The ten amusing and witty essays in What Galileo Saw, which are loosely connected and can be read independently, stem from the premise that if Christian time 'began with the Nativity of Christ, then another age, the dawn of modern times, began when Galileo looked through his spyglass' (p. 3). Lawrence Lipking deals with the cultural impact of the Scientific Revolution and does not claim to explain its genesis beyond recognizing three basic versions of the story.
Eighteenth-century literary studies have always been interdisciplinary; understanding Pope and Swift entails understanding garden history and developments in astronomy. Distinguished historian of literary and art theory and of the novel, Lipking (emer.Northwestern) has done enough homework to write a book about the scientific revolution that passes muster with such discerning of historians of science as Peter Dear. The book is not, as it first seems, a connected account of the role of visual imaging in science; rather, Lipking offers a series of meditations on individual figures from Galileo and Kepler to Hooke and Newton.... Lipking's audience is not historians of science but students of literature and even, given his admirable clarity, general readers, for whom he has provided a thoroughly accessible intellectual feast.
--D.L. Patey "Choice"
The ten amusing and witty essays in What Galileo Saw, which are loosely connected and can be read independently, stem from the premise that if Christian time 'began with the Nativity of Christ, then another age, the dawn of modern times, began when Galileo looked through his spyglass' (p. 3). Lawrence Lipking deals with the cultural impact of the Scientific Revolution and does not claim to explain its genesis beyond recognizing three basic versions of the story.
--William R. Shea "Isis"
While tensions between religion and science and arguments about the loss of meaning in the world were obvious as early as the 1600s and continue today (witness modern scientists such as Carl Sagan in Pale Blue Dot and Richard Dawkins in Unweaving the Rainbow attempting to dispel this perception), Lipking supports his thesis admirably by blending literary analysis of period texts with the philosophers' own writings. He demonstrates that there was no clean line of progress and that the world was never turned fully mechanistic by any of these great scientists. VERDICT Substantial and erudite, this title will appeal to scholarly readers studying the philosophy and history of science.
--Evan M. Anderson "Library Journal"
"What Galileo Saw is an exceptionally serious and intelligent discussion of issues that tend to transcend the disciplinary boundaries of the history of science. At the same time, Lawrence Lipking displays state-of-the-art command of the historical scholarship, especially striking in the cases of Galileo, Hooke, and Newton."
"Engaging, readable, insightful, fluid and wide-ranging, this is an excellent examination of the time period - its natural philosophy, its science (once that word came about), its larger-than-life figures and those whose work preceded theirs, its writers and artists, and the general manner in which "imagination" became much the dominant mode of thought that drove all this. Highly recommended."
"While tensions between religion and science and arguments about the loss of meaning in the world were obvious as early as the 1600s and continue today (witness modern scientists such as Carl Sagan in Pale Blue Dot and Richard Dawkins in Unweaving the Rainbow attempting to dispel this perception), Lipking supports his thesis admirably by blending literary analysis of period texts with the philosophers' own writings. He demonstrates that there was no clean line of progress and that the world was never turned fully mechanistic by any of these great scientists. VERDICT Substantial and erudite, this title will appeal to scholarly readers studying the philosophy and history of science."
Eighteenth-century literary studies have always been interdisciplinary; understanding Pope and Swift entails understanding garden history and developments in astronomy. Distinguished historian of literary and art theory and of the novel, Lipking (emer.Northwestern) has done enough homework to write a book about the scientific revolution that passes muster with such discerning of historians of science as Peter Dear. The book is not, as it first seems, a connected account of the role of visual imaging in science; rather, Lipking offers a series of meditations on individual figures from Galileo and Kepler to Hooke and Newton.... Lipking's audience is not historians of science but students of literature and even, given his admirable clarity, general readers, for whom he has provided a thoroughly accessible intellectual feast.
10/15/2014
Some believe that the scientific revolution beginning in early 17th-century Europe demystified and rationalized existence, undermined metaphysical certitude, and took all the joy, magic, and imagination out of the world—the universe became solely material. Not so, argues Lipking (English, Northwestern Univ.; Samuel Johnson: The Life of An Author), who posits that the scientific revolution was more complicated than the standard narrative of progress and dispelling of superstitions. Imagination, theology, and a sense of wonder, the author explains, propelled the work of natural philosophers such as René Descartes, Galileo, and Isaac Newton. While tensions between religion and science and arguments about the loss of meaning in the world were obvious as early as the 1600s and continue today (witness modern scientists such as Carl Sagan in Pale Blue Dot and Richard Dawkins in Unweaving the Rainbow attempting to dispel this perception), Lipking supports his thesis admirably by blending literary analysis of period texts with the philosophers' own writings. He demonstrates that there was no clean line of progress and that the world was never turned fully mechanistic by any of these great scientists. VERDICT Substantial and erudite, this title will appeal to scholarly readers studying the philosophy and history of science.—Evan M. Anderson, Kirkendall P.L., Ankeny, IA