in the Capital
304eBook
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Overview
Franz Hessel (1880–1941), a German-born writer, grew up in Berlin, studied in Munich, and then lived in Paris, where he moved in artistic and literary circles. His relationship with the fashion journalist Helen Grund was the inspiration for Henri-Pierre Roche's novel Jules et Jim (made into a celebrated 1962 film by Francois Truffaut). In collaboration with Walter Benjamin, Hessel reinvented the Parisian figure of the flaneur. This 1929 book—here in its first English translation—offers Hessel's version of a flaneur in Berlin.
In Walking in Berlin, Hessel captures the rhythm of Weimar-era Berlin, recording the seismic shifts in German culture. Nearly all of the essays take the form of a walk or outing, focusing on either a theme or part of the city, and many end at a theater, cinema, or club. Hessel deftly weaves the past with the present, walking through the city's history as well as its neighborhoods. Even today, his walks in the city, from the Alexanderplatz to Kreuzberg, can guide would-be flaneurs.
Walking in Berlin is a lost classic, known mainly because of Hessel's connection to Benjamin but now introduced to readers of English. Walking in Berlin was a central model for Benjamin's Arcades Project and remains a classic of “walking literature” that ranges from Surrealist perambulation to Situationist “psychogeography.” This MIT Press edition includes the complete text in translation as well as Benjamin's essay on Walking in Berlin, originally written as a review of the book's original edition.
“An absolutely epic book, a walking remembrance.”
—Walter Benjamin
Product Details
| ISBN-13: | 9780262340847 |
|---|---|
| Publisher: | MIT Press |
| Publication date: | 04/28/2017 |
| Series: | The MIT Press |
| Sold by: | Penguin Random House Publisher Services |
| Format: | eBook |
| Pages: | 304 |
| File size: | 496 KB |
| Age Range: | 18 Years |
About the Author
Table of Contents
Foreword vii
The Flaneur's Return Walter Benjamin xiii
The Suspect 1
I Learn a Thing or Two 7
A Bit of Work 15
Fashion 25
Lust for Life 31
A Tour 45
The Animal Palaces 127
Berlin's Boulevard 133
The Old West 143
Tiergarten 149
The Landwehr Canal 155
Kreuzberg 163
Tempelhof 171
Hasenheide 177
Through Neukölln toward Britz 181
Steamship Music 185
To the East 191
The North 209
The Northwest 215
Friedrichstadt 227
Dönhoffplatz 241
The Newspaper District 249
The Southwest 255
Afterword 267
Notes 271
What People are Saying About This
This is a lively translation of Franz Hessel's literary peregrinations through Weimar Berlin, as he takes in the historically saturated sights and sounds of the most self-consciously modern of the early twentieth-century metropolises, from its boulevards, parks, cafés, and courtyards to its department stores, theaters, dance halls, and slaughterhouses.
Hessel describes the small joys and ephemeral pleasures of big-city life in the age of commodity display. The Berlin that comes alive on these pages was destroyed in the last world war, which took as its victims both Hessel and his comrade in flanerie, Walter Benjamin. Hence the poignancy of this beautifully written book. Today we know the fragility of urban dreamworlds, drawn into the orbit of fashion's temporality. The urban pleasures captured here come to us with a sense of foreboding.
Hessel's psychic geography, channeled by subterranean laws, sees neon and reflective glass though the eyes of a lover of antiquity. His Pantheon—the gasometer in Wilmersdorf.Drifting us through a Berlin we know and no longer know, we move as Hessel in search of lost or other types of elsewhere.
—Esther Leslie, Professor of Political Aesthetics, Birkbeck, University of London
Hessel describes the small joys and ephemeral pleasures of big-city life in the age of commodity display. The Berlin that comes alive on these pages was destroyed in the last world war, which took as its victims both Hessel and his comrade in flanerie, Walter Benjamin. Hence the poignancy of this beautifully written book. Today we know the fragility of urban dreamworlds, drawn into the orbit of fashion's temporality. The urban pleasures captured here come to us with a sense of foreboding.
—Susan Buck-Morss, Distinguished Professor, CUNY Graduate CenterThis is a lively translation of Franz Hessel's literary peregrinations through Weimar Berlin, as he takes in the historically saturated sights and sounds of the most self-consciously modern of the early twentieth-century metropolises, from its boulevards, parks, cafés, and courtyards to its department stores, theaters, dance halls, and slaughterhouses.
—Howard Eiland, Literature Section, MIT; cotranslator of The Arcades ProjectHessel's psychic geography, channeled by subterranean laws, sees neon and reflective glass though the eyes of a lover of antiquity. His Pantheon—the gasometer in Wilmersdorf. Drifting us through a Berlin we know and no longer know, we move as Hessel in search of lost or other types of elsewhere.
—Esther Leslie, Professor of Political Aesthetics, Birkbeck, University of LondonHessel's psychic geography, channeled by subterranean laws, sees neon and reflective glass though the eyes of a lover of antiquity. His Pantheon—the gasometer in Wilmersdorf.Drifting us through a Berlin we know and no longer know, we move as Hessel in search of lost or other types of elsewhere.