Publishers Weekly
★ 03/25/2024
In this luminous first novel, an isolated community of 12 families encounters a pair of outsiders on their small island off the coast of Wales in 1938. Manod, 18, lives with her lobsterman father and younger sister and sees a circumscribed future for herself on the remote and rugged island. Then a dead whale washes up on the beach. This incident is immediately followed by the arrival of an English couple, Edward and Joan, anthropologists from Oxford who have come to the island to study its inhabitants for an ethnographic paper they plan to coauthor. Manod demonstrates her ambition and intelligence to the couple, and they ask her to serve as their secretary and translator, given that few others in the community speak English. As the villagers are drawn by curiosity to the whale, which becomes a site of children’s play and a shrine to the decomposing beast, Manod falls under Joan’s spell for one reason and Edward’s for another, leading her to make some hard decisions about the life she ultimately wants to lead. The simplicity of the island folk and their daily existence is mirrored in the deceptive plainness of O’Connor’s prose and in Manod’s crystal-clear gaze. Literary voyagers looking for new worlds should add this to their itinerary. Agent: Matthew Marland, RCW Literary. (May)
From the Publisher
Both blunt and exquisite . . . O’Connor’s excellent debut . . . is an example of precisely observed writing that makes a character’s specific existence glimmer with verisimilitude.”
—New York Times Book Review
"Spare and bracing...O'Connor constructs her setting with precise, atmospheric detail that captures a world slowly being eroded....It all makes for a haunting and lucid exploration of the moments leading up to immense change."
—NPR
“In Whale Fall, the landscape and its people speak together…By rejecting nostalgia but still foregrounding landscape, Whale Fall makes space for the more intimate, surreal ways that culture can relate to nature.”
—The Nation
"Whale Fall is an astonishingly assured debut that straddles many polarities: love and loss, the familiar and the strange, trust and betrayal, land and sea, life and death. O’Connor has created a beguiling and beguiled narrator in Manod: I loved seeing the world through her eyes, and I didn’t want the novel to end"
—Maggie O'Farrell, New York Times bestselling author of The Marriage Portrait and Hamnet
"A haunting, unhurried, unusual debut...O’Connor offers a clear-eyed exploration of our tendency to fetishize the rural, the isolated, and what it means to become an object of study."
—Joanna Quinn, New York Times bestselling author of The Whalebone Theater
"Whale Fall is a powerful novel, written with a calm, luminous precision, each feeling rendered with chiseled care, the drama of island life unfolding with piercing emotional accuracy"
—Colm Toibin, New York Times bestselling author of Brooklyn and The Magician
"O’Connor’s slim, powerful debut vibrates with elemental, immediate, and palpable scenes and descriptions...O’Connor’s spare, incisive prose brings the island to vivid life."
—Boston Globe
"These minimalist pages shimmer...What a testament to the capaciousness, generosity and emotional range of true art."
—Scientific American
"I absolutely adored Whale Fall. I fell completely under its spell: the quiet beauty of it, the mounting sense of loss, the subtle way that Elizabeth O'Connor handled the exploitation, betrayal and desecration of a small community. Every sentence rang with clarity and authenticity. It's a triumph."
—Elizabeth Macneal, author of The Doll Factory and Circus of Wonders
“Beautiful and restrained, Whale Fall moves like a tide, ebbing and flowing. A novel that matches the simplicity and timelessness of the classics of island literature, reminiscent of Tomás O’Crohan or Robin Flower, it is transporting and utterly beautiful.”
—Seán Hewitt, author of All Down Darkness Wide
"The quiet cadences of Whale Fall contain a deep melody of loss held and let go. It is a gentle, tough story about profound change."
—Anne Enright, Booker Prizewinning author of The Gathering
"Mesmerizing...Whale Fall is a rich and quietly compelling novel that vividly captures the community’s transformation. Entrancing descriptions illuminate the raw beauty of the island through seasonal changes.
—Bookpage
“O’Connor manages to extract the fullest level of excitement, introspection and drama out of each detail of her perfectly crafted work…Manod’s adventures and musings take place in a perfectly rendered island, a castaway in her own hometown. If you love seafaring, island living and off-kilter ways of surviving, Whale Fall will not let you fetishize the place or the people. It’s too good of a book for that. Hidden in a historical setting, it gives the reader a heady mix of philosophy, coming of age, relationships, toxic masculinity and gossip while holding true to its hauntingly slow and suspenseful building of those details into a beautiful, bold cautionary tale. As a debut novelist, O’Connor must be celebrated for completely overhauling the elements she uses in her storytelling, which we have seen from the likes of Isabel Allende, Edith Wharton and Toni Morrison. The way that she uses the characters’ differences to bind them to each other is nothing less than heroic. Whale Fall is a wonderful novel to be savored for all of its beauty.”
—Bookreporter
MAY 2024 - AudioFile
Gwyneth Keyworth's nuanced portrayal of Manod reveals the 18-year-old's transformative journey in this haunting story, set in 1938. Keyworth smoothly transports listeners to an isolated Welsh island and evokes the poignant interactions between Manod, a local, and the English couple, both ethnologists, who arrive to study the villagers' traditional ways. Dyfrig Morris, Gabrielle Glaister, Jot Davies, and Nick Griffiths add to the novel's ambiance with evocative renditions of folklore and historical narratives. Well-crafted sound effects, such as the crackling and echoes of an old recording machine, add a compelling layer of period authenticity. This atmospheric audiobook amplifies the novel's exploration of profound cultural differences within ostensibly similar societies. M.F. Winner of AudioFile Earphones Award © AudioFile 2024, Portland, Maine
Kirkus Reviews
2024-02-17
O’Connor’s debut novel is set in 1938 on a remote island off the coast of Wales and centers Manod, an 18-year-old who has lived there her entire life.
With her fisherman father, Tad, offbeat younger sister, Llinos, and beloved dog, Elis, Manod battles the elements on the rocky outcrop to survive. Following the untimely death of their mother years prior, she feels responsible for Llinos’ upbringing. O’Connor is careful not to romanticize the island, depicting the harsh living conditions in graphic prose: “The wind makes red meat of us.” Alongside the news of increased political tension in Europe, a beached whale captivates the small, tightknit community, which is becoming increasingly conscious of its isolation. That so many families have abandoned the island for the mainland, leaving “more empty houses on the island than inhabited ones,” increases that sense of dislocation. When English ethnographers Edward and Joan arrive to document the islanders’ way of life, they enlist Manod to provide her unique insight into the project, and she begins to wonder if an academic career might provide an escape preferable to marriage. This renewed sense of possibility and appreciation for her home—“I had never looked closely at the island. I had never thought it was interesting, or beautiful”—coincides with a sensual awakening. Where her sexuality before the arrival of the scholars might appear modern—she has sex with a local boy without shame—it’s strikingly passive: “saying yes to him, kissing him, other things, made me feel slightly less peculiar than I did.” Appraising the island and herself through an outsider’s gaze seems to awaken Manod’s senses, making her acutely aware of her body and desire. As the academics set about documenting the traditions, folklores, and lifestyles of the islanders, Manod’s sense of otherness increases—with the pair exoticizing the islanders to such a degree that their research is utterly compromised. O’Connor prompts us to consider what it is to experience ourselves—and our cultures—through strangers’ eyes.
A beautiful meditation on the profound effects of seeing and being seen.
