Western Rock Artists, Madame Butterfly, and the Allure of Japan: Dancing in an Eastern Dream

by Christopher T. Keaveney

Overview

Using the framework of Edward Said’s Orientalism, this work examines how Western rock and pop artists—particularly during the age of album rock from the 1970s through the 1990s—perpetuated long-held stereotypes of Japan in their direct encounters with the country and in songs and music videos with Japanese content.

Product Details

ISBN-13:	9781793625267
Publisher:	Lexington Books
Publication date:	08/06/2020
Sold by:	Barnes & Noble
Format:	eBook
Pages:	242
File size:	3 MB

About the Author

Christopher T. Keaveney is assistant professor at Rikkyo University.

Table of Contents

Introduction: I Want You to Want Me: Western Rock Artists and Japan

Chapter 1: You Say You Want a Revolution: The Ventures, the Beatles, Group Sounds, and the Soundtrack for a Miracle

Chapter 2: Japan’s Temple of Rock: Budokan and the Golden Age of Live in Japan

Chapter 3: Unleashed in the East: Negotiating Western Imaginaries of Japan

Chapter 4: Big in Japan: The Western Gaze in Rock Songs About Japan

Chapter 5: I Think I’m Turning Japanese: Orientalism in Rock Videos and Images

Chapter 6: Pinkerton’s Apology: The Maturing of the Western Rocker’s Gaze

Epilogue: Rockin’ On: The Continuing Appeal of Japan to Western Artists

Editorial Reviews

Taking his readers on a rock 'n roll tour of Japan from the 1960s through the 1990s, Christopher Keaveney reveals the Orientalist dreams influencing many Western musicians from their kimono-clad album covers and geisha-inspired lyrics to their reflections on their Japanese fandom. Informative, erudite, and wonderfully fun to read, Keaveney's study compels rethinking the legacy of Madame Butterfly, samurai masculinity, and discovery of the Western self in the exotic East.

Rebecca Copeland

Christopher T. Keaveney shifts our focus from the impact of rock music on Japan to the impact of Japan on rock music. He places rock and roll in the long history of japonisme, demonstrating how both explicitly gendered ‘imaginaries’ and real experiences of Japan influenced the economic and cultural development of AOR and rock video. Throughout the book, Keaveney’s passion for the music comes through.

E. Taylor Atkins

Christopher Keaveney’s monograph is a very welcome addition to the field of transnational and comparative Japan studies, and by extension contemporary cultural studies…. [A] valuable aspect of the book…is perhaps its ability to trigger ideas for further projects and point to avenues for further research in the rich and ever-growing fields of cultural representation analysis and of transnational Japan studies.

Journal of Japanese and International Economy

This knowledgeable, lovingly written, accessible book records the many ways orientalist stereotypes of Japan have influenced American and British rock musicians during the ‘Age of Album Rock’ (1960s–1990s) and beyond, as heard in their songs, seen on their album covers, enacted on their concerts at the Budokan, performed in photographs and music videos, and reported by journalists.

Alisa Freedman