Wingless Desire in Modernist Russia: Envy and Authorship in the 1920s

In Wingless Desire in Modernist Russia, Yelena Zotova argues that the concept of envy underwent a peculiar transformation in the Russian Modernist prose of the 1920s due to a series of radical shifts in societal values, with each subsequent change thwarting Russia’s volatile axiological hierarchy. Industriousness and austerity, inferior to playful genius in Pushkin’s “Mozart and Salieri,” became virtues, while the intrinsic value of nonutilitarian art was officially nullified by the Bolshevik state.Consequently, a new literary type emerged, and envy, described as “wingless desire” by Russia’s chief poet Alexander Pushkin, obtained new ownership as the envied became the envier. Superimposing twentieth-century theories of envy onto Mikhail Bakhtin’s “Author and Hero in the Aesthetic Activity” (1923), Zotova proposes that Salieri’s envy could be the wingless embryo of the Bakhtinian authorship.

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Wingless Desire in Modernist Russia: Envy and Authorship in the 1920s

In Wingless Desire in Modernist Russia, Yelena Zotova argues that the concept of envy underwent a peculiar transformation in the Russian Modernist prose of the 1920s due to a series of radical shifts in societal values, with each subsequent change thwarting Russia’s volatile axiological hierarchy. Industriousness and austerity, inferior to playful genius in Pushkin’s “Mozart and Salieri,” became virtues, while the intrinsic value of nonutilitarian art was officially nullified by the Bolshevik state.Consequently, a new literary type emerged, and envy, described as “wingless desire” by Russia’s chief poet Alexander Pushkin, obtained new ownership as the envied became the envier. Superimposing twentieth-century theories of envy onto Mikhail Bakhtin’s “Author and Hero in the Aesthetic Activity” (1923), Zotova proposes that Salieri’s envy could be the wingless embryo of the Bakhtinian authorship.

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Wingless Desire in Modernist Russia: Envy and Authorship in the 1920s

Wingless Desire in Modernist Russia: Envy and Authorship in the 1920s

by Yelena Zotova
Wingless Desire in Modernist Russia: Envy and Authorship in the 1920s

Wingless Desire in Modernist Russia: Envy and Authorship in the 1920s

by Yelena Zotova

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Overview

In Wingless Desire in Modernist Russia, Yelena Zotova argues that the concept of envy underwent a peculiar transformation in the Russian Modernist prose of the 1920s due to a series of radical shifts in societal values, with each subsequent change thwarting Russia’s volatile axiological hierarchy. Industriousness and austerity, inferior to playful genius in Pushkin’s “Mozart and Salieri,” became virtues, while the intrinsic value of nonutilitarian art was officially nullified by the Bolshevik state.Consequently, a new literary type emerged, and envy, described as “wingless desire” by Russia’s chief poet Alexander Pushkin, obtained new ownership as the envied became the envier. Superimposing twentieth-century theories of envy onto Mikhail Bakhtin’s “Author and Hero in the Aesthetic Activity” (1923), Zotova proposes that Salieri’s envy could be the wingless embryo of the Bakhtinian authorship.


Product Details

ISBN-13: 9781793605597
Publisher: Lexington Books
Publication date: 12/10/2020
Series: Crosscurrents: Russia's Literature in Context
Sold by: Barnes & Noble
Format: eBook
Pages: 296
File size: 616 KB

About the Author

Dr. Yelena Zotova is associate teaching professor at The Pennsylvania State University.

Table of Contents

Table of Contents

A Note on Translation and Transliteration

Acknowledgments

List of Abbreviations

Introduction: The Hermeneutic Challenge of Envy

Chapter 1: When Author Envies Hero

Chapter 2: Wingless Desire: Mozart and Salieri as Author and Hero

Chapter 3: A Purgatory for the Hero: Iurii Olesha’s Envy

Chapter 4: The Author in Hades: Konstantin Vaginov

Chapter 5: The Surplus of Vision in the Works of Alexander Grin

Afterword: Envy, Conscience, and Taste

Bibliography

About the Author

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