Wasteland (Wasteland Series #1)

by Susan Kim, Laurence Klavan

Overview

Fans of the Divergent and Hunger Games series will love Wasteland, the first installment of the Wasteland trilogy, by five-time Emmy Award–nominated writer Susan Kim and Edgar Award–winning Laurence Klavan. With heart-pounding thrills, this harrowing survival story is alive with action and intrigue. Welcome to the Wasteland, a post-apocalyptic U.S. where no one lives past the age of 19. But an early death isn’t the only doom waiting around the corner: Everyone is forced to live under the looming threat of rampant disease and brutal attacks by the variants—hermaphroditic outcasts that live on the outskirts of Prin.

Esther doesn’t care that her best friend, a variant, is considered “the enemy.” She doesn’t care that Levi, who controls the Source, is the real enemy and might send his Taser boys after her if she makes one wrong move. Then she meets Caleb, and just possibly, she might have a chance at salvation.

Product Details

ISBN-13:	9780062118530
Publisher:	HarperCollins
Publication date:	03/26/2013
Series:	Susan Kim's Wasteland Series , #1
Sold by:	HARPERCOLLINS
Format:	eBook
Pages:	352
Sales rank:	815,242
File size:	763 KB
Age Range:	14 - 17 Years

About the Author

Susan Kim & Laurence Klavan cowrote the graphic novels City of Spies and Brain Camp.

Susan is also a five-time Emmy nominee for her work in children's television and a Writers Guild Award winner for best documentary. She wrote the stage adaptation of Amy Tan's The Joy Luck Club, teaches writing at Goddard College, and is a blogger for the Huffington Post. When she was growing up, her family moved a lot, and the combination of being a) shy, b) the constant new kid, and c) the only Asian meant she was often picked on. In Guardians, she explores her thoughts and feelings about not just bullies but how others deal with them . . . and learn to stand up for themselves.

Laurence has also written the novels The Cutting Room, The Shooting Script, and the Edgar Award-winning Mrs. White and a short-story collection, The Family Unit and Other Fantasies. He received two Drama Desk nominations for the book and lyrics to Bed and Sofa, a musical produced by New York's Vineyard Theatre. Laurence was the baby in his family, the youngest of four brothers; even his twin brother was two minutes older. He learned that having little expected of you can be a source of power. So does Esther in Guardians: she has to finally accept being a leader of people before it's too late. She is sixteen, after all.

Editorial Reviews

Gr 10 Up—In the bleak, desolate town of Prin, you get partnered at 14, are considered an elder at 17, and die at 19. Resources are scarce, and disease, especially from rainwater, is rampant. Esther, 15, doesn't fit in, and doesn't care; she hasn't partnered and consistently avoids doing the menial jobs that everyone is assigned, such as digging or searching for gasoline in abandoned cars. Her older sister, Sarah, provides for them by earning the meager food rations that her childhood friend (and now powerful leader) Levi gives people for completing their jobs. Meanwhile, the variants, tattoo and scar-covered, hermaphroditic misfits who live outside of town, are staging increasingly violent assaults against the townspeople. When newcomer Caleb, 16, appears and is able to thwart one of the attacks, the inhabitants of Prin believe he may be the key to stopping the violence. But Caleb himself is not sure, and has his own agenda. There is no subtlety here; the authors make clues about what is to come next all too obvious, and the omniscient point of view leaves nothing to the imagination. Repeated violence, death, and a single (if clinical) sex scene limit this selection to older teens, while the lack of foreshadowing and suspense will not satisfy those same readers. The ending leaves some questions, which may be explored in the next two books of the trilogy.—Kelly Jo Lasher, Middle Township High School, Cape May Court House, NJ

School Library Journal

Kim and Klavan’s world building enticingly trickles through the brutal, fast-paced, multilayered plot, which is fueled by a sweet romance...and plenty of mysteries. Wasteland raises plenty of captivating questions and doesn’t shortchange readers on satisfying answers. — Booklist

From the Publisher

Kim and Klavan’s world building enticingly trickles through the brutal, fast-paced, multilayered plot, which is fueled by a sweet romance...and plenty of mysteries. Wasteland raises plenty of captivating questions and doesn’t shortchange readers on satisfying answers.

Booklist

Kim and Klavan’s world building enticingly trickles through the brutal, fast-paced, multilayered plot, which is fueled by a sweet romance...and plenty of mysteries. Wasteland raises plenty of captivating questions and doesn’t shortchange readers on satisfying answers.

Booklist

This trilogy opener imagines a post-apocalyptic, adult-free world in which the life expectancy is 19, due to desertification and disease. Irresponsible, flighty Esther doesn't fit in with the rest of Prin, her town of adult-acting teenagers. She skips out on assigned duties to play games with her best friend, a member of the hermaphroditic "variant" tribe that suddenly attacks Prin. Inexplicably, Esther fails to question why her best friend's people are attacking and is instead furious at the townspeople's desire to retaliate with war. To fight, Prin needs two things: weapons and instruction. Caleb, a mysterious newcomer whose wife is dead and baby has been kidnapped, arrives just in time to take the role of hero and to teach others. Esther and Caleb's romance is inevitable. But for Prin to obtain weapons, the town must make a deal with Levi, a teenager who sits with a personal army on a large cache of supplies. A conspiracy renders the variants the least of Prin's worries. While the ruined buildings and desert climate make an imaginative setting, and the idea of a population without adults in such a ravaged world poses intriguing questions, incomplete worldbuilding keeps readers from entering it. While Esther grows as a character and the story comes to an actual conclusion, the narrative shortcuts spoil the impact; whether readers stick around for the next two books is an open question. (Post-apocalyptic romance. 14-17)

Kirkus Reviews