★ 04/23/2018
Fine’s stellar debut is a mystical combination of curiosity, curses, and compassion. Maisie Cothay possesses the ability to slay and bring back to life with just her touch. As a fetus she kills her mother, Laurie, early in the pregnancy, though Laurie’s body remains functional until Maisie’s birth in 1990. Maisie’s father, Peter, is an anthropologist fascinated by the myths surrounding Laurie’s bloodline, which includes a history of disappearing women. At the center of the mystery is Urizon, an estate next to a magical forest. At 16, Maisie is painfully aware of the secret she must contain, obediently following her father’s rules, such as avoiding touching living beings and staying away from the forest. Her sheltered life is shattered when Peter goes missing, leaving Maisie to embark on a rescue mission into the woods with Matthew, the nephew of a family friend. Within the forest’s dangerous, tangled maze is a group of women trapped in limbo, hoping for passage to the next world, as well as a shadow person waiting for Maisie. Fine creates an entirely new twist on the familiar setup of a young woman facing supernatural obstacles while trying to balance her own blossoming youth. This is an inventive and fascinating modern coming-of-age fairy tale. (May)
Delightful and darkly magical. Julia Fine has written a beautiful modern myth, a coming-of-age story for a girl with a worrisome power over life and death. I loved it.” — Audrey Niffenegger, author of The Time Traveler’s Wife and Her Fearful Symmetry
“A modern fairy tale… Fine’s story is a barely restrained, careful musing on female desire, loneliness and hereditary inheritances.” — Everdeen Mason, Washington Post
“The Brothers Grimm gave us the fairy tales; many years later Tanith Lee gave us ‘Tales From the Sisters Grimmer.’ In this astonishing debut, Ms. Fine bids fair to be the Sister Grimmest.” — Tom Shippey, Wall Street Journal
“A hypnotizing fairy tale that explores what it’s like to live life in an unruly female body that everyone around it insists on controlling, What Should Be Wild pulsates with originality, curiosity, terror, and pleasure.” — Bustle
“A rich blend of myth and modernity, [and] intricately contrived feminist fantasy, ‘What Should Be Wild’ explores the urges of the body, the nature of desire and the power of the spirit. The novel offers ample portions of adventure, suspense and humor and marks the arrival of a formidable new talent.” — Michael Berry, San Francisco Chronicle
“A surreally feministic tale…. Enchanting, menacing and darkly humorous, it explores women’s power and powerlessness throughout the ages. To be tamed and controlled, to be untamed and fierce—and feared.” — Family Circle
“What Should Be Wild is a Gothic stunner for the 21st century—provocative, luxuriant, unsettling. Prepare to be mesmerized.” — Leni Zumas, author of Red Clocks
“Without hyperbole, it’s one of the best debut novels I’ve ever read.” — Chicago Magazine
“A wonderful addition to that genre of lyrical, poetic fantasies, akin to fairy tales in their delicacy and adjacency to the real world.” — Elena Nicolaou, Refinery 29
“Julia Fine’s elegant prose and quick-paced storytelling cause the pages to fly by, and you’ll still be reliving each moment to trace what was real for quite some time to come.” — Popsugar
“Julia Fine’s dynamic new novel What Should Be Wild is a darkly comic tale with doses of magic and suspense.” — Southern Living
“Julia Fine is an exciting, excellent writer. And her voice, in What Should Be Wild, says, unspoken, what we all want so badly to hear when we pick up a new book: Let me tell you a story... one you won’t want to end.” — Josh Malerman, author of Bird Box and Black Mad Wheel
“Has all the ingredients of a Gothic fairy tale, but expounds upon them in fantastic and modern ways. It’s gorgeous and exhilarating… written in stunning prose, with an urgency that demands the fullest attention, not unlike the magical fiction of Karen Russell or Helene Wecker.” — Sara Cutaia, Chicago Review of Books
“Imaginative and haunting, a stylistic blend of Matthew Haig’s How To Stop Time, Melissa Albert’s The Hazel Wood, and Téa Obreht’s The Tiger’s Wife.” — Library Journal, starred review
“A captivating tale that explores the fears, desires and mysteries of growing up…. Fine begins with elements we all recognize… and delightfully warps them until a new tale emerges. Maisie is a complex heroine worthy of the story’s luxurious prose…. Fine [has a] gift for walking the tightrope between the universal truths of human experience and the hidden magic within those truths.” — Matthew Jackson, BookPage
