The sophomore album from
Joel Ross, 2020's
Who Are You? showcases the Chicago-born, Brooklyn-based vibraphonist's expansive post-bop jazz. The record follows his critically acclaimed debut, 2019's
Kingmaker, and again finds him engaging in warm long-form interplay with his distinctive sextet. Joining
Ross are pianist
Jeremy Corren, saxophonist
Immanuel Wilkins, and drummer
Jeremy Dutton -- bandmates who all played on
Kingmaker. Added to the ensemble this time are bassist
Kanoa Mendenhall and harpist
Brandee Younger. The addition of
Younger is an especially interesting choice. Informed by jazz harp pioneers like
Alice Coltrane and
Dorothy Ashby, she brings an unusual texture to the ensemble. Her presence also means
Ross' group has four chordal instruments (vibes, piano, bass, and harp) interacting at any given time. There's an impressionistic sound to many of
Ross' songs, as on the opening "Dream." A wave-like composition, it brings to mind the work of artists like pianist
Keith Jarrett and vibraphonist
Wolfgang Lackerschmid. There's also a strong
John Coltrane influence that runs through the album that's particularly evident in
Wilkins' playing. On the minor-key "More?" the saxophonist rubs against the song's Eastern European folk intimations with his edgy tone and wry note choices. Picking up on his approach,
Corren offers his own wild-eyed and dancerly response before
Ross dives into the whirling fray. Underlining the
Coltrane influence,
Ross presents an elegiac and delicately textured rendition of the saxophonist's "After the Rain," off his landmark 1963 album
Impressions. Where the original was spare and made the most of
Coltrane's small quartet,
Ross' version is more widescreen. He expands
Coltrane's melody with a shimmer of bubble-bright harp and vibraphone tones that fall like water droplets onto a buzzing lake of bowed bass and rippling, woody drum patterns. From there, the group shifts gears into a measured reading of
Ambrose Akinmusire's "Vartha." A carryover from
Ross' time as a member of the trumpeter's ensemble, the song starts with a slow churn that sets up a kinetic solo from
Wilkins.
Ross then responds in kind, launching into a flurry of gyroscopic note spirals. The song ends with an equally frenetic drum outro that segues directly into
Ross' composition "Marshland," a transition that speaks to the vibraphonist's interest in having longer musical conversations throughout the album. Elsewhere, he pays homage to the late Argentinian tenor saxophonist
Gato Barbieri on his soulful and dusky "Gato's Gift," and evokes the yearning vocals of Argentine singer
Mercedes Sosa with a dual sax and vibraphone melody on the ballad "Harmonee." With
Who Are You?,
Ross has crafted another highly engaging small-group album that more than answers the question at hand. ~ Matt Collar