Walking the Rift: Idealism and Imperialism in East Africa, Alfred Robert Tucker (1890-1911)
The Victorian encounter with Africa contains many micro-narratives that call for a questioning of an old consensus. Tentative assumptions as to the motives of early missionaries and colonial personnel often prove less than satisfactory due to stereotypes and unexplored archives. The need for new master narratives that move beyond the old paradigms of Western expansion and African victimization are being called for by scholars of the Global North and South--narratives that allow room for strong evidence of an egalitarian joint endeavor and African cultural vitality without avoiding the investment in imperialism practiced by colonial personnel. Based on extensive archival research, Walking the Rift advocates an alternative proposal--missionaries and administrators caught in the grinding of contradictory opposites. As a professional artist, Alfred Robert Tucker captured this tug-of-war on canvas, but similar dichotomies are found in his approach to marriage contracts, slavery, mission and church organizational structure, alliance with the colonial government and African partnership. Tucker is a representative figure--a prism to shine light on those involved in the British East African project. Like many in the early encounter with Africa, he was neither a consistent imperialist nor a complete egalitarian idealist, but operated in both spheres without creating a third.
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Walking the Rift: Idealism and Imperialism in East Africa, Alfred Robert Tucker (1890-1911)
The Victorian encounter with Africa contains many micro-narratives that call for a questioning of an old consensus. Tentative assumptions as to the motives of early missionaries and colonial personnel often prove less than satisfactory due to stereotypes and unexplored archives. The need for new master narratives that move beyond the old paradigms of Western expansion and African victimization are being called for by scholars of the Global North and South--narratives that allow room for strong evidence of an egalitarian joint endeavor and African cultural vitality without avoiding the investment in imperialism practiced by colonial personnel. Based on extensive archival research, Walking the Rift advocates an alternative proposal--missionaries and administrators caught in the grinding of contradictory opposites. As a professional artist, Alfred Robert Tucker captured this tug-of-war on canvas, but similar dichotomies are found in his approach to marriage contracts, slavery, mission and church organizational structure, alliance with the colonial government and African partnership. Tucker is a representative figure--a prism to shine light on those involved in the British East African project. Like many in the early encounter with Africa, he was neither a consistent imperialist nor a complete egalitarian idealist, but operated in both spheres without creating a third.
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Walking the Rift: Idealism and Imperialism in East Africa, Alfred Robert Tucker (1890-1911)

Walking the Rift: Idealism and Imperialism in East Africa, Alfred Robert Tucker (1890-1911)

by Joan Plubell Mattia
Walking the Rift: Idealism and Imperialism in East Africa, Alfred Robert Tucker (1890-1911)

Walking the Rift: Idealism and Imperialism in East Africa, Alfred Robert Tucker (1890-1911)

by Joan Plubell Mattia

eBook

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Overview

The Victorian encounter with Africa contains many micro-narratives that call for a questioning of an old consensus. Tentative assumptions as to the motives of early missionaries and colonial personnel often prove less than satisfactory due to stereotypes and unexplored archives. The need for new master narratives that move beyond the old paradigms of Western expansion and African victimization are being called for by scholars of the Global North and South--narratives that allow room for strong evidence of an egalitarian joint endeavor and African cultural vitality without avoiding the investment in imperialism practiced by colonial personnel. Based on extensive archival research, Walking the Rift advocates an alternative proposal--missionaries and administrators caught in the grinding of contradictory opposites. As a professional artist, Alfred Robert Tucker captured this tug-of-war on canvas, but similar dichotomies are found in his approach to marriage contracts, slavery, mission and church organizational structure, alliance with the colonial government and African partnership. Tucker is a representative figure--a prism to shine light on those involved in the British East African project. Like many in the early encounter with Africa, he was neither a consistent imperialist nor a complete egalitarian idealist, but operated in both spheres without creating a third.

Product Details

ISBN-13: 9781532600753
Publisher: Wipf & Stock Publishers
Publication date: 05/24/2017
Sold by: Barnes & Noble
Format: eBook
Pages: 222
File size: 32 MB
Note: This product may take a few minutes to download.

About the Author

Joan Plubell Mattia, formerly Adjunct Professor at George Mason University, now teaches African History and Communications at the University of Debrecen in eastern Hungary. She received her PhD from the University of Birmingham and has been a Visiting Lecturer at Chamuhawi Training Center, Mpwapwa and St. Philips College, Kongwa, both in Tanzania. She is the author of "Missionary Art" in Anglican and Episcopal History.

Table of Contents

Illustrations ix

Acknowledgments xi

Abbreviations xiii

Introduction xv

Chapter 1 The Great Rift: Empire and Ideals 1

Chapter 2 The Marriage Question 15

Chapter 3 Art as The Handmaiden of Empire 36

Chapter 4 Karibu Complexity: The Unwelcome Slavery Dilemma 62

Chapter 5 Mission and Church: Struggle Within 83

Chapter 6 The Mission and The Fort 114

Chapter 7 "Dusky Brethren": Consultation with The Africans 140

Chapter 8 Conclusion 174

Appendix 1 Colonial Personalities: In Order of Appearance 193

Appendix 2 Abolition Time Line-East Africa 198

Bibliography 201

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