“A smart, dark fiction read with a magical twist.” — Hello Giggles
“Fine’s stellar debut is a mystical combination of curiosity, curses, and compassion…. An inventive and fascinating modern coming-of-age fairy tale.” — Publishers Weekly, starred review
“A debut novel spins a fairy tale about the power and terror of female desire…. Fine has written an old-fashioned book with contemporary resonances… everything from the setting to the elegantly formal prose seems lifted from a 19th-century fairy tale…. The poise and skill with which the story unfolds is an undeniable pleasure.” — Kirkus
“What Should Be Wild is a grim, beautiful book that you won’t be able to put down. It’s a thrilling fairytale that will give you the chills, will make you wonder what’s really hidden in the forest. Julia Fine writes with enormous imagination, and her first novel is a feast.” — Annie Hartnett, author of Rabbit Cake
“A first-time novelist of exceptional imagination… Fine offers a provocative fairy tale about womanhood under siege and one young woman’s fierce resistance… with convincing intensity and a charming mix of wit, gruesomeness, magic, and romance in the spellbinding mode of Alice Hoffman.” — Booklist
“Julia Fine’s bewitching debut is a crackling contemporary fairytale that explores the cost of being extraordinary in a world that asks women to suppress their strength. Fine possesses an astonishing talent as a storyteller. I couldn’t stop reading until every last secret of the forest had been revealed.” — Sara Flannery Murphy, author of The Possessions
“What Should Be Wild is a dark, glorious fairytale and a grand adventure. Blending magical realism and riveting storytelling, Ms. Fine knows how to cast a spell over her readers. I was captivated by this book from the first page, and its characters are firmly imprinted on my heart.” — Jennie Melamed, author of Gather the Daughters
“Fine uses a familiar fairy tale framework to illuminate the fear and oppression of female power…. This framework, the open-hearted, first-person narration from Maise, and just plain good storytelling make the layered exploration accessible and engaging…. [A] lovely debut.” — Nicola Onychuk, Romantic Times
Delightful and darkly magical. Julia Fine has written a beautiful modern myth, a coming-of-age story for a girl with a worrisome power over life and death. I loved it.
A modern fairy tale… Fine’s story is a barely restrained, careful musing on female desire, loneliness and hereditary inheritances.
Julia Fine’s elegant prose and quick-paced storytelling cause the pages to fly by, and you’ll still be reliving each moment to trace what was real for quite some time to come.
What Should Be Wild is a Gothic stunner for the 21st century—provocative, luxuriant, unsettling. Prepare to be mesmerized.
A wonderful addition to that genre of lyrical, poetic fantasies, akin to fairy tales in their delicacy and adjacency to the real world.
A rich blend of myth and modernity, [and] intricately contrived feminist fantasy, ‘What Should Be Wild’ explores the urges of the body, the nature of desire and the power of the spirit. The novel offers ample portions of adventure, suspense and humor and marks the arrival of a formidable new talent.
Without hyperbole, it’s one of the best debut novels I’ve ever read.
The Brothers Grimm gave us the fairy tales; many years later Tanith Lee gave us ‘Tales From the Sisters Grimmer.’ In this astonishing debut, Ms. Fine bids fair to be the Sister Grimmest.”
A surreally feministic tale…. Enchanting, menacing and darkly humorous, it explores women’s power and powerlessness throughout the ages. To be tamed and controlled, to be untamed and fierce—and feared.
A hypnotizing fairy tale that explores what it’s like to live life in an unruly female body that everyone around it insists on controlling, What Should Be Wild pulsates with originality, curiosity, terror, and pleasure.
A smart, dark fiction read with a magical twist.
Julia Fine’s bewitching debut is a crackling contemporary fairytale that explores the cost of being extraordinary in a world that asks women to suppress their strength. Fine possesses an astonishing talent as a storyteller. I couldn’t stop reading until every last secret of the forest had been revealed.
Has all the ingredients of a Gothic fairy tale, but expounds upon them in fantastic and modern ways. It’s gorgeous and exhilarating… written in stunning prose, with an urgency that demands the fullest attention, not unlike the magical fiction of Karen Russell or Helene Wecker.
What Should Be Wild is a dark, glorious fairytale and a grand adventure. Blending magical realism and riveting storytelling, Ms. Fine knows how to cast a spell over her readers. I was captivated by this book from the first page, and its characters are firmly imprinted on my heart.
Julia Fine is an exciting, excellent writer. And her voice, in What Should Be Wild, says, unspoken, what we all want so badly to hear when we pick up a new book: Let me tell you a story... one you won’t want to end.
A captivating tale that explores the fears, desires and mysteries of growing up…. Fine begins with elements we all recognize… and delightfully warps them until a new tale emerges. Maisie is a complex heroine worthy of the story’s luxurious prose…. Fine [has a] gift for walking the tightrope between the universal truths of human experience and the hidden magic within those truths.
What Should Be Wild is a grim, beautiful book that you won’t be able to put down. It’s a thrilling fairytale that will give you the chills, will make you wonder what’s really hidden in the forest. Julia Fine writes with enormous imagination, and her first novel is a feast.
Fine uses a familiar fairy tale framework to illuminate the fear and oppression of female power…. This framework, the open-hearted, first-person narration from Maise, and just plain good storytelling make the layered exploration accessible and engaging…. [A] lovely debut.
A first-time novelist of exceptional imagination… Fine offers a provocative fairy tale about womanhood under siege and one young woman’s fierce resistance… with convincing intensity and a charming mix of wit, gruesomeness, magic, and romance in the spellbinding mode of Alice Hoffman.
Julia Fine’s dynamic new novel What Should Be Wild is a darkly comic tale with doses of magic and suspense.
A first-time novelist of exceptional imagination… Fine offers a provocative fairy tale about womanhood under siege and one young woman’s fierce resistance… with convincing intensity and a charming mix of wit, gruesomeness, magic, and romance in the spellbinding mode of Alice Hoffman.
Without hyperbole, it’s one of the best debut novels I’ve ever read.
A surreally feministic tale…. Enchanting, menacing and darkly humorous, it explores women’s power and powerlessness throughout the ages. To be tamed and controlled, to be untamed and fierce—and feared.
A hypnotizing fairy tale that explores what it’s like to live life in an unruly female body that everyone around it insists on controlling, What Should Be Wild pulsates with originality, curiosity, terror, and pleasure.
07/01/2018
Maisie Cothay has never known the warmth of a hug, a kiss from a parent, or even a firm handshake. The slightest touch of Maisie's skin will kill the living and resurrect the dead. Her father, an anthropologist, has kept her away from society in order to experiment with and track her abilities. The Cothays live in a secluded family estate surrounded by cursed woods. When Maisie's father goes missing, a clue points to the woods, and when she enters the cursed forest, a mystical world awaits beyond the safety of the estate. This fast-paced, imaginative, and intriguing tale will grip readers. VERDICT Libraries will find this realistic fantasy novel hard to keep on their shelves.—Amanda LeMay, Neptune Township Public Library, NJ
2018-02-20
A debut novel spins a fairy tale about the power and terror of female desire.Sixteen-year-old Maisie Cothay leads an isolated existence. She was born with a rare talent: Her touch can kill living things and resurrect the dead. As a result, her mother died while Maisie was in utero, and she grows up at Urizon—her ancestral home, which has "a reputation for tragedy"—with only her academic father and a housekeeper for company. Maisie knows that something is cursed in her history: The portraits of her ancestors that line the halls come with legends and rumors about the "bedeviled family line." Many of these stories involve the nearby forest Maisie grew up fearing, warned by her father to never enter. But when Maisie's father disappears, leaving only a strange old map as a clue to his whereabouts, Maisie is convinced that the forest is the key to finding him. As Maisie ventures into the wider world for the first time, she must learn who can be trusted and, finally, via the mysterious woods, must reckon with the true nature of her own gifts and the cursed women in her lineage. Fine, too, looks to the past: Everything from the setting to the elegantly formal prose seems lifted from a 19th-century fairy tale—so much so that it can break the spell somewhat when characters refer to their sneakers or a recycling bin. The novel, with its mysterious forest and Maisie's creative/destructive powers, works well as an allegory of a certain kind of traditional womanly experience of burgeoning sexuality, knowledge, and growing up; though not all female-identifying readers may see themselves here, the poise and skill with which the story unfolds is an undeniable pleasure.Fine has written an old-fashioned book with contemporary resonances.